Canon: News, Rumors and Discussion Thread
08-18-2010, 11:05 PM
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Canon: News, Rumors and Discussion Thread
Canon Amps Up the "Power" in PowerShot with Three New Digital Cameras
LAKE SUCCESS, N.Y., August 19, 2010 – Further elevating the "Power" in PowerShot, Canon U.S.A., a leader in digital imaging, today announced three new high-performance PowerShot cameras - the PowerShot S95, the SD4500 IS and the SX130 IS Digital cameras. These cameras achieve photographic brilliance with Canon's HS (High Sensitivity) SYSTEM for improved low-light shooting in the S95 and SD4500 IS cameras, High Definition (HD) video recording, High Dynamic Range (HDR) in the S95 camera and a more intelligent Smart AUTO mode, among a range of others. The pro-shooter seizing the last summer sunsets with the S95 camera, the dad recording his son leaving for college on the SD4500 IS model, the aunt capturing a photo of her nephew's football team with the SX130 IS camera - these new PowerShot cameras showcase extraordinary image quality with every shot.
Achieving great images in low-light
Whether shooting a large family photo at a sunset wedding or capturing a historical monument at night, the new PowerShot Digital cameras capture clear, exceptional images in low-light settings thanks to Canon's HS SYSTEM. Canon's DIGIC 4 Image Processor combined with a 10-megapixel High Sensitivity CCD sensor in the S95 camera or a CMOS sensor in the SD4500 camera, make up Canon's HS SYSTEM. The HS SYSTEM enhances image quality and helps reduce noise at high ISO levels. It also helps to accentuate a number of hard-to-get details in images with decreased lighting. When used together, Canon's HS SYSTEM and the f/2.0 lens in the PowerShot S95 camera, enables users to capture dimly lit scenes without a flash, resulting in a more natural look for photos.
"Image quality consistently remains a top priority at Canon and with each generation of PowerShot cameras, we look to build the features and technology that will best improve a customer's experience with our cameras," said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. "New features, like the Canon HS SYSTEM for enhanced low light performance and high-speed shooting, helps consumers to capture images in dimly lit settings, further increasing the beauty of a moment."
Shooting HD at its best
When it comes to capturing a child walking for the first time or a person diving into a pool on vacation, shooting HD video is the ideal option. With Canon's legacy of delivering exceptional photos, the new PowerShot S95, SD4500 IS, and SX130 IS Digital cameras help to drive users beyond the still and encourage them to explore the world of HD video. It also helps a person to relive the experience when looking back at the images. Available on all three models, this feature offer extraordinary resolution, color and clarity to all cherished moments. Helping to heighten the quality of video, all three new PowerShot models include Miniature Effect movie mode. Available as a scene mode for shooting still photography, the Miniature Effect movie mode creates the illusion where large objects are shown in miniature proportions, providing a creative way to play back video. Combined with stereo sound, the inclusion of HD video capabilities in the PowerShot S95, SD4500 IS and SX130 IS cameras, along with outstanding still image quality, help make these models the ultimate image-capture devices.
Capture natural beauty with High Dynamic Range (HDR)
Excellent for outdoor shooting, the new S95 camera is the first Canon camera to feature the in-camera, HDR scene mode to help shooters capture the full magnitude of a scene that consists of very dark tones and bright highlights. With the use of a tripod, one push of the shutter button yields three sequential images with various exposures, and then combines them into a single optimized image within the camera. As a result, the image showcases a better range of depth and detail found in natural settings.
Get Smart with new shooting scenes
Canon's Smart AUTO now features 28 shooting scenes to help automatically adjust to different lighting or movement levels to obtain the best image possible. Another new feature for the less-experienced shooter to utilize is the Best Image Selection option found in the SD4500 IS camera. With one click of the shutter button, the camera will shoot five sequential shots and save the best shot based on a person's movement and facial expressions. Another added bonus in the SD4500 IS camera is Handheld Night scene. Without the use of a tripod, the Handheld Night scene reduces camera shake, allowing users to shoot beautiful images within dark settings.
Canon PowerShot S95 Digital Camera
Positioned to become another photography-fan favorite, the new PowerShot S95 camera, sibling of the popular PowerShot S90 camera, has been enhanced with 720p HD video capability and in-camera HDR scene mode. For macro-photography enthusiasts, Canon has built its Hybrid IS technology into the PowerShot S95 camera to compensate for angular and shift camera shake, making it the first PowerShot model to feature Hybrid IS technology. The camera also sports a 3.8x optical zoom and an f/2.0 lens that opens up to 28mm wide with Canon's Optical Image Stabilization technology, giving consumers a great, wide-angle lens with excellent focus. Another feature is the manual control ring on the front of the camera. For the advanced amateur shooters, the control ring allows the shooter to access manual control options and RAW shooting capabilities, allowing for more photographic creativity.
Scheduled to be available late August, the S95 camera retails for an estimated price of $399.99.*
Canon Power SD4500 IS Digital Camera
Helping to deliver exquisite image quality with its advanced features, the SD4500 IS model has a 10x optical zoom with Optical Image Stabilization, providing the power to shoot distant subjects with sharp precision and details. A great tool for shooting sports, the camera also features Full 1080p HD video mode, a first for a Digital ELPH model. In addition to its HD video functionality, the camera can also shoots in Dynamic IS mode. While walking through the park on a summer day, the Dynamic IS mode, located in the camera's continuous AUTO mode, helps stabilize video capture while the photographer is in motion, further improving the clarity of HD video. The SD4500 IS camera also consists of a Super Slow Motion Video Mode, capable of capturing a subject at 240 frames-per-second (fps) and shoots video in Smart AUTO. Consistent in delivering excellent image quality, the camera also has a high-speed burst mode of up to 8.4 fps. Adhering to the design quality of an ELPH camera, the new SD4500 IS camera, available in brown, has a slim, body type, elegant curves, and strong aesthetic features. With the mix of advanced functionality and style, the SD4500 IS camera attracts all levels of users with a plethora of great features.
Scheduled to be available in early September, the SD4500 IS camera retails for an estimated price of $349.99.*
Canon PowerShot SX130 IS Digital Camera
Experience advanced features and extreme telephoto capabilities with Canon's latest, ultra-zoom digital camera- the new PowerShot SX130 IS Digital camera. The new PowerShot SX130 IS camera has a 3.0-inch LCD screen and a 12x optical zoom lens with Canon's Optical Image Stabilization technology, helping to achieve brilliant images when capturing distant objects. Continuing to serve its dual functionality, the SX130 IS camera also shoots 720p HD video with stereo sound for outstanding video quality and features Miniature Effect movie mode, adding a more creative look to any user's video capture. Further igniting a photographer's artistic nature within still photography, the SX130 IS camera encompasses four creative modes- Miniature, Fisheye, Poster, and Super Vivid, making it the first model in its series to offer these four modes.
Scheduled to be available late August, the SX130 IS camera retails for an estimated price of $249.99.*
LAKE SUCCESS, N.Y., August 19, 2010 – Further elevating the "Power" in PowerShot, Canon U.S.A., a leader in digital imaging, today announced three new high-performance PowerShot cameras - the PowerShot S95, the SD4500 IS and the SX130 IS Digital cameras. These cameras achieve photographic brilliance with Canon's HS (High Sensitivity) SYSTEM for improved low-light shooting in the S95 and SD4500 IS cameras, High Definition (HD) video recording, High Dynamic Range (HDR) in the S95 camera and a more intelligent Smart AUTO mode, among a range of others. The pro-shooter seizing the last summer sunsets with the S95 camera, the dad recording his son leaving for college on the SD4500 IS model, the aunt capturing a photo of her nephew's football team with the SX130 IS camera - these new PowerShot cameras showcase extraordinary image quality with every shot.
