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ah. also check the video for hands-on commentary from Vincent Laforet.
http://www.engadget.com/2011/11/03/c...ands-on-video/ The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break. |
Originally Posted by jupitersolo
(Post 13343524)
:woot: :chug:
:gheyhug: |
Originally Posted by is300eater
(Post 13328405)
shutter life rated to over 400,000 :what: Now, that's a keeper! And well worth the $6800.
I am a loyal Canon customer but know that shutter biz use rates are really just marketing beeswax. Beeswax cause there is only a small amount of difference between DSLR shutters of the same size {FPS and some use more oil which will drop on your sensor}. But as your camera costs more ... the non warranty shutter life rates go up ... get the picture ??? We will see how the actual "14 FPS" and shutter life pan out. I suspect 14FPS and a full mirror will be a problem. Does anyone remember how Canon said such great things on 1D MK III Auto Focus when it was introduced and then had to recall them all for a sub mirror mod change ??? Or am I totally OUT OF FOCUS ??? |
14 fps is with the mirror locked up.
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Vince Lafloiret is a monkey in Canons pocket. The guy isn't even a cinematographer and wouldn't know what to do if he ever found himself on a real film set.
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Originally Posted by Sarlacc
(Post 13344299)
Vince Lafloiret is a monkey in Canons pocket. The guy isn't even a cinematographer and wouldn't know what to do if he ever found himself on a real film set.
|
Sony F3 > canon c300 for less money.
The red...I never drank their kool-aid. They are more of a pain than they are worth. Canon needs to focus on their dslr line. I am thankful Nikon has kept their nose out of the race for the lost part. |
Originally Posted by srika
(Post 13344301)
:yawn:
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Im yawning because what you said is :co: and most of us who follow this thread know this already
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Originally Posted by Mizouse
(Post 13343796)
14 fps is with the mirror locked up.
Shutters are subject to mirror slap and curtain vibrations - it is actually quite massive on Full Frame DSLRs {as in MF also}. High tech manufacture is often plauged by specmanship and that goes at least double for how Canon markets itself. It will be interesting ... I expect revisions and problems. Of the over 100 specs Canon has pre released on the to be 1DX there is only a dozen or so the user can somewhat verify at great endeavor. Canon Marketing releases specs on annouced equipment months ahead and Engineering / Manufacturing attempt to make it so. Does anyone remember the 1/16,000 sec shutter specification on the 1D 10 years ago ?? Nikon on the other hand is a bit more cautious. The other DSLR manufactures even more so. |
Got a Canon EOS Rebel t3i for Christmas. I'm a complete :n00b: when it comes to cameras and photography.
Any tips, shortcuts, advice is welcome! :wish: Really...anything at all...anything in the way of help or comments, would be appreciated. :tomato: |
You can get a hardcopy, for kindle, for iBooks. But it'll be the best around $15.00 book you can buy. If you don't buy it and you get frustrated trying to take pictures, it only your fault. |
^ read that book cover to cover, then play with the camera and get an idea of what you learned......then read the book again.
I was pretty lost at first, I actually put the camera back in the box and didnt touch it for another year. When I took it back out I read through the book again and things started to click. What are you hoping to shoot, and what lens do you have, the kit that it came with? |
Originally Posted by jupitersolo
(Post 13443099)
http://www.amazon.com/Understanding-...4918011&sr=8-1
You can get a hardcopy, for kindle, for iBooks. But it'll be the best around $15.00 book you can buy. If you don't buy it and you get frustrated trying to take pictures, it only your fault. |
Originally Posted by MWalsh9152
(Post 13443417)
What are you hoping to shoot, and what lens do you have, the kit that it came with?
|
I shoot mostly nature and architecture myself.
Dont be afraid to look to others for inspiration. You can look online and find locations that look like they are something you want to shoot. Most every place has already been shot to death, so there isnt much originality to be had in location.....try and find different perspectives, things that make yours different, climb to get to different angles if possible. I often find myself guilty of tunnel vision when shooting a place, sometimes I will pack up frustrated, only to turn around and find the shot I was looking for. You may want to look into a tripod too. |
^
Cool. Thanks man! :thumbsup: There is just SO much info out there. It really is hard to know where to begin. I suppose one of the cool things is, anything i don't like i can just delete. :chuckle: Unlike the days of film...that must have been so intimidating. edit: The lenses it came with are: EFS 18 - 55mm and an EFS 55 - 250mm f/4-5.6IS II Of course I have NO idea what I just typed. :rofl: :whyme: |
Those lenses will be good to start off with, don't be in a rush to get others until you know what the limitations of the one's you have.
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Originally Posted by jupitersolo
(Post 13445399)
Those lenses will be good to start off with, don't be in a rush to get others until you know what the limitations of the one's you have.
btw...how do you shoot black and white? There is something just so intriguing about b/w Photos.... |
Shoot in color then convert to b&w on the computer, you never know you might not like the shot in b&w...
