Official Lens Discussion Thread
#1161
I miss my 03 CL-S :(
There's always the EF-S 55-250 f/4-5.6 IS... There's a Mk II that might be better than the Mk I that I used to have... Link to shots I took with it.
I no longer have it though (sold it and got the 70-200 2.8L IS).
I no longer have it though (sold it and got the 70-200 2.8L IS).
#1162
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The 75-300mm f4-5.6 IS USM model is not to bad.
But if you can, spring for a 70-200mm f4 L
Great lens for the price.
But if you can, spring for a 70-200mm f4 L
Great lens for the price.
#1163
Senior Moderator
Thanks guys. I think I'm going to pick up the EF-S 55-250. The photos you shot with yours, einsatz, look fantastic. I like the fact that it can be had for less than $200. The 70-200 f4 L would be awesome but I just don't want to swing the $700-ish (minimum) price tag.
Is there any reason not to go with a grey market lens? Looks like I can save ~ $75 that way.
This is the best deal I see online. Not sure if this is US or grey mkt. -
Is there any reason not to go with a grey market lens? Looks like I can save ~ $75 that way.
This is the best deal I see online. Not sure if this is US or grey mkt. -
#1164
Canon North America, will not work on a lens made for another area. If it broke, you would have to send it back to where you bought and hope they would be able to send it in for repair.
#1165
Senior Moderator
What are the chances of it being worth it to repair a lens that only cost $170? And how often do they break without being dropped? Would you pay the extra $ for the US version?
#1166
I would pay extra for the US version, only because, they do have a year warranty and I'd want it from a seller that is, well a Canon reseller, not just a third party seller on amazon.com.
#1168
Senior Moderator
Thanks for the input, guys.
Just pulled the trigger on the US version from Newegg.com for $189 shipped.
Just pulled the trigger on the US version from Newegg.com for $189 shipped.
#1169
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#1170
Drifting
This is to anybody familar with Nikkon Lens...I want the new 85mm 1.8g...its $500...which is fine,will this be one of the best ones for improving my HD movies shot with my Nikkon D3100...or are there any others...tnx....P.S I know its great for Portraits Too...
#1171
I don't know how to answer this as to video. But it's a great lens and should give you just as good in video as it does for stills.
#1173
Senior Moderator
have my sights on a 100 2.8L IS.... been on my wishlist for a while now...
![Bored](https://acurazine.com/forums/images/smilies/bored.gif)
#1174
I shoot people
what about the 135mm f2?
#1175
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He wants a macro..
#1176
Moderator
Any of you guys tried the Sigma 8-16? I just got it and I LOVE the rectilinear wide angle shots (Never a fan of fisheye). I bought a Tokina 11-16 but when I saw the great review on the 8-16, I returned the Tokina and jumped on a very good deal on the Sigma.
#1178
Moderator
Also, there is a significant difference from the extra 3mm on the wide end.
#1180
I shoot people
In most landscape type shoots you're going to want to stop down for a sharper image anyways
![Shrug](https://acurazine.com/forums/images/smilies/shrug.gif)
#1181
Moderator
I'm excited for it too.
Both are good lens but I must agree, the Tokina has a lot more advantage due to wider aperture and the ability to have filters.
The Sigma can't have filters attached because of it's bulging lens. But the Sigma has less distortion than the Tokina at 12-16.
This might or might not affect my landscape shots but we'll see. I can always do a straight up trade since they are very similar in price.
Is it that much of a difference?
Both are good lens but I must agree, the Tokina has a lot more advantage due to wider aperture and the ability to have filters.
The Sigma can't have filters attached because of it's bulging lens. But the Sigma has less distortion than the Tokina at 12-16.
This might or might not affect my landscape shots but we'll see. I can always do a straight up trade since they are very similar in price.
Is it that much of a difference?
#1182
I shoot people
When it comes to UWA, every 1mm makes a big difference
10mm on a crop or 15mm equivalent
14mm on a full frame
10mm on a crop or 15mm equivalent
![](http://farm8.staticflickr.com/7156/6834181255_a5884ab84a_b.jpg)
14mm on a full frame
![](http://farm8.staticflickr.com/7017/6834179883_fcc8bc58bb_b.jpg)
The following users liked this post:
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#1183
I shoot people
#1184
Moderator
The following 5 users liked this post by mdkxtreme:
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#1186
Earth-bound misfit
![Thumbs Up](https://acurazine.com/forums/images/smilies/thumbsup.gif)
#1187
Senior Moderator
I was deciding on the 100 2.8 or the 135 2.0 and picked the 100 because I wanted the (insane) macro capability. FYI
#1188
Senior Moderator
http://www.dpreview.com/news/2012/09...00-F2-8-OS-HSM
Sigma Corporation announces reorganization of lens lineup, new products and quality control measures
Lens, camera and flash manufacturer shares plans for Sigma Global Vision at photokina 2012
COLOGNE, Germany, Sept. 17, 2012 – Sigma Corporation of America (www.sigmaphoto.com), a leading researcher, developer, manufacturer and service provider for some of the world's most impressive lines of lenses, cameras and flashes, today announced the family-owned and operated company’s Sigma Global Vision from an invite-only event at photokina 2012 in Cologne, Germany.