Achieving great images in low-light
Whether shooting a large family photo at a sunset wedding or capturing a historical monument at night, the new PowerShot Digital cameras capture clear, exceptional images in low-light settings thanks to Canon's HS SYSTEM. Canon's DIGIC 4 Image Processor combined with a 10-megapixel High Sensitivity CCD sensor in the S95 camera or a CMOS sensor in the SD4500 camera, make up Canon's HS SYSTEM. The HS SYSTEM enhances image quality and helps reduce noise at high ISO levels. It also helps to accentuate a number of hard-to-get details in images with decreased lighting. When used together, Canon's HS SYSTEM and the f/2.0 lens in the PowerShot S95 camera, enables users to capture dimly lit scenes without a flash, resulting in a more natural look for photos.
"Image quality consistently remains a top priority at Canon and with each generation of PowerShot cameras, we look to build the features and technology that will best improve a customer's experience with our cameras," said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. "New features, like the Canon HS SYSTEM for enhanced low light performance and high-speed shooting, helps consumers to capture images in dimly lit settings, further increasing the beauty of a moment."
Shooting HD at its best
When it comes to capturing a child walking for the first time or a person diving into a pool on vacation, shooting HD video is the ideal option. With Canon's legacy of delivering exceptional photos, the new PowerShot S95, SD4500 IS, and SX130 IS Digital cameras help to drive users beyond the still and encourage them to explore the world of HD video. It also helps a person to relive the experience when looking back at the images. Available on all three models, this feature offer extraordinary resolution, color and clarity to all cherished moments. Helping to heighten the quality of video, all three new PowerShot models include Miniature Effect movie mode. Available as a scene mode for shooting still photography, the Miniature Effect movie mode creates the illusion where large objects are shown in miniature proportions, providing a creative way to play back video. Combined with stereo sound, the inclusion of HD video capabilities in the PowerShot S95, SD4500 IS and SX130 IS cameras, along with outstanding still image quality, help make these models the ultimate image-capture devices.
Capture natural beauty with High Dynamic Range (HDR)
Excellent for outdoor shooting, the new S95 camera is the first Canon camera to feature the in-camera, HDR scene mode to help shooters capture the full magnitude of a scene that consists of very dark tones and bright highlights. With the use of a tripod, one push of the shutter button yields three sequential images with various exposures, and then combines them into a single optimized image within the camera. As a result, the image showcases a better range of depth and detail found in natural settings.
Get Smart with new shooting scenes
Canon's Smart AUTO now features 28 shooting scenes to help automatically adjust to different lighting or movement levels to obtain the best image possible. Another new feature for the less-experienced shooter to utilize is the Best Image Selection option found in the SD4500 IS camera. With one click of the shutter button, the camera will shoot five sequential shots and save the best shot based on a person's movement and facial expressions. Another added bonus in the SD4500 IS camera is Handheld Night scene. Without the use of a tripod, the Handheld Night scene reduces camera shake, allowing users to shoot beautiful images within dark settings.
Canon PowerShot S95 Digital Camera
Positioned to become another photography-fan favorite, the new PowerShot S95 camera, sibling of the popular PowerShot S90 camera, has been enhanced with 720p HD video capability and in-camera HDR scene mode. For macro-photography enthusiasts, Canon has built its Hybrid IS technology into the PowerShot S95 camera to compensate for angular and shift camera shake, making it the first PowerShot model to feature Hybrid IS technology. The camera also sports a 3.8x optical zoom and an f/2.0 lens that opens up to 28mm wide with Canon's Optical Image Stabilization technology, giving consumers a great, wide-angle lens with excellent focus. Another feature is the manual control ring on the front of the camera. For the advanced amateur shooters, the control ring allows the shooter to access manual control options and RAW shooting capabilities, allowing for more photographic creativity.
Scheduled to be available late August, the S95 camera retails for an estimated price of $399.99.*
Canon Power SD4500 IS Digital Camera
Helping to deliver exquisite image quality with its advanced features, the SD4500 IS model has a 10x optical zoom with Optical Image Stabilization, providing the power to shoot distant subjects with sharp precision and details. A great tool for shooting sports, the camera also features Full 1080p HD video mode, a first for a Digital ELPH model. In addition to its HD video functionality, the camera can also shoots in Dynamic IS mode. While walking through the park on a summer day, the Dynamic IS mode, located in the camera's continuous AUTO mode, helps stabilize video capture while the photographer is in motion, further improving the clarity of HD video. The SD4500 IS camera also consists of a Super Slow Motion Video Mode, capable of capturing a subject at 240 frames-per-second (fps) and shoots video in Smart AUTO. Consistent in delivering excellent image quality, the camera also has a high-speed burst mode of up to 8.4 fps. Adhering to the design quality of an ELPH camera, the new SD4500 IS camera, available in brown, has a slim, body type, elegant curves, and strong aesthetic features. With the mix of advanced functionality and style, the SD4500 IS camera attracts all levels of users with a plethora of great features.
Scheduled to be available in early September, the SD4500 IS camera retails for an estimated price of $349.99.*
Canon PowerShot SX130 IS Digital Camera
Experience advanced features and extreme telephoto capabilities with Canon's latest, ultra-zoom digital camera- the new PowerShot SX130 IS Digital camera. The new PowerShot SX130 IS camera has a 3.0-inch LCD screen and a 12x optical zoom lens with Canon's Optical Image Stabilization technology, helping to achieve brilliant images when capturing distant objects. Continuing to serve its dual functionality, the SX130 IS camera also shoots 720p HD video with stereo sound for outstanding video quality and features Miniature Effect movie mode, adding a more creative look to any user's video capture. Further igniting a photographer's artistic nature within still photography, the SX130 IS camera encompasses four creative modes- Miniature, Fisheye, Poster, and Super Vivid, making it the first model in its series to offer these four modes.
Scheduled to be available late August, the SX130 IS camera retails for an estimated price of $249.99.*
Last edited by Mizouse; 03-28-2017 at 01:49 PM.
08-18-2010, 11:09 PM
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hm... still CCD in the S95...
might disprove the CMOS in the G12
might disprove the CMOS in the G12
08-18-2010, 11:13 PM
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08-18-2010, 11:26 PM
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anyways the S95 sounds like a compact i really really want, now that it has 720p video.. 
08-24-2010, 01:52 PM
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Canon’s 120mp APS-H Sensor
So you thought the megapixel race was over?
This will probably be in the 1D Mark IX
TOKYO, August 24, 2010—Canon Inc. announced today that it has successfully developed an APS-H-size*1 CMOS image sensor that delivers an image resolution of approximately 120 megapixels (13,280 x 9,184 pixels), the world’s highest level*2 of resolution for its size.
Compared with Canon’s highest-resolution commercial CMOS sensor of the same size, comprising approximately 16.1 million pixels, the newly developed sensor features a pixel count that, at approximately 120 million pixels, is nearly 7.5 times larger and offers a 2.4-fold improvement in resolution.*3
With CMOS sensors, while high-speed readout for high pixel counts is achieved through parallel processing, an increase in parallel-processing signal counts can result in such problems as signal delays and minor deviations in timing. By modifying the method employed to control the readout circuit timing, Canon successfully achieved the high-speed readout of sensor signals. As a result, the new CMOS sensor makes possible a maximum output speed of approximately 9.5 frames per second, supporting the continuous shooting of ultra-high-resolution images.
Canon’s newly developed CMOS sensor also incorporates a Full HD (1,920 x 1,080 pixels) video output capability. The sensor can output Full HD video from any approximately one-sixtieth-sized section of its total surface area.
