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Official Lens Discussion Thread

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Old 04-18-2012, 06:56 PM
  #1161  
I miss my 03 CL-S :(
 
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There's always the EF-S 55-250 f/4-5.6 IS... There's a Mk II that might be better than the Mk I that I used to have... Link to shots I took with it.

I no longer have it though (sold it and got the 70-200 2.8L IS).
Old 04-18-2012, 08:19 PM
  #1162  
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The 75-300mm f4-5.6 IS USM model is not to bad.

But if you can, spring for a 70-200mm f4 L
Great lens for the price.
Old 04-24-2012, 07:09 PM
  #1163  
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Thanks guys. I think I'm going to pick up the EF-S 55-250. The photos you shot with yours, einsatz, look fantastic. I like the fact that it can be had for less than $200. The 70-200 f4 L would be awesome but I just don't want to swing the $700-ish (minimum) price tag.

Is there any reason not to go with a grey market lens? Looks like I can save ~ $75 that way.

This is the best deal I see online. Not sure if this is US or grey mkt. -
Amazon Amazon
Old 04-24-2012, 07:18 PM
  #1164  
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Canon North America, will not work on a lens made for another area. If it broke, you would have to send it back to where you bought and hope they would be able to send it in for repair.
Old 04-24-2012, 07:22 PM
  #1165  
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What are the chances of it being worth it to repair a lens that only cost $170? And how often do they break without being dropped? Would you pay the extra $ for the US version?
Old 04-24-2012, 09:57 PM
  #1166  
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Originally Posted by mattg
What are the chances of it being worth it to repair a lens that only cost $170? And how often do they break without being dropped? Would you pay the extra $ for the US version?
I would pay extra for the US version, only because, they do have a year warranty and I'd want it from a seller that is, well a Canon reseller, not just a third party seller on amazon.com.
Old 04-25-2012, 04:31 AM
  #1167  
I miss my 03 CL-S :(
 
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Plus if you decide to sell it down the road and get something better, it might be easier to unload it if it's US and not gray.
Old 04-26-2012, 11:49 AM
  #1168  
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Thanks for the input, guys.

Just pulled the trigger on the US version from Newegg.com for $189 shipped.
Old 04-27-2012, 09:49 AM
  #1169  
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Originally Posted by Mizouse
The 75-300mm f4-5.6 IS USM model is not to bad.

But if you can, spring for a 70-200mm f4 L
Great lens for the price.
Opps I had this wrong, it's a 70-300mm IS USM. But it doesn't matter since its a $450 lens.
Old 07-25-2012, 09:49 AM
  #1170  
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This is to anybody familar with Nikkon Lens...I want the new 85mm 1.8g...its $500...which is fine,will this be one of the best ones for improving my HD movies shot with my Nikkon D3100...or are there any others...tnx....P.S I know its great for Portraits Too...
Old 07-25-2012, 05:29 PM
  #1171  
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I don't know how to answer this as to video. But it's a great lens and should give you just as good in video as it does for stills.
Old 07-25-2012, 09:57 PM
  #1172  
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ordered it 2day.....
Old 09-05-2012, 03:59 PM
  #1173  
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have my sights on a 100 2.8L IS.... been on my wishlist for a while now...
Old 09-05-2012, 04:02 PM
  #1174  
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what about the 135mm f2?
Old 09-05-2012, 04:15 PM
  #1175  
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He wants a macro..
Old 09-05-2012, 04:27 PM
  #1176  
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Any of you guys tried the Sigma 8-16? I just got it and I LOVE the rectilinear wide angle shots (Never a fan of fisheye). I bought a Tokina 11-16 but when I saw the great review on the 8-16, I returned the Tokina and jumped on a very good deal on the Sigma.
Old 09-05-2012, 05:30 PM
  #1177  
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Originally Posted by mdkxtreme
Any of you guys tried the Sigma 8-16? I just got it and I LOVE the rectilinear wide angle shots (Never a fan of fisheye). I bought a Tokina 11-16 but when I saw the great review on the 8-16, I returned the Tokina and jumped on a very good deal on the Sigma.
Obviously it depends on what you shoot and what gear you need, but the Tokina is f/2.8 vs. f/4.5-5.6 for the Sigma. Do you find that you utilize the extra 3 mm on the wide end?
Old 09-05-2012, 05:41 PM
  #1178  
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Originally Posted by AMGala
Obviously it depends on what you shoot and what gear you need, but the Tokina is f/2.8 vs. f/4.5-5.6 for the Sigma. Do you find that you utilize the extra 3 mm on the wide end?
I love landscape so that's why I chose the 8-16 over the 11-16.

Also, there is a significant difference from the extra 3mm on the wide end.
Old 09-05-2012, 05:55 PM
  #1179  
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Originally Posted by mdkxtreme
I love landscape so that's why I chose the 8-16 over the 11-16.