This announcement explains the restructuring of the Sigma lens lineup into three new categories, the launch of a new lens in each of those categories, the development of a new quality control inspection and measurement system for the lenses, and the design of new software and a USB docking station that will enable photographers to update and adjust their lenses to suit thier personal preferences.
“We’re moving in a new direction that simplifies the lens selection process for photographers and helps them realize the full potential of the DSLR system,” said CEO Kazuto Yamaki. “In addition to making it easier for photographers to find the right lens, we’re empowering them with more control over their equipment, while furthing our commitment to them by establishing a higher expectation for the quality of the lenses we produce.”
New lens categories and new lenses
Starting immediately, all newly produced interchangeable lenses from Sigma will be designed for and organized into one of three product categories: Contemporary, Art and Sports. Each line has a clearly defined concept to guide shooters in the selection of the right lens for their photographic interests.
The concept of these categories are as follows:
<table class="images noCaptions noCrop single" border="0" cellpadding="0" cellspacing="0"> <tbody> <tr> <td class="image">
</td> </tr> </tbody> </table>
</td> </tr> </tbody> </table>
</td> </tr> </tbody> </table>
The new Sigma Optimization Pro software and USB Dock are designed exclusively for these new product lines and will enable Sigma users to connect their lenses to their computers to update lens firmware and fine-tune focus parameters via easy-to-use, on-screen controls.
All of these new lenses will also be subject to Sigma’s new, proprietary modulation transfer function (MTF) measuring system called “A1.” Named in honor of the company’s sole production base, the Aizu factory in Aizu, Japan, the A1 system will allow inspectors to verify previously undetectable high-frequency details in each lens before it is shipped.
“We used to measure lens performance with a MTF measuring system using conventional sensors, but this new A1 system uses our own 46-megapixel Foveon direct imaging sensors,” said Yamaki. “We view this new method of performance evaluation as being incredibly important, not only because we owe it to our customers, but because we owe it to ourselves. We’ve spent more than 50 years perfecting our design and manufacturing processes, and now we deliver a complete package by closing the loop on that commitment to quality by adopting a more stringent verification process.”
For information about the Sigma Global Vision, the new product categories and products, or the evaluation method, visit http://www.sigma-global.com. For information about Sigma Corporation of America or the company’s cameras, lenses, or flashes, visit www.sigmaphoto.com.
Lens, camera and flash manufacturer shares plans for Sigma Global Vision at photokina 2012
COLOGNE, Germany, Sept. 17, 2012 – Sigma Corporation of America (www.sigmaphoto.com), a leading researcher, developer, manufacturer and service provider for some of the world's most impressive lines of lenses, cameras and flashes, today announced the family-owned and operated company’s Sigma Global Vision from an invite-only event at photokina 2012 in Cologne, Germany.
This announcement explains the restructuring of the Sigma lens lineup into three new categories, the launch of a new lens in each of those categories, the development of a new quality control inspection and measurement system for the lenses, and the design of new software and a USB docking station that will enable photographers to update and adjust their lenses to suit thier personal preferences.
“We’re moving in a new direction that simplifies the lens selection process for photographers and helps them realize the full potential of the DSLR system,” said CEO Kazuto Yamaki. “In addition to making it easier for photographers to find the right lens, we’re empowering them with more control over their equipment, while furthing our commitment to them by establishing a higher expectation for the quality of the lenses we produce.”
New lens categories and new lenses
Starting immediately, all newly produced interchangeable lenses from Sigma will be designed for and organized into one of three product categories: Contemporary, Art and Sports. Each line has a clearly defined concept to guide shooters in the selection of the right lens for their photographic interests.
The concept of these categories are as follows:
- Contemporary – These lenses incorporate the very latest technology and keep size and weight to a minimum, without compromising their advanced optical performance or utility. High-performance, versatile, compact and superbly portable, these lenses will be largely comprised of standard zooms, telephoto zooms and high-magnification zooms for an array of photography, including landscape and travel photography, and casual portraiture.
- Art – These lenses are developed with an emphasis on artistic touch and are designed to meet the expectations of users who value a creative, dramatic outcome. Along with landscapes, portraits, still-life, close-up and casual snaps, these lenses are perfect for the kind of photography that unleashes the inner artist. Ideal for studio photography, they offer just as much of an expressive scope when capturing architecture, starry skies, underwater shots and many other scenes. This category will be comprised of many focal lengths and designs, such as large-aperture prime lenses, wide-angle lenses, ultra wide-angle lenses, and macro and fisheye lenses.