Images captured with Canon’s newly developed approximately 120-megapixel CMOS image sensor, even when cropped or digitally magnified, maintain higher levels of definition and clarity than ever before. Additionally, the sensor enables image confirmation across a wide image area, with Full HD video viewing of a select portion of the overall frame.
Through the further development of CMOS image sensors, Canon will break new ground in the world of image expression, targeting new still images that largely surpass those made possible with film, and video movies that capitalize on the unique merits of SLR cameras, namely their high mobility and the expressive power offered through interchangeable lenses.
So you thought the megapixel race was over?
This will probably be in the 1D Mark IX
TOKYO, August 24, 2010—Canon Inc. announced today that it has successfully developed an APS-H-size*1 CMOS image sensor that delivers an image resolution of approximately 120 megapixels (13,280 x 9,184 pixels), the world’s highest level*2 of resolution for its size.
Compared with Canon’s highest-resolution commercial CMOS sensor of the same size, comprising approximately 16.1 million pixels, the newly developed sensor features a pixel count that, at approximately 120 million pixels, is nearly 7.5 times larger and offers a 2.4-fold improvement in resolution.*3
With CMOS sensors, while high-speed readout for high pixel counts is achieved through parallel processing, an increase in parallel-processing signal counts can result in such problems as signal delays and minor deviations in timing. By modifying the method employed to control the readout circuit timing, Canon successfully achieved the high-speed readout of sensor signals. As a result, the new CMOS sensor makes possible a maximum output speed of approximately 9.5 frames per second, supporting the continuous shooting of ultra-high-resolution images.
Canon’s newly developed CMOS sensor also incorporates a Full HD (1,920 x 1,080 pixels) video output capability. The sensor can output Full HD video from any approximately one-sixtieth-sized section of its total surface area.
Images captured with Canon’s newly developed approximately 120-megapixel CMOS image sensor, even when cropped or digitally magnified, maintain higher levels of definition and clarity than ever before. Additionally, the sensor enables image confirmation across a wide image area, with Full HD video viewing of a select portion of the overall frame.
Through the further development of CMOS image sensors, Canon will break new ground in the world of image expression, targeting new still images that largely surpass those made possible with film, and video movies that capitalize on the unique merits of SLR cameras, namely their high mobility and the expressive power offered through interchangeable lenses.
Interesting that they can achieve 9.5fps with it.
I'd like to see the IQ put out my one of these sensors.
08-24-2010, 06:08 PM
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08-25-2010, 11:01 PM
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Lots of new Canon goodies!
Canon EOS 60D
http://www.dpreview.com/news/1008/10...anoneos60d.asp
EF 70-300mm f/4-5.6L IS USM
http://www.dpreview.com/news/1008/10...n70mm300mm.asp
EF 8-15mm f/4 L USM fisheye zoom lens
http://www.dpreview.com/news/1008/10...non8mm15mm.asp
EF 300mm f/2.8 L IS II USM and EF 400mm f/2.8L IS II USM
http://www.dpreview.com/news/1008/10...300mm400mm.asp
500mm F/4L IS II USM and the 600mm F/4L IS II USM lenses
http://www.dpreview.com/news/1008/10...500mm600mm.asp
EF Extender 1.4x III and EF Extender 2x III
http://www.dpreview.com/news/1008/10...iiief2xiii.asp
http://www.dpreview.com/news/1008/10...anoneos60d.asp
EF 70-300mm f/4-5.6L IS USM
http://www.dpreview.com/news/1008/10...n70mm300mm.asp
EF 8-15mm f/4 L USM fisheye zoom lens
http://www.dpreview.com/news/1008/10...non8mm15mm.asp
EF 300mm f/2.8 L IS II USM and EF 400mm f/2.8L IS II USM
http://www.dpreview.com/news/1008/10...300mm400mm.asp
500mm F/4L IS II USM and the 600mm F/4L IS II USM lenses
http://www.dpreview.com/news/1008/10...500mm600mm.asp
EF Extender 1.4x III and EF Extender 2x III
http://www.dpreview.com/news/1008/10...iiief2xiii.asp
Last edited by Mizouse; 08-25-2010 at 11:05 PM.
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08-25-2010, 11:02 PM
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articulating screen for 60D
08-25-2010, 11:03 PM
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Canon EOS 60D DSLR announced and previewed
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has unveiled the EOS 60D mid-level DSLR, replacing the EOS 50D. However, following the launch of the EOS 7D, the 60D has been repositioned in the market, so isn't a simple upgrade to its predecessor. Instead the 60D is a smaller camera featuring an articulated screen and plastic body shell and utilizing SD memory cards. It combines the 18MP CMOS sensor and 1040k dot 3.0" LCD from the EOS 550D (Rebel T2i) with the AF system from the 50D. Meanwhile it gains the 7D's HD movie capability. We've had a chance to use a pre-production 60D so have prepared a hands-on preview, including sample images and movies.
Jump to:
* Hands-on Preview
* Press Release
* Additional images
Press Release:
Control, power, creativity – Canon empowers photographers to take the next step with the new EOS 60D
London, UK, 26th August 2010 - Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.
High speed, high resolution
With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios*1. Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.
A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.
The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor. Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.
Shoot from all angles
A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.
Empowering creativity
A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.
Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.
For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection - using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.
EOS Movies: Full HD video with complete control
Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920x1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640x480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens.
Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.
For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.
Designed for flexibility
The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.
A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.
The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.
Share the moment
For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions*2. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life
EOS 60D features at a glance:
* 18 MP APS-C CMOS sensor
* Advanced creative features with Basic +
* Vari-angle 7.7cm (3.0”) 3:2 ratio LCD
* Full HD movies with manual control
* DIGIC 4
* ISO 100-6400, H:12800
* 5.3fps shooting for up to 58 JPEGs
* 9-point cross type AF System
* iFCL metering with 63-zone Dual-layer Sensor
* Integrated Speedlite transmitter
* In-camera RAW processing
*1 1:1, 16:9, 4:3 in addition to the standard 3:2 dimension
*2 This product is not guaranteed to support Eye-Fi card functions (including wireless transfer). In case of an issue with an Eye-Fi card, please check with the card manufacturer. Also note that approval is required to use Eye-Fi cards in many countries or regions. Without approval, use of the card is not permitted. If it is unclear whether the card has been approved for use in the area, please check with the card manufacturer
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has unveiled the EOS 60D mid-level DSLR, replacing the EOS 50D. However, following the launch of the EOS 7D, the 60D has been repositioned in the market, so isn't a simple upgrade to its predecessor. Instead the 60D is a smaller camera featuring an articulated screen and plastic body shell and utilizing SD memory cards. It combines the 18MP CMOS sensor and 1040k dot 3.0" LCD from the EOS 550D (Rebel T2i) with the AF system from the 50D. Meanwhile it gains the 7D's HD movie capability. We've had a chance to use a pre-production 60D so have prepared a hands-on preview, including sample images and movies.
Jump to:
* Hands-on Preview
* Press Release
* Additional images
Press Release:
Control, power, creativity – Canon empowers photographers to take the next step with the new EOS 60D
London, UK, 26th August 2010 - Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.
High speed, high resolution
With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios*1. Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.
A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.
The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor. Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.
Shoot from all angles
A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.
Empowering creativity
A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.
Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.
For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection - using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.
EOS Movies: Full HD video with complete control
Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920x1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640x480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens.
Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.
For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.
Designed for flexibility
The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.
A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.
The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.