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Shoot in RAW, then process how you want. Shooting in b&w you lose information (bits).
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^ +1 Canon's Digital Photo Professional is pretty easy to use for editing, and converting from raw. Free is a great price too when youre just getting your feet wet....or cheap and lazy like me :rofl:
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http://www.dpreview.com/news/2012/01...nonG1X_Preview
http://1.s.img-dpreview.com/Files/Ne...G1X.jpg?v=1297 London, UK, 9th January 2012 – Canon today introduces the PowerShot G1 X – a revolutionary new compact camera with a large CMOS sensor, designed to produce DSLR levels of image quality and control in a highly portable metal body. Created for professional and serious photographers, the PowerShot G1 X creates a prestigious new category at the top of Canon's legendary G-series line-up, and redefines the performance achievable from a compact camera. A high-quality camera in its own right or the perfect complement to a professional DSLR, the PowerShot G1 X combines EOS sensor technology with DIGIC 5 processing power, a new precision Canon lens and extensive manual control – creating the finest compact camera Canon has ever produced. Designed to be highly portable, the PowerShot G1 X features a zoom lens which retracts into a discreet, robust metal body, providing photographers with an unimposing camera that delivers high quality images and superior handling. Professional levels of image quality Incorporating Canon-developed technologies and expertise trusted by professionals worldwide, the PowerShot G1 X offers a level of image quality previously only possible with a Canon DSLR. It's Canon's first compact camera to feature a large, 4:3 aspect, 14.3 Megapixel CMOS sensor measuring 18.7mm x 14mm – similar in height to the APS-C sensors used within EOS DSLR models. Featuring the same pixel size and structure as the EOS 600D, and a surface area approximately 6.3 times larger than the sensor in the acclaimed PowerShot G12, it provides DSLR image quality in a body small enough to carry anywhere. The increased sensor size allows photographers to have greater control over the depth of field, with increased potential to creatively and artistically isolate a subject from its background. Improved dynamic range enables users to accurately capture shadows and highlights within the same frame, while the 14.3 Megapixel resolution allows for the output of large-sized prints, or permits images to be cropped for more powerful compositions. The PowerShot G1 X also features a range of benefits that result from the advanced CMOS sensor technology developed within Canon's EOS range. On-chip noise reduction ensures images are clear, even at high ISO speeds, while a 4-channel read-out provides high speed image capture – ensuring fast, responsive performance in all conditions. Combining the large sensor with the DIGIC 5 image processor, the HS System in the PowerShot G1 X sets new standards for low-light performance, with a maximum fullresolution ISO range of 100 to 12800 – a level never before seen in a Canon compact. Photographers can shoot using the ambient light in even the darkest of conditions, capturing natural shots with incredible detail and low noise – providing a powerful basis for low-light photography. Precision lens technology Developed using the same design, manufacturing and quality processes as the world renowned EF lens range, the lens in the PowerShot G1 X is built to achieve professional levels of image quality. Utilising Ultra high refractive index Aspherical (UA) elements and precision glass moulding technology, the lens achieves both a compact size and pin-sharp clarity for the most discerning of photographers. The lens retracts compactly into the camera body while offering a flexible 4x optical zoom range of 28mm – 112mm, giving photographers the option to use the zoom creatively and change the framing and perspective of their shot. A 6 blade aperture also combines with the largesized sensor to produce beautiful background blur. To help ensure optimum image and Full HD movie clarity, the lens features a 4-stop optical Image Stabilizer (IS), allowing photographers to shoot in darker conditions and use shutter speeds up to four stops slower than would be possible without IS. The optical Image Stabilizer is supported by Intelligent IS which analyses the focal length, focal distance and type of camera movement and applies the most appropriate Image Stabilizer mode1. For example, when a panning motion is detected, Panning IS is activated and stabilises in only one direction for more artistic capture of movement across the frame. Hybrid IS technology is also included to capture macro subjects without the blur associated with shift camera shake. The lens also includes an in-built 3-stop Neutral Density (ND) Filter, permitting the use of wider apertures in bright light to achieve a shallower depth of field, or to use slower shutter speeds to intentionally blur motion. Extensive control Following on from the control historically offered by the PowerShot G-series, the PowerShot G1 X offers Full Manual Control with shooting mode and exposure compensation dials for quick and intuitive access to a range of settings. For maximum control over the final image, the PowerShot G1 X fits seamlessly into the EOS photographer's workflow, supporting 14-bit RAW capture for smooth gradations and natural colours which can be fine-tuned using the supplied Digital Photo Professional (DPP) software. Giving photographers the option to capture split-second action, the PowerShot G1 X features High-speed Burst HQ, capturing bursts