Also, there is a significant difference from the extra 3mm on the wide end.
Looking forward to seeing some pics with the new lens!
Old 09-05-2012, 06:10 PM
  #1180  
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In most landscape type shoots you're going to want to stop down for a sharper image anyways
Old 09-05-2012, 06:12 PM
  #1181  
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Originally Posted by AMGala
Looking forward to seeing some pics with the new lens!
I'm excited for it too.

Both are good lens but I must agree, the Tokina has a lot more advantage due to wider aperture and the ability to have filters.

The Sigma can't have filters attached because of it's bulging lens. But the Sigma has less distortion than the Tokina at 12-16.

This might or might not affect my landscape shots but we'll see. I can always do a straight up trade since they are very similar in price.

Originally Posted by is300eater
In most landscape type shoots you're going to want to stop down for a sharper image anyways
Is it that much of a difference?
Old 09-05-2012, 06:21 PM
  #1182  
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When it comes to UWA, every 1mm makes a big difference

10mm on a crop or 15mm equivalent


14mm on a full frame
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Old 09-05-2012, 06:23 PM
  #1183  
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Originally Posted by mdkxtreme

Is it that much of a difference?
Well, all or most lenses are never sharpest at wide open
Old 09-05-2012, 06:23 PM
  #1184  
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Originally Posted by is300eater
When it comes to UWA, every 1mm makes a big difference
Hmm, I may be missing something, but when you said stopped down, I thought you were talking about aperture?

EDIT: Was this post a reply to AMGala?
Old 09-09-2012, 02:35 PM
  #1185  
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Shot this at 8mm.



And the beast that shot it.

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Old 09-09-2012, 03:31 PM
  #1186  
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Old 09-17-2012, 03:03 PM
  #1187  
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I was deciding on the 100 2.8 or the 135 2.0 and picked the 100 because I wanted the (insane) macro capability. FYI
Old 09-18-2012, 04:19 PM
  #1188  
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http://www.dpreview.com/news/2012/09...00-F2-8-OS-HSM


Sigma Corporation announces reorganization of lens lineup, new products and quality control measures