Share the moment
For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions*2. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life
EOS 60D features at a glance:
* 18 MP APS-C CMOS sensor
* Advanced creative features with Basic +
* Vari-angle 7.7cm (3.0”) 3:2 ratio LCD
* Full HD movies with manual control
* DIGIC 4
* ISO 100-6400, H:12800
* 5.3fps shooting for up to 58 JPEGs
* 9-point cross type AF System
* iFCL metering with 63-zone Dual-layer Sensor
* Integrated Speedlite transmitter
* In-camera RAW processing
*1 1:1, 16:9, 4:3 in addition to the standard 3:2 dimension
*2 This product is not guaranteed to support Eye-Fi card functions (including wireless transfer). In case of an issue with an Eye-Fi card, please check with the card manufacturer. Also note that approval is required to use Eye-Fi cards in many countries or regions. Without approval, use of the card is not permitted. If it is unclear whether the card has been approved for use in the area, please check with the card manufacturer
08-25-2010, 11:04 PM
#10
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08-25-2010, 11:10 PM
#11
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08-25-2010, 11:15 PM
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hmm.. kind of no want on 60D.
08-25-2010, 11:19 PM
#13
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Canon launches EF 70-300mm f/4-5.6L IS USM
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has released the EF 70-300mm f/4-5.6L IS USM, aimed at being an affordable 'L'-grade telephoto lens. It offers a ring-type ultrasonic autofocus motor, weatherproof construction, claimed four-stop image stabilization and a minimum focus distance of 1.2m, all in a package about the same size as the existing EF 70-300mm f/4-5.6 IS USM. Additional features include an 8-bladed circular aperture, full-time manual focus override, and an optional tripod mount ring.
Jump to:
* Press Release
* Specifications
Press Release:
Lightweight, compact and versatile - Canon unveils the EF 70-300mm f/4-5.6L IS USM
London, 26th August 2010 – Canon today announces the latest addition to its renowned L-series of professional lenses, the EF 70-300mm f/4-5.6L IS USM, designed to answer growing demand for a high performance zoom lens which offers outstanding mobility and versatility. The EF 70-300mm f/4-5.6L IS USM offers a 4.3x telephoto zoom range of 70-300mm, with a variable aperture of f/4-5.6.
The compact (143mm) design also features the build quality that photographers have come to expect from Canon’s acclaimed L-series lenses. With its impressive focal range and travel-friendly size, the EF 70-300mm f/4-5.6L IS USM is ideally suited to professionals and advanced amateur photographers wishing to capture portraits, nature and action shots in superb detail.
Canon signature image quality
Thanks to two ultra-low dispersion (UD) elements and a floating lens group, the
EF 70-300mm f/4-5.6L IS USM captures stunning high-contrast, high-resolution images with low levels of chromatic aberration throughout the zoom range. The lens makes use of Canon’s Super Spectra coatings, reducing ghosting and flare to ensure the highest possible image quality and minimising the requirement for extensive post processing.
Canon’s advanced optical Image Stabilizer (IS) provides photographers with a four-stop IS advantage, enabling the capture of sharp images even when shooting at maximum zoom or in low light conditions, by allowing the use of slower shutter speeds than would usually be possible with handheld shooting.
An eight-blade circular aperture also offers excellent bokeh ideal for portraiture, producing a more pleasant background and creatively isolating the subject.
Autofocus (AF) is fast and quiet thanks to a ring-type USM AF motor, combined with the independent lens CPU and advanced AF algorithms to enable accurate, reliable focusing in all conditions. As with all Canon L series lenses, full time manual focus override is possible, allowing photographers to manually focus, even when the AF motor is engaged. With a minimum focusing distance of 1.2m (3.9ft) throughout the zoom range, photographers can achieve sharp results, even when close to the action.
L-series – robust performance in all conditions
Honouring the L-series heritage, the EF 70-300mm f/4-5.6L IS USM offers exceptional build quality, ideal for daily use by professionals and advanced amateurs. The lens includes environmental protection, allowing photographers to shoot in harsh conditions - even in the extremes of the desert or rainforest. Canon’s new Fluorine Coating also makes cleaning the lens easier, preventing smears or streaking.
Professional accessories
As part of the L-series range, the EF 70-300mm f/4-5.6L IS USM is supplied with a lens hood ET-73B and lens case LP1424 as standard. In addition, an optional, dedicated tripod mount C (WII) can be directly attached to the lens. This allows it to be stabilised easily and the camera switched quickly from vertical to horizontal and back, without having to reposition the camera body on the tripod, perfect for fast-paced action with a variety of subjects.
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has released the EF 70-300mm f/4-5.6L IS USM, aimed at being an affordable 'L'-grade telephoto lens. It offers a ring-type ultrasonic autofocus motor, weatherproof construction, claimed four-stop image stabilization and a minimum focus distance of 1.2m, all in a package about the same size as the existing EF 70-300mm f/4-5.6 IS USM. Additional features include an 8-bladed circular aperture, full-time manual focus override, and an optional tripod mount ring.
Jump to:
* Press Release
* Specifications
Press Release:
Lightweight, compact and versatile - Canon unveils the EF 70-300mm f/4-5.6L IS USM
London, 26th August 2010 – Canon today announces the latest addition to its renowned L-series of professional lenses, the EF 70-300mm f/4-5.6L IS USM, designed to answer growing demand for a high performance zoom lens which offers outstanding mobility and versatility. The EF 70-300mm f/4-5.6L IS USM offers a 4.3x telephoto zoom range of 70-300mm, with a variable aperture of f/4-5.6.
The compact (143mm) design also features the build quality that photographers have come to expect from Canon’s acclaimed L-series lenses. With its impressive focal range and travel-friendly size, the EF 70-300mm f/4-5.6L IS USM is ideally suited to professionals and advanced amateur photographers wishing to capture portraits, nature and action shots in superb detail.
Canon signature image quality
Thanks to two ultra-low dispersion (UD) elements and a floating lens group, the
EF 70-300mm f/4-5.6L IS USM captures stunning high-contrast, high-resolution images with low levels of chromatic aberration throughout the zoom range. The lens makes use of Canon’s Super Spectra coatings, reducing ghosting and flare to ensure the highest possible image quality and minimising the requirement for extensive post processing.
Canon’s advanced optical Image Stabilizer (IS) provides photographers with a four-stop IS advantage, enabling the capture of sharp images even when shooting at maximum zoom or in low light conditions, by allowing the use of slower shutter speeds than would usually be possible with handheld shooting.
An eight-blade circular aperture also offers excellent bokeh ideal for portraiture, producing a more pleasant background and creatively isolating the subject.
Autofocus (AF) is fast and quiet thanks to a ring-type USM AF motor, combined with the independent lens CPU and advanced AF algorithms to enable accurate, reliable focusing in all conditions. As with all Canon L series lenses, full time manual focus override is possible, allowing photographers to manually focus, even when the AF motor is engaged. With a minimum focusing distance of 1.2m (3.9ft) throughout the zoom range, photographers can achieve sharp results, even when close to the action.
L-series – robust performance in all conditions
Honouring the L-series heritage, the EF 70-300mm f/4-5.6L IS USM offers exceptional build quality, ideal for daily use by professionals and advanced amateurs. The lens includes environmental protection, allowing photographers to shoot in harsh conditions - even in the extremes of the desert or rainforest. Canon’s new Fluorine Coating also makes cleaning the lens easier, preventing smears or streaking.
Professional accessories
As part of the L-series range, the EF 70-300mm f/4-5.6L IS USM is supplied with a lens hood ET-73B and lens case LP1424 as standard. In addition, an optional, dedicated tripod mount C (WII) can be directly attached to the lens. This allows it to be stabilised easily and the camera switched quickly from vertical to horizontal and back, without having to reposition the camera body on the tripod, perfect for fast-paced action with a variety of subjects.