of six full-resolution shots at 4.5fps to freeze fast-moving action. Alternatively, users can shoot continuously at 1.9fps right up to card capacity in JPEG format – ensuring longer sequences of action are captured. High quality, Full HD movies The PowerShot G1 X supports Full HD (1080p) movie capture instantly at 24fps, via a dedicated movie button. Taking advantage of the camera's large CMOS sensor, users can experience high quality movies, even in low light conditions, with the shallow depth of field associated with a larger sensor. Additionally, the 4x optical zoom can be used whilst filming, offering versatility, while stereo sound is also captured. Professional handling With its robust, stainless steel chassis and compact design, the PowerShot G1 X offers professional-quality handling. A large vari-angle, 7.5cm (3.0") PureColor II VA LCD screen allows photographers to shoot from virtually any angle or position, to get the composition they desire. The bright, high-resolution, 920k dot LCD provides a sharp, detailed platform for image framing and review, while an optical viewfinder (OVF) with dioptre adjuster gives photographers the option to shoot according to their individual style. A newly-integrated manual pop-up flash provides the option to add additional light to a scene, and, using the hotshoe, external Canon Speedlite flashes can also be used. Advanced shooting modes A range of advanced shooting modes are provided to assist photographers in capturing challenging scenes and situations. When shooting in very dark conditions without a tripod for example, Handheld Night Scene captures a high-speed sequence of shots, combining the data to produce one well-exposed image with minimal blur. Additionally, High Dynamic Range (HDR) mode captures scenes with a particularly high range of bright and dark tones, taking multiple exposures and combining them to deliver rich detail in shadows and highlights. Expanded potential through accessories Ideal for EOS DSLR users, the PowerShot G1 X is compatible with a range of EOS System accessories, allowing photographers to instantly expand the potential of the camera. Canon's EX Speedlite flash units can be used for creative lighting, while the WP-DC44 waterproof case provides protection to a depth of 40m – ideal for shooting in the heavy rain or taking shots underwater – with full access to all controls. An optional lens Filter Adapter, FA-DC58C, also enables photographers to use a range of filters, such as a circular polariser to enhance blue skies or remove reflections. For more even lighting when shooting macro subjects, a Macro Ring Lite adapter (MLA-DC1) allows Canon's Macro Ring Lite or Twin Lite flash units from the EOS System to be used. Offering truly advanced levels of professional control alongside unprecedented image quality, the PowerShot G1 X is the ideal camera for professional and serious photographers who demand DSLR flexibility and quality from a compact camera. PowerShot G1 X – key features: Large 14.3 MP CMOS, DIGIC 5, HS System Compact 4x zoom; Intelligent IS 7.5 cm (3.0") vari-angle LCD; OVF Full Manual, RAW, DPP Full HD, HDMI High-speed Burst HQ Smart Auto Extensive accessories HDR mode and ND filter Optional 40m waterproof case Sensor size Four Thirds (18.7 x 14 mm) :ponder: The estimated selling price of the Canon PowerShot G1 X camera is $799.99 and is scheduled to be available in February. |
http://photorumors.com/2012/01/09/th...t-g1-x-is-out/
PowerShot ELPH 520 HS Digital Camera http://photorumors.com/wp-content/up...ra-300x200.jpg The feature-packed Canon PowerShot ELPH 520 HS camera resurrects the original PowerShot ELPH design with a more contemporary and radiant look and feel. This new stylish model has a 10.1-megapixel High-Sensitivity CMOS sensor along with a 12X Optical Zoom lens, ISO range of up to 3200 and wide-angle capabilities starting at 28mm. For photographers on the move, this camera also has Full HD 1080p video capture capabilities, a 3.0-inch LCD for easy viewing of images and High-Speed Burst mode where images are continuously captured at 6.8 frames per second. The Canon PowerShot ELPH 520 HS camera will be available in black, silver, red and blue in March with an estimated selling price of $299.99. PowerShot ELPH 110 HS Digital Camera http://photorumors.com/wp-content/up...ra-300x200.jpg Canon's PowerShot ELPH 110 HS camera comes in a variety of fun, bright colors (black, silver, red, blue, green and pink) and is the ideal camera for new photographers. With a 5X Optical Zoom lens and wide-angle capabilities beginning at 24mm, this camera provides the user with the ability to fit an entire landscape or a specific area of a subject into one shot. The camera also features a16-megapixel High-Sensitivity CMOS Sensor, ISO range of up to 3200, 3.0-inch wide LCD and Full HD 1080p video capture for brilliant, high resolution quality. High-Speed Burst mode has also been included for continuous shooting up to 5.8 frames per second. The Canon PowerShot ELPH 110 HS camera is scheduled to be available in February with an estimated selling price of $249.99. Read more on PhotoRumors.com: http://photorumors.com/2012/01/09/th...#ixzz1iyQ0FmDh |
I want 5D MK III... NOW! !
|
Originally Posted by srika
(Post 12289815)
Canon {Acura} is resting on their laurels on that 60D {TL} , they have some breathing room, their breakthrough cam {SHAWD} (that they needed bad) was the 7D {MDX} . Nikon's {Lexus} breakthrough cam that they need is the next D90 {next LFA} - mainly because of the video {AWD} lead Canon {Acura} has taken. And, Nikon {Lexus} will have to do even more video-wise {cost-wise} , they also need D3 {RX} and D700 {LS} level cams with 1080p video {AWD} . my 2 cents!