Lens, camera and flash manufacturer shares plans for Sigma Global Vision at photokina 2012
COLOGNE, Germany, Sept. 17, 2012 – Sigma Corporation of America (www.sigmaphoto.com), a leading researcher, developer, manufacturer and service provider for some of the world's most impressive lines of lenses, cameras and flashes, today announced the family-owned and operated company’s Sigma Global Vision from an invite-only event at photokina 2012 in Cologne, Germany.
This announcement explains the restructuring of the Sigma lens lineup into three new categories, the launch of a new lens in each of those categories, the development of a new quality control inspection and measurement system for the lenses, and the design of new software and a USB docking station that will enable photographers to update and adjust their lenses to suit thier personal preferences.
“We’re moving in a new direction that simplifies the lens selection process for photographers and helps them realize the full potential of the DSLR system,” said CEO Kazuto Yamaki. “In addition to making it easier for photographers to find the right lens, we’re empowering them with more control over their equipment, while furthing our commitment to them by establishing a higher expectation for the quality of the lenses we produce.”
New lens categories and new lenses
Starting immediately, all newly produced interchangeable lenses from Sigma will be designed for and organized into one of three product categories: Contemporary, Art and Sports. Each line has a clearly defined concept to guide shooters in the selection of the right lens for their photographic interests.
The concept of these categories are as follows:
  • Contemporary – These lenses incorporate the very latest technology and keep size and weight to a minimum, without compromising their advanced optical performance or utility. High-performance, versatile, compact and superbly portable, these lenses will be largely comprised of standard zooms, telephoto zooms and high-magnification zooms for an array of photography, including landscape and travel photography, and casual portraiture.
  • Art – These lenses are developed with an emphasis on artistic touch and are designed to meet the expectations of users who value a creative, dramatic outcome. Along with landscapes, portraits, still-life, close-up and casual snaps, these lenses are perfect for the kind of photography that unleashes the inner artist. Ideal for studio photography, they offer just as much of an expressive scope when capturing architecture, starry skies, underwater shots and many other scenes. This category will be comprised of many focal lengths and designs, such as large-aperture prime lenses, wide-angle lenses, ultra wide-angle lenses, and macro and fisheye lenses.
  • Sports - With their high-level optical performance and expressive power, these lenses can capture fast-moving subjects, even at distance. This line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. Besides sports photography, the lenses are also ideal for nature shots featuring birds, wild animals and other creatures, and for the capture of aircraft, trains, race cars and more. The Sports line is also unique in that users can adjust the lenses’ focus speeds and the focus limiters via a button on the lens. The Sports category will be comprised of telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses, and more.
The creation of these new categories comes with the introduction of three new lenses:
<table class="images noCaptions noCrop single" border="0" cellpadding="0" cellspacing="0"> <tbody> <tr> <td class="image"></td> </tr> </tbody> </table>
  • 17-70mm F2.8-4 DC OS MACRO– This new Contemporary lens is designed for cameras with an APS-c sensor and covers a range equivalent to 25.5 to 105mm on a 35mm camera. An upgrade to its predecessor, which was released in December 2009, this general purpose lens offers a new design and a more compact build.
<table class="images noCaptions noCrop single" border="0" cellpadding="0" cellspacing="0"> <tbody> <tr> <td class="image"></td> </tr> </tbody> </table>
  • 35mm F1.4 DG HSM– This Art lens provides photographers with a state-of-the-art alternative to the more conventional 50mm. This lens’ axial chromatic aberration is minimized, which renders a cool and smooth out-of-focus image. At low apertures, it can perform like a wide-angle lens; when opened up to F1.4, it will provide background bokeh and make the subject pop like a mid-range telephoto lens.
<table class="images noCaptions noCrop single" border="0" cellpadding="0" cellspacing="0"> <tbody> <tr> <td class="image"></td> </tr> </tbody> </table>
  • 120-300mm F2.8 DG OS HSM – With redesigned mechanics and performance, this Sports lens is an update from its predecessor released in February 2011. This high-performance lens eases difficult shooting conditions by offering a maximum focal length of 300mm and a wide-open aperture of F2.8. This lens, like the other Sports category lenses to come, is dust and moisture resistant, and allows users to adjust the focus speed and the focus limiter via a button on the lens.
New user-control tools and software, and new quality control measures
The new Sigma Optimization Pro software and USB Dock are designed exclusively for these new product lines and will enable Sigma users to connect their lenses to their computers to update lens firmware and fine-tune focus parameters via easy-to-use, on-screen controls.
All of these new lenses will also be subject to Sigma’s new, proprietary modulation transfer function (MTF) measuring system called “A1.” Named in honor of the company’s sole production base, the Aizu factory in Aizu, Japan, the A1 system will allow inspectors to verify previously undetectable high-frequency details in each lens before it is shipped.
“We used to measure lens performance with a MTF measuring system using conventional sensors, but this new A1 system uses our own 46-megapixel Foveon direct imaging sensors,” said Yamaki. “We view this new method of performance evaluation as being incredibly important, not only because we owe it to our customers, but because we owe it to ourselves. We’ve spent more than 50 years perfecting our design and manufacturing processes, and now we deliver a complete package by closing the loop on that commitment to quality by adopting a more stringent verification process.”
For information about the Sigma Global Vision, the new product categories and products, or the evaluation method, visit http://www.sigma-global.com. For information about Sigma Corporation of America or the company’s cameras, lenses, or flashes, visit www.sigmaphoto.com.
Old 09-18-2012, 04:22 PM
  #1189  
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DAMN, I really like the cleaner look of those. I see the "Z" in them....

If they have stepped up, quality control measures. They could be selling more.
Old 09-18-2012, 04:26 PM
  #1190  
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New lenses from Schneider too

http://www.schneider-kreuznach.com/p...012_e.htm#DSLR
Old 09-19-2012, 01:59 AM
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yeah those Sigma's look nice. I'm really curious on the price of the 35 1.4
Old 09-19-2012, 07:31 AM
  #1192  
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That's the one that catches my attention, too.
Old 09-19-2012, 03:18 PM
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I would guess $800-900.
Old 09-19-2012, 03:55 PM
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Old 09-19-2012, 05:49 PM
  #1195  
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I'm gonna go with $700-$800
Old 09-19-2012, 05:49 PM
  #1196  
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Originally Posted by srika
i would guess $800-900.
Originally Posted by is300eater
i'm gonna go with $700-$800
$1200...
Old 09-19-2012, 07:01 PM
  #1197  
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$1201 Bob....




Wrong game?
Old 09-20-2012, 12:22 AM
  #1198  
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Originally Posted by jupitersolo
$1200...
okay, after looking at the prices for Nikon's Canon's and Sony's 35mm f1.4... I think Rubin's guess sounds about right, I'm also going to go with $800-$900
Old 09-20-2012, 08:14 AM
  #1199  
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Canon @ about $1300 hasn't been updated for awhile
Sony @ about $1400
Nikon @ about $1600

I was thinking 24mm prices, but I'm will say, it's going to be about $1k. With the turn around they are trying, and see prices increases along with it.

Last edited by jupitersolo; 09-20-2012 at 08:16 AM.
Old 10-08-2012, 10:15 AM
  #1200  
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Going to be buying the Canon EF 70-200mm f/2.8 L IS II USM Lens. was hoping someone on here owns one to get a little feedback?

http://www.the-digital-picture.com/R...ns-Review.aspx


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