08-25-2010, 11:19 PM
#14
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Canon releases EF 8-15mm f/4 L USM fisheye zoom lens
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has announced the EF 8-15mm f/4 L USM, the world's first fisheye zoom lens to offer both 'circular' and 'full frame' images. This replacement for the EF 15mm F2.8 fisheye will produce circular images with a 180 degree angle of view when used at its widest setting on 35mm-format cameras such as the EOS 5D Mark II, and images which cover the full sensor area at 15mm. It also incorporates marks at intermediate zoom positions denoting the widest settings which can be used on APS-C and APS-H format cameras to give full frame images without vignetting. The lens features weatherproof construction, including water-repellant Fluorine coating on the front and rear elements, and Canon's 'Sub-Wavelength Structure Coating' to minimize flare and ghosting.
Jump to:
* Press Release
* Specifications
Press Release:
See everything through different eyes – Canon launches the
EF 8-15mm f/4L Fisheye USM zoom lens
London, UK, 26 August 2010 – Canon today unveils the world’s first fisheye zoom lens offering both circular and full frame images, thanks to an extreme wide-angle focal range of 8-15mm. Replacing the EF 15mm f/2.8 fisheye, the new EF 8-15mm f/4L Fisheye USM is the latest addition to Canon’s L-series range of professional lenses, providing outstanding image quality, constant aperture throughout the zoom range and a robust design for reliable shooting in challenging weather conditions.
When paired with Canon’s full-frame DSLR bodies, such as the EOS 5D Mark II or the EOS -1Ds Mark III, professional photographers can choose to capture circular or full-frame fisheye images, allowing them to view a scene in a completely new and unique way. This new level of choice provides enhanced creative flexibility when shooting scenes such as the night sky, where the full 180º horizontal and vertical fields of view (FOV) allow every detail to be captured with incredible clarity in one single image.
When used with EOS bodies featuring APS-C or APS-H sensors, the EF 8-15mm f/4L Fisheye USM produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. ‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor, allowing photographers to achieve optimum results with any EOS body.
Advanced optics for professional imaging
The EF 8-15mm f/4L Fisheye USM showcases over 70 years of Canon’s optical engineering heritage, boasting 14 lens elements in 11 different groups, including one aspherical and one Ultra-low Dispersion (UD) element to correct chromatic aberration and produce high-quality, high-contrast shots with excellent colour reproduction.
Ghosting and flare caused by strong light sources can be a particular challenge when shooting at such a wide angle, and, in order to counteract these artefacts, all lens elements have been covered with Canon’s Super Spectra Coating. The inner surface of the front element also features Canon’s SubWavelength Structure Coating (SWC), which uses tiny cone-like structures, shorter than the wavelength of visible light on the surface of the lens element, to gradually slow light down until it is at the same speed as it travels through glass, removing the risk of flare occurring before the light reaches the sensor.
To maintain optimum image quality, the front and rear lens elements also feature a Fluorine Coating which actively repels water, dust and dirt, making it easier to clean the lens and leaving it unobstructed by particles.
Fast, accurate focusing and low light performance
The ultra-wide angle zoom of the EF 8-15mm f/4L Fisheye USM offers a fresh take on sporting action or architecture shots, while the constant f/4.0 aperture allows faster shutter speeds to be employed for natural-looking images in low light.
A ring-type ultrasonic motor (USM), provides quick and accurate focusing when shooting and enables a full-time manual focus functionality allowing photographers to adjust the focus of any shot, even when the AF system is activated, for even greater control over image capture and improved creative flexibility.
Built for professional performance
The EF 8-15mm f/4L Fisheye USM features a high-grade physical design that reflects its elite performance. High resistance to both dust and water enables it to be used in a range of challenging situations, and, when used with a professional EOS body, it allows continued shooting in the harshest weather conditions. The external design also features the new exterior texture, for a high quality look and feel indicative of all new L-series models.
High quality accessories
The EF 8-15mm f/4L Fisheye USM is supplied with a dedicated lens cap, lens pouch and a felt-lined lens hood EW-77 for use when using the zoom at the 15mm setting, preventing lens flare.
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has announced the EF 8-15mm f/4 L USM, the world's first fisheye zoom lens to offer both 'circular' and 'full frame' images. This replacement for the EF 15mm F2.8 fisheye will produce circular images with a 180 degree angle of view when used at its widest setting on 35mm-format cameras such as the EOS 5D Mark II, and images which cover the full sensor area at 15mm. It also incorporates marks at intermediate zoom positions denoting the widest settings which can be used on APS-C and APS-H format cameras to give full frame images without vignetting. The lens features weatherproof construction, including water-repellant Fluorine coating on the front and rear elements, and Canon's 'Sub-Wavelength Structure Coating' to minimize flare and ghosting.
Jump to:
* Press Release
* Specifications
Press Release:
See everything through different eyes – Canon launches the
EF 8-15mm f/4L Fisheye USM zoom lens
London, UK, 26 August 2010 – Canon today unveils the world’s first fisheye zoom lens offering both circular and full frame images, thanks to an extreme wide-angle focal range of 8-15mm. Replacing the EF 15mm f/2.8 fisheye, the new EF 8-15mm f/4L Fisheye USM is the latest addition to Canon’s L-series range of professional lenses, providing outstanding image quality, constant aperture throughout the zoom range and a robust design for reliable shooting in challenging weather conditions.
When paired with Canon’s full-frame DSLR bodies, such as the EOS 5D Mark II or the EOS -1Ds Mark III, professional photographers can choose to capture circular or full-frame fisheye images, allowing them to view a scene in a completely new and unique way. This new level of choice provides enhanced creative flexibility when shooting scenes such as the night sky, where the full 180º horizontal and vertical fields of view (FOV) allow every detail to be captured with incredible clarity in one single image.
When used with EOS bodies featuring APS-C or APS-H sensors, the EF 8-15mm f/4L Fisheye USM produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. ‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor, allowing photographers to achieve optimum results with any EOS body.
Advanced optics for professional imaging
The EF 8-15mm f/4L Fisheye USM showcases over 70 years of Canon’s optical engineering heritage, boasting 14 lens elements in 11 different groups, including one aspherical and one Ultra-low Dispersion (UD) element to correct chromatic aberration and produce high-quality, high-contrast shots with excellent colour reproduction.
Ghosting and flare caused by strong light sources can be a particular challenge when shooting at such a wide angle, and, in order to counteract these artefacts, all lens elements have been covered with Canon’s Super Spectra Coating. The inner surface of the front element also features Canon’s SubWavelength Structure Coating (SWC), which uses tiny cone-like structures, shorter than the wavelength of visible light on the surface of the lens element, to gradually slow light down until it is at the same speed as it travels through glass, removing the risk of flare occurring before the light reaches the sensor.
To maintain optimum image quality, the front and rear lens elements also feature a Fluorine Coating which actively repels water, dust and dirt, making it easier to clean the lens and leaving it unobstructed by particles.
Fast, accurate focusing and low light performance
The ultra-wide angle zoom of the EF 8-15mm f/4L Fisheye USM offers a fresh take on sporting action or architecture shots, while the constant f/4.0 aperture allows faster shutter speeds to be employed for natural-looking images in low light.
A ring-type ultrasonic motor (USM), provides quick and accurate focusing when shooting and enables a full-time manual focus functionality allowing photographers to adjust the focus of any shot, even when the AF system is activated, for even greater control over image capture and improved creative flexibility.