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G1X sounds good, I want to see sample pics. $799 sounds high for that kind of cam, but if the photos are really as good as they say, it could be justified.
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:nod:
I just wonder how it would compare to a NEX-5n |
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Wonder if they will do a S series with the same size sensor... That would be a P&S I want.
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I'd guess they will use it in other cams. That would be pretty sweet on a S.
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Canon EF 24-70 f/2.8L II FEBRUARY 6, 2012 CANON LENSES FOLLOW ON OUR FORUM 111 Share Canon EF 24-70 f/2.8L II The long awaited replacement of the Canon EF 24-70 f/2.8L has finally shown up in pictures. Specs 82mm Filter Thread Lighter than version 1 I’ve heard a cost of $1799 – $1899 USD http://cdn.canonrumors.com/wp-conten...1328522655.jpg Canon EF 24-70 f/2.8L II cr |
I hear all of the bitching that it's not IS.
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I don't care if its IS or not...I just hope its not a piece of shit like their first attempt at a 24-70.
I've had to use one twice now, and its just garbage. |
:scratch:
How so? |
I wasn't too pleased with the 24-70 when I had it either. The first shot I did with Nikon's version, showed me why.
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I'm fine with mine, but I never used the Nikon equivalent so I don't know what you guys are talking about.
Also isn't the Nikon version newer? |
Originally Posted by Mizouse
(Post 13534037)
I'm fine with mine, but I never used the Nikon equivalent so I don't know what you guys are talking about.
Also isn't the Nikon version newer? |
damn, sad you guys feel that way, thats one of Canon's best lenses!
nice on the lower weight of the new one, but it's odd it doesn't have IS, I thought that was a done deal. and 82mm! |
Well hopefully it should be good. The 70-200 2.8 IS II is supposed to be great.
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I don't get the lack of IS?
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Not really that needed for that focal length.
Plus it would add a ton of weight (and cost) to an already heavy lens. |
Originally Posted by dom
(Post 13534333)
I don't get the lack of IS?
Originally Posted by Mizouse
(Post 13534512)
Not really that needed for that focal length.
Plus it would add a ton of weight (and cost) to an already heavy lens. http://cdn.canonrumors.com/wp-conten...IS-575x431.jpg http://cdn.canonrumors.com/wp-conten.../original2.jpg |
Originally Posted by srika
(Post 13534107)
damn, sad you guys feel that way, thats one of Canon's best lenses!
Looks cheap, feels cheap, soft at the edges. Canon's 70-200 is a much better piece of glass from experience of use. |
are we talking about the same lens? I've handled my share of cheap looking and cheap feeling lenses and the 24-70 is definitely not one of them! It's built like a f*cking tank!!! and it's not soft at the edges, mine at least.
speaking of which, I actually happened to dislocate the lens the other day at a show and it dropped from a height of about 5 feet straight to a hard floor - and it lived, no problems. Remember this thing is known as THE BRICK!!!!! |
The one I used was a a couple times was a rental lens...but the sheer fact its like a stock zoom where the barrel extends as you zoom out is a cheap design. The barrel parts moved too freely, the lens just felt super cheap. Its not a tack sharp lens edge to edge.
Regardless of the looseness probably caused by the rental fleet usage...the lens felt cheap and was unimpressive for something wearing the L series monicker. |
24-70 rocks, I love it
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Originally Posted by srika
(Post 13534941)
24-70 rocks, I love it
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Originally Posted by Sarlacc
(Post 13534949)
opinions :shrug:
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oh and I can't believe you're basing your experience on a RENTAL. :rofl:
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Sarlacc, you sure you're not talking 24-105?
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Originally Posted by dom
(Post 13534967)
Sarlacc, you sure you're not talking 24-105?
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Originally Posted by srika
(Post 13534957)
oh and I can't believe you're basing your experience on a RENTAL. :rofl:
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Well, considering the price of this second version, I'm sure it will be a very good lens.
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Well I didn't use a rental and when I shot my Nikkor 24-70 for the first time I was amazed what it produce. Much, much sharper than what I was used to with Canon equivalent.
Though I still don't use this focal length a lot. I didn't use it that much with Canon, because I wasn't happy with it. |
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