- Sports - With their high-level optical performance and expressive power, these lenses can capture fast-moving subjects, even at distance. This line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. Besides sports photography, the lenses are also ideal for nature shots featuring birds, wild animals and other creatures, and for the capture of aircraft, trains, race cars and more. The Sports line is also unique in that users can adjust the lenses’ focus speeds and the focus limiters via a button on the lens. The Sports category will be comprised of telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses, and more.
<table class="images noCaptions noCrop single" border="0" cellpadding="0" cellspacing="0"> <tbody> <tr> <td class="image">
![](http://4.static.img-dpreview.com/files/news/8879730234/520/Sigma_17_70_28_PK_350KB.jpg?v=1584)
- 17-70mm F2.8-4 DC OS MACRO– This new Contemporary lens is designed for cameras with an APS-c sensor and covers a range equivalent to 25.5 to 105mm on a 35mm camera. An upgrade to its predecessor, which was released in December 2009, this general purpose lens offers a new design and a more compact build.
![](http://3.static.img-dpreview.com/files/news/8879730234/520/Sigma_35_14_PK_350KB.jpg?v=1584)
- 35mm F1.4 DG HSM– This Art lens provides photographers with a state-of-the-art alternative to the more conventional 50mm. This lens’ axial chromatic aberration is minimized, which renders a cool and smooth out-of-focus image. At low apertures, it can perform like a wide-angle lens; when opened up to F1.4, it will provide background bokeh and make the subject pop like a mid-range telephoto lens.
![](http://2.static.img-dpreview.com/files/news/8879730234/520/Sigma_120_300_28_PK_450KB.jpg?v=1584)
- 120-300mm F2.8 DG OS HSM – With redesigned mechanics and performance, this Sports lens is an update from its predecessor released in February 2011. This high-performance lens eases difficult shooting conditions by offering a maximum focal length of 300mm and a wide-open aperture of F2.8. This lens, like the other Sports category lenses to come, is dust and moisture resistant, and allows users to adjust the focus speed and the focus limiter via a button on the lens.
The new Sigma Optimization Pro software and USB Dock are designed exclusively for these new product lines and will enable Sigma users to connect their lenses to their computers to update lens firmware and fine-tune focus parameters via easy-to-use, on-screen controls.
All of these new lenses will also be subject to Sigma’s new, proprietary modulation transfer function (MTF) measuring system called “A1.” Named in honor of the company’s sole production base, the Aizu factory in Aizu, Japan, the A1 system will allow inspectors to verify previously undetectable high-frequency details in each lens before it is shipped.
“We used to measure lens performance with a MTF measuring system using conventional sensors, but this new A1 system uses our own 46-megapixel Foveon direct imaging sensors,” said Yamaki. “We view this new method of performance evaluation as being incredibly important, not only because we owe it to our customers, but because we owe it to ourselves. We’ve spent more than 50 years perfecting our design and manufacturing processes, and now we deliver a complete package by closing the loop on that commitment to quality by adopting a more stringent verification process.”
For information about the Sigma Global Vision, the new product categories and products, or the evaluation method, visit http://www.sigma-global.com. For information about Sigma Corporation of America or the company’s cameras, lenses, or flashes, visit www.sigmaphoto.com.
#1189
DAMN, I really like the cleaner look of those. I see the "Z" in them....
If they have stepped up, quality control measures. They could be selling more.
If they have stepped up, quality control measures. They could be selling more.
#1190
I shoot people
#1191
Senior Moderator
yeah those Sigma's look nice. I'm really curious on the price of the 35 1.4
#1192
Earth-bound misfit
That's the one that catches my attention, too.
#1193
Senior Moderator
I would guess $800-900.
#1194
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![Bored](https://acurazine.com/forums/images/smilies/bored.gif)
#1195
I shoot people
I'm gonna go with $700-$800
#1196
#1197
Whats up with RDX owners?
iTrader: (9)
$1201 Bob....![Smirk](https://acurazine.com/forums/images/smilies/smirk.gif)
Wrong game?
![Smirk](https://acurazine.com/forums/images/smilies/smirk.gif)
Wrong game?
#1198
I shoot people
#1199
Canon @ about $1300 hasn't been updated for awhile
Sony @ about $1400
Nikon @ about $1600
I was thinking 24mm prices, but I'm will say, it's going to be about $1k. With the turn around they are trying, and see prices increases along with it.
Sony @ about $1400
Nikon @ about $1600
I was thinking 24mm prices, but I'm will say, it's going to be about $1k. With the turn around they are trying, and see prices increases along with it.
Last edited by jupitersolo; 09-20-2012 at 08:16 AM.
#1200
Burning Brakes
Going to be buying the Canon EF 70-200mm f/2.8 L IS II USM Lens. was hoping someone on here owns one to get a little feedback?
http://www.the-digital-picture.com/R...ns-Review.aspx
http://www.the-digital-picture.com/R...ns-Review.aspx