Built for professional performance
The EF 8-15mm f/4L Fisheye USM features a high-grade physical design that reflects its elite performance. High resistance to both dust and water enables it to be used in a range of challenging situations, and, when used with a professional EOS body, it allows continued shooting in the harshest weather conditions. The external design also features the new exterior texture, for a high quality look and feel indicative of all new L-series models.
High quality accessories
The EF 8-15mm f/4L Fisheye USM is supplied with a dedicated lens cap, lens pouch and a felt-lined lens hood EW-77 for use when using the zoom at the 15mm setting, preventing lens flare.
08-25-2010, 11:21 PM
#15
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Canon announces EF Extender 1.4x III and EF Extender 2x III
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has updated its 1.4x and 2x 'Extender' teleconverters, to version III. The EF Extender 1.4x III and EF Extender 2x III both offer completely new optical designs, weather resistant construction, Fluorine coatings on the front and rear elements, and promise higher AF accuracy than the previous versions. They also include redesigned lens release mechanisms and integrated processors for improved communication between the camera and lens.
Jump to:
* Press Release
* Specifications
* Additional images
Press Release:
Extend the reach of your telephoto lens with Canon’s Extender EF 1.4x III and Extender EF 2x II
London, 26th August 2010 – Canon today unveils two lens extenders designed for its L-series range of new super-telephoto lenses. Designed for photojournalists, nature and sports photographers who need to get close to distant and challenging subjects, the Extender EF 1.4x III and Extender EF 2x III increase the focal length of a lens by a factor of 1.4x and 2x respectively while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, they also combine enhanced environmental protection, redesigned optics and improved data communication between lens and camera.
Canon professional image quality
Allowing professional photographers to shoot distant subjects without having to carry a number of heavy lenses with them, these new extenders ensure there is no compromise on image quality. The Extender EF 1.4x III features three lens groups of seven elements, and the Extender EF 2x III features three groups of nine elements, ensuring improved optical performance. All optical elements use Canon’s Super Spectra coating, reducing ghosting and flare to minimise post-processing requirements. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.
To facilitate the accurate transfer of imaging data between the lens and camera body, both models feature an integrated processor which ensures all focusing, metering and ID information is available – allowing the photographer to capture crisp, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable higher AF accuracy compared to previous generations, ensuring professionals achieve perfectly sharp shots, even when capturing moving subjects.
Redesigned for high performance
The Extender EF 1.4x III and Extender EF 2x III have been designed to complement the latest range of L-series lenses, matching their appearance and offering a visible differentiation from previous models. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon’s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.
For convenient transport, the 225g Extender EF 1.4x III and 325g Extender EF 2x III are supplied with a soft case (LP811) and Extender Cap EII.
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has updated its 1.4x and 2x 'Extender' teleconverters, to version III. The EF Extender 1.4x III and EF Extender 2x III both offer completely new optical designs, weather resistant construction, Fluorine coatings on the front and rear elements, and promise higher AF accuracy than the previous versions. They also include redesigned lens release mechanisms and integrated processors for improved communication between the camera and lens.
Jump to:
* Press Release
* Specifications
* Additional images
Press Release:
Extend the reach of your telephoto lens with Canon’s Extender EF 1.4x III and Extender EF 2x II
London, 26th August 2010 – Canon today unveils two lens extenders designed for its L-series range of new super-telephoto lenses. Designed for photojournalists, nature and sports photographers who need to get close to distant and challenging subjects, the Extender EF 1.4x III and Extender EF 2x III increase the focal length of a lens by a factor of 1.4x and 2x respectively while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, they also combine enhanced environmental protection, redesigned optics and improved data communication between lens and camera.
Canon professional image quality
Allowing professional photographers to shoot distant subjects without having to carry a number of heavy lenses with them, these new extenders ensure there is no compromise on image quality. The Extender EF 1.4x III features three lens groups of seven elements, and the Extender EF 2x III features three groups of nine elements, ensuring improved optical performance. All optical elements use Canon’s Super Spectra coating, reducing ghosting and flare to minimise post-processing requirements. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.
To facilitate the accurate transfer of imaging data between the lens and camera body, both models feature an integrated processor which ensures all focusing, metering and ID information is available – allowing the photographer to capture crisp, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable higher AF accuracy compared to previous generations, ensuring professionals achieve perfectly sharp shots, even when capturing moving subjects.
Redesigned for high performance
The Extender EF 1.4x III and Extender EF 2x III have been designed to complement the latest range of L-series lenses, matching their appearance and offering a visible differentiation from previous models. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon’s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.
For convenient transport, the 225g Extender EF 1.4x III and 325g Extender EF 2x III are supplied with a soft case (LP811) and Extender Cap EII.
08-25-2010, 11:21 PM
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Canon EF 300mm f/2.8 L IS II USM and EF 400mm f/2.8L IS II USM
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has introduced updated versions of two of its professional telephoto lenses, in the shape of the EF 300mm f/2.8 L IS II USM and the EF 400mm f/2.8L IS II USM. Both feature completely new optical designs, along with lighter weight construction employing magnesium alloy and titanium. Sub Wavelength Structure coatings are employed to minimize flare, plus water-repellant Fluorine coatings on the front and rear elements. A new IS mode has been added that activates stabilization only during exposure, alongside a 'Power Focus' mode for video shooting. The upgrades are rounded off by the addition of repositionable AF stop buttons and a choice of tripod mounts.
Jump to:
* Press Release
* Specifications
* Additional images
Press Release:
Outstanding design, exceptional performance – Canon sets new standards with the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM
London, UK, 26 August 2010 – Canon today enhances its premium L-series with the launch of the new EF 70-300mm f/4-5.6L IS USM– two high quality super-telephoto lenses designed to meet the demands of professional photographers. Offering optical excellence and consistently high performance, the new lenses combine super-telephoto focal lengths, fast aperture and outstanding image quality, providing photographers with reliability and exceptional results.
Succeeding the well-respected EF 300mm f/2.8L IS USM and the EF 400mm f/2.8L IS USM, both new models will appeal to nature, wildlife and sports photographers. Each features a completely redesigned optical system and the latest iteration of Canon’s original Image Stabilizer (IS) technology, while an all-new magnesium alloy construction and titanium components ensure the designs are both robust and lightweight. The EF 400mm f/2.8L IS II USM is the lightest lens in its class*, offering unrivalled mobility due to an incredible 28% reduction in weight (1.5KG) compared to its predecessor, while the EF 300mm f/2.8L IS II USM offers photographers an 8% weight reduction.
Ultra high performance optics
Manufactured using the very best optical components, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM mark a significant step forward for Canon’s L-series, which is already renowned for its outstanding quality. Both lenses feature 16 elements in 12 different groups, using high performance fluorite lens elements that correct chromatic aberration to deliver high resolution and high contrast shots of the best possible quality – allowing photographers to capture images rich with edge-to-edge detail.
The optical elements also feature Canon’s latest Super Spectra Coatings, optimised for both the position and type of each lens element. A SubWavelength Structure Coating (SWC), which uses microscopic cone-shaped structures smaller than a wavelength of visible light, reduces ghosting caused by light bouncing back from the imaging sensor. Fluorine coating is also used on the front and rear elements of the lenses, repelling dust and dirt for clearer shots. The coating is also water repellent, keeping the front element free of water marks and smearing by ensuring water runs off the lens quickly.
New, improved IS and rapid AF
Both models feature Canon’s new Image Stabilizer system, providing outstanding results when the photographer is moving around and when capturing moving subjects. A 4-stop advantage offers greater image quality during handheld shooting, allowing users to shoot at speeds up for four times slower than normally required with minimal additional blur. Operation of IS mode 2 has been improved when shooting panning motion and a new third IS mode has been added, assisting users when quickly switching between subjects by activating the IS unit only during exposure.
Both lenses offer a constant f/2.8 aperture, allowing photographers to shoot at faster shutter speeds and capture clear shots of fast-moving subjects. The wide aperture also allows users to creatively isolate their subjects from the background, with a nine-blade circular iris creating dramatic and striking background blur that instantly adds beauty to an image.
Fast, quiet Auto Focusing (AF) is provided by a ring-type USM, new dedicated AF algorithms and a new high-speed CPU, which offer quick and accurate focusing during shooting. Photographers can also utilise full-time manual focusing functionality, which enables the adjustment and fine-tuning of focus even when the AF system is activated, providing even greater control over image capture. A new Power Focus mode aids focusing during video shooting, allowing the photographer to smoothly adjust focus during filming by twisting the focus recall ring.
All-new premium L-series design
Developed in line with Canon’s philosophy for the elite L-series, both the
EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM boast a refined design that reflects their status as market-leading, benchmark lenses. Both feature a new design layout, with carefully-positioned controls that improve operation in everyday use. The AF stop buttons are now location-adjustable, improving ergonomics by allowing users to custom-select the position of the lens grip, where the AF stop buttons are located.
A choice of dedicated tripod mounts provides added flexibility, allowing photographers to use a long or short foot suitable for monopods or tripods. A new rotational mechanism for the tripod collar also provides a smoother movement when turning the lens from portrait to landscape orientation. In addition, both models feature a new high quality exterior texture, while a new shade of white casing indicates the new advanced design and higher precision that each lens offers. A new Kensington-type wire security lock has also been added, allowing photographers to keep their lenses secure during location-based shoots.
A robust weatherproof design makes both lenses suitable for use in extreme conditions when paired with a weatherproof EOS body.
Complementary, high quality lens extenders
Both new models are compatible with the new set of Canon lens extenders designed for L-series super-telephoto lenses – the Extender EF 1.4x III and Extender EF 2x III. Manufactured to complement the new optical systems featured in both lenses, the Extender EF 1.4x III and Extender EF2x III will allow professionals to instantly extend the focal length of either lens by 1.4x or 2x respectively – enabling the capture of high quality, detailed images of subjects that may typically be beyond reach.
* As of August 2010
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has introduced updated versions of two of its professional telephoto lenses, in the shape of the EF 300mm f/2.8 L IS II USM and the EF 400mm f/2.8L IS II USM. Both feature completely new optical designs, along with lighter weight construction employing magnesium alloy and titanium. Sub Wavelength Structure coatings are employed to minimize flare, plus water-repellant Fluorine coatings on the front and rear elements. A new IS mode has been added that activates stabilization only during exposure, alongside a 'Power Focus' mode for video shooting. The upgrades are rounded off by the addition of repositionable AF stop buttons and a choice of tripod mounts.
Jump to:
* Press Release
* Specifications
* Additional images
Press Release:
Outstanding design, exceptional performance – Canon sets new standards with the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM
London, UK, 26 August 2010 – Canon today enhances its premium L-series with the launch of the new EF 70-300mm f/4-5.6L IS USM– two high quality super-telephoto lenses designed to meet the demands of professional photographers. Offering optical excellence and consistently high performance, the new lenses combine super-telephoto focal lengths, fast aperture and outstanding image quality, providing photographers with reliability and exceptional results.
Succeeding the well-respected EF 300mm f/2.8L IS USM and the EF 400mm f/2.8L IS USM, both new models will appeal to nature, wildlife and sports photographers. Each features a completely redesigned optical system and the latest iteration of Canon’s original Image Stabilizer (IS) technology, while an all-new magnesium alloy construction and titanium components ensure the designs are both robust and lightweight. The EF 400mm f/2.8L IS II USM is the lightest lens in its class*, offering unrivalled mobility due to an incredible 28% reduction in weight (1.5KG) compared to its predecessor, while the EF 300mm f/2.8L IS II USM offers photographers an 8% weight reduction.
Ultra high performance optics
Manufactured using the very best optical components, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM mark a significant step forward for Canon’s L-series, which is already renowned for its outstanding quality. Both lenses feature 16 elements in 12 different groups, using high performance fluorite lens elements that correct chromatic aberration to deliver high resolution and high contrast shots of the best possible quality – allowing photographers to capture images rich with edge-to-edge detail.
The optical elements also feature Canon’s latest Super Spectra Coatings, optimised for both the position and type of each lens element. A SubWavelength Structure Coating (SWC), which uses microscopic cone-shaped structures smaller than a wavelength of visible light, reduces ghosting caused by light bouncing back from the imaging sensor. Fluorine coating is also used on the front and rear elements of the lenses, repelling dust and dirt for clearer shots. The coating is also water repellent, keeping the front element free of water marks and smearing by ensuring water runs off the lens quickly.
New, improved IS and rapid AF
Both models feature Canon’s new Image Stabilizer system, providing outstanding results when the photographer is moving around and when capturing moving subjects. A 4-stop advantage offers greater image quality during handheld shooting, allowing users to shoot at speeds up for four times slower than normally required with minimal additional blur. Operation of IS mode 2 has been improved when shooting panning motion and a new third IS mode has been added, assisting users when quickly switching between subjects by activating the IS unit only during exposure.
Both lenses offer a constant f/2.8 aperture, allowing photographers to shoot at faster shutter speeds and capture clear shots of fast-moving subjects. The wide aperture also allows users to creatively isolate their subjects from the background, with a nine-blade circular iris creating dramatic and striking background blur that instantly adds beauty to an image.
Fast, quiet Auto Focusing (AF) is provided by a ring-type USM, new dedicated AF algorithms and a new high-speed CPU, which offer quick and accurate focusing during shooting. Photographers can also utilise full-time manual focusing functionality, which enables the adjustment and fine-tuning of focus even when the AF system is activated, providing even greater control over image capture. A new Power Focus mode aids focusing during video shooting, allowing the photographer to smoothly adjust focus during filming by twisting the focus recall ring.
All-new premium L-series design
Developed in line with Canon’s philosophy for the elite L-series, both the
EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM boast a refined design that reflects their status as market-leading, benchmark lenses. Both feature a new design layout, with carefully-positioned controls that improve operation in everyday use. The AF stop buttons are now location-adjustable, improving ergonomics by allowing users to custom-select the position of the lens grip, where the AF stop buttons are located.
A choice of dedicated tripod mounts provides added flexibility, allowing photographers to use a long or short foot suitable for monopods or tripods. A new rotational mechanism for the tripod collar also provides a smoother movement when turning the lens from portrait to landscape orientation. In addition, both models feature a new high quality exterior texture, while a new shade of white casing indicates the new advanced design and higher precision that each lens offers. A new Kensington-type wire security lock has also been added, allowing photographers to keep their lenses secure during location-based shoots.
A robust weatherproof design makes both lenses suitable for use in extreme conditions when paired with a weatherproof EOS body.
Complementary, high quality lens extenders
Both new models are compatible with the new set of Canon lens extenders designed for L-series super-telephoto lenses – the Extender EF 1.4x III and Extender EF 2x III. Manufactured to complement the new optical systems featured in both lenses, the Extender EF 1.4x III and Extender EF2x III will allow professionals to instantly extend the focal length of either lens by 1.4x or 2x respectively – enabling the capture of high quality, detailed images of subjects that may typically be beyond reach.
* As of August 2010
08-25-2010, 11:22 PM
#17
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Canon develops 500mm F/4L IS II USM and the 600mm F/4L IS II USM lenses
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has announced it is developing updated versions of its 500mm and 600mm f/4L IS USM professional lenses. Similar to the 300mm and 400mm lenses announced today, the EF 500mm F/4L IS II USM and the EF 600mm F/4L IS II USM will feature new optical designs, lighter-weight construction and water-repellant Fluorine coatings.
Jump to:
* Press Release
* Additional image
Press Release:
Canon announces development of advanced super-telephoto professional lenses
Canon EF 600mm F/4L IS II USM
London, UK, 26 August 2010 – Canon today announces the development of two new super telephoto lenses for its leading range of EOS Digital SLR cameras – the EF 500mm F/4L IS II USM and the EF 600mm F/4L IS II USM. The new lenses will be displayed for the first time in Europe during Photokina 2010 in Cologne, Germany.
Developed as part of Canon’s acclaimed L-series of professional lenses, the new lenses will achieve new and advanced levels of image quality. Each will include the highest quality components, featuring high specification Image Stabilizer technology alongside the use of optical materials such as Fluorite, to correct aberrations ensuring high resolution images rich in detail and contrast.
Succeeding the widely-respected EF 500mm F/4L IS USM and EF 600mm F/4L IS USM, the EF 500mm F/4L IS II USM and EF 600mm F/4L IS II USM are being developed for photographers who require high performance, fast aperture and a longer focal length. Redesigned, lightweight bodies will provide added mobility alongside enhanced protection against dust and water, making them ideal for the toughest shooting conditions.
Both new lenses have been designed to reflect Canon’s renowned high standards for the elite L-series, combining exceptional-quality optics with easy-to-reach controls and signature designs. The models will be released as part of Canon’s continued development of its EF lens line-up, offering enhanced performance and improved functions that cater for the needs of photographers from beginners through to professionals.
Thursday, 26 August 2010 04:00 GMT < Previous Next >
Canon has announced it is developing updated versions of its 500mm and 600mm f/4L IS USM professional lenses. Similar to the 300mm and 400mm lenses announced today, the EF 500mm F/4L IS II USM and the EF 600mm F/4L IS II USM will feature new optical designs, lighter-weight construction and water-repellant Fluorine coatings.
Jump to:
* Press Release
* Additional image
Press Release:
Canon announces development of advanced super-telephoto professional lenses
Canon EF 600mm F/4L IS II USM
London, UK, 26 August 2010 – Canon today announces the development of two new super telephoto lenses for its leading range of EOS Digital SLR cameras – the EF 500mm F/4L IS II USM and the EF 600mm F/4L IS II USM. The new lenses will be displayed for the first time in Europe during Photokina 2010 in Cologne, Germany.
Developed as part of Canon’s acclaimed L-series of professional lenses, the new lenses will achieve new and advanced levels of image quality. Each will include the highest quality components, featuring high specification Image Stabilizer technology alongside the use of optical materials such as Fluorite, to correct aberrations ensuring high resolution images rich in detail and contrast.
Succeeding the widely-respected EF 500mm F/4L IS USM and EF 600mm F/4L IS USM, the EF 500mm F/4L IS II USM and EF 600mm F/4L IS II USM are being developed for photographers who require high performance, fast aperture and a longer focal length. Redesigned, lightweight bodies will provide added mobility alongside enhanced protection against dust and water, making them ideal for the toughest shooting conditions.
Both new lenses have been designed to reflect Canon’s renowned high standards for the elite L-series, combining exceptional-quality optics with easy-to-reach controls and signature designs. The models will be released as part of Canon’s continued development of its EF lens line-up, offering enhanced performance and improved functions that cater for the needs of photographers from beginners through to professionals.
08-25-2010, 11:22 PM
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08-25-2010, 11:37 PM
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wow the new 400 has a 28% reduction in weight 
08-25-2010, 11:53 PM
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i do like that on the 60D you have to press a button before changing the shooting mode dial
so many times on my 40D that i would be in M mode, then go somewhere with the camera on my side and then end up in A-DEP or green box etc.
so many times on my 40D that i would be in M mode, then go somewhere with the camera on my side and then end up in A-DEP or green box etc.
08-25-2010, 11:56 PM
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finally someone posted in here.
it was like i was talking to a wall
08-26-2010, 12:03 AM
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yea for me.
no want on the 60D... guess a logical replacement for my 40D would be the 7D.
but im not getting anymore camera bodies.
no want on the 60D... guess a logical replacement for my 40D would be the 7D.
but im not getting anymore camera bodies.
08-26-2010, 12:10 AM
#25
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So the 60d is not really a replacement of the 50d? I want to see pricing. I don't see any point when you can probably get a 7d for a few hundred more.
08-26-2010, 12:10 AM
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i dont really know how to read MTF charts.
but alot of people on POTN are saying they are really crazy.
http://www.usa.canon.com/cusa/consum...2_8l_is_ii_usm
For comparison, here it is for the older 300.
http://www.usa.canon.com/cusa/consum..._2_8_is_ii_usm
but alot of people on POTN are saying they are really crazy.
http://www.usa.canon.com/cusa/consum...2_8l_is_ii_usm
For comparison, here it is for the older 300.
http://www.usa.canon.com/cusa/consum..._2_8_is_ii_usm
Last edited by Mizouse; 08-26-2010 at 12:15 AM.
08-26-2010, 12:11 AM
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08-26-2010, 12:17 AM
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yea, no more magnesium body. the joystick is gone.
a little less information on the top LCD. the buttons on the top LCD only have 1 function each.
only 1 custom mode.
its a smaller body too.
a little less information on the top LCD. the buttons on the top LCD only have 1 function each.
only 1 custom mode.
its a smaller body too.
08-26-2010, 01:20 AM
#30
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thanks for posting all this. damn, they finally made a UWA L lens for FF - zoom fisheye even. damn. that is hot. i think I'd probably get that.
08-26-2010, 01:22 AM
#31
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damn that fisheye is $1400. i guess thats not too surprising.
08-26-2010, 01:33 AM
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I like that it has stop points that you can set based on your sensor crop so you can have either a full frame image or have the vignetting.
08-26-2010, 01:35 AM
#33
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those are some sick ass lenses, Nikon peeps must be so mad. heh
08-26-2010, 06:00 AM
#35
I miss my 03 CL-S :(
So let me get this straight... The 60D has the same sensor and LCD as the Rebel, plastic body, no AF improvement, and less FPS than the 50D. DPR says "It's a model that sits half-way between the two, without coming too close to either.", but to me it comes way too close to the Rebel.
I don't see myself going from my 50D to the 60D. I'm glad I didn't wait for the 60D. I suppose a 7D is it if I decide to upgrade.
I don't see myself going from my 50D to the 60D. I'm glad I didn't wait for the 60D. I suppose a 7D is it if I decide to upgrade.
08-26-2010, 08:42 AM
#37
60D sounds like Canon as they have always done, seems like the 7D was just a hiccup.
08-26-2010, 08:46 AM
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08-26-2010, 08:48 AM
#39
At what, Nikon has already upgraded their extenders this year. The fisheye seems nice, but it's Canon reacting to what Tokina already has on the market, nice price $1400.
And I would put Nikon's 70-300 up against the new white lens. Nikon's sell for about $600.
And I would put Nikon's 70-300 up against the new white lens. Nikon's sell for about $600.
08-26-2010, 08:49 AM
#40
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The fisheye is the most tempting to me. I might need to save up for that one. I could wish it were a little faster, but at least it's a constant aperture. Tokina's is still in the running for me to replace my 10-22.
So glad I bought the hiccup. It's an awesome camera with the perfect blend of functions for my needs.
So glad I bought the hiccup. It's an awesome camera with the perfect blend of functions for my needs.
