C&P Random Thread -
hey I wasn't hating on Sony lenses, far from it. I do think the Zeiss affiliation gives them an edge.
I wasn't saying anything in reference to what you are personally doing; I was only mentioning it because it was related 
nice to hear your testimony! hope I can get them to work lol

hey I wasn't hating on Sony lenses, far from it. I do think the Zeiss affiliation gives them an edge.
I wasn't saying anything in reference to what you are personally doing; I was only mentioning it because it was related
nice to hear your testimony! hope I can get them to work lol
I wasn't saying anything in reference to what you are personally doing; I was only mentioning it because it was related

nice to hear your testimony! hope I can get them to work lol

i think i will save my coin for a RX100/NEX-6
btw, at marquee, i saw a guy bring in his rebel or maybe it was the 60D, (looked bigger than a rebel) into it.
guy was using the flip out screen and using the contrast detect AF, shit was slow as balls and he kept getting blurry/OOF shots.
btw, at marquee, i saw a guy bring in his rebel or maybe it was the 60D, (looked bigger than a rebel) into it.
guy was using the flip out screen and using the contrast detect AF, shit was slow as balls and he kept getting blurry/OOF shots.
i think i will save my coin for a RX100/NEX-6
btw, at marquee, i saw a guy bring in his rebel or maybe it was the 60D, (looked bigger than a rebel) into it.
guy was using the flip out screen and using the contrast detect AF, shit was slow as balls and he kept getting blurry/OOF shots.
btw, at marquee, i saw a guy bring in his rebel or maybe it was the 60D, (looked bigger than a rebel) into it.
guy was using the flip out screen and using the contrast detect AF, shit was slow as balls and he kept getting blurry/OOF shots.
not even comparable, IMO.
B&W processing in Lightroom or PS is an artform in and of itself.
although, I did recently spend some time shooting in "B&W High Contrast" mode on the RX100 and I liked it. But then I went into LR and processed it some more lol.
B&W processing in Lightroom or PS is an artform in and of itself.
although, I did recently spend some time shooting in "B&W High Contrast" mode on the RX100 and I liked it. But then I went into LR and processed it some more lol.
That said, between the B800 and B1600 if you don't need to over power the sun, go for the B800, the B1600's lowest setting, sometimes is still too much light, even at ISO50. But I guess it depends on how far you're away from subject
A lot of people have this conception that "B&W" means you turn the saturation all the way down - when in actuality doing that will get you a pretty flat looking B&W. Really good B&W is all about contrast - strong separation of black and white - that's when you get really powerful B&W images. Look forward to seeing some B&W from you!
I think the WL has more power control and can dip down to a lower power (I think).
That said, between the B800 and B1600 if you don't need to over power the sun, go for the B800, the B1600's lowest setting, sometimes is still too much light, even at ISO50. But I guess it depends on how far you're away from subject
That said, between the B800 and B1600 if you don't need to over power the sun, go for the B800, the B1600's lowest setting, sometimes is still too much light, even at ISO50. But I guess it depends on how far you're away from subject
I should elaborate on what I said. In B&W processing (also referred to as B&W Conversion) - you are editing B&W levels selectively, based on color. This is why it's best to shoot in color and then convert to B&W after the fact - when you do it this way, you have more control over how your final image is going to look. Shooting B&W out of your camera could save you some work though, if all you plan on doing is "simple" B&W's. If you want to really get into it, you should shoot color and then go into B&W mode in Lightroom. LR is pretty fantastic for B&W. I used to use Silver Efex a lot in the past but nowadays I pretty much never use it - LR has everything I need for B&W - and it saves me that extra step. Have a look at the B&W presets in LR and play around with the sliders to see what they do.
A lot of people have this conception that "B&W" means you turn the saturation all the way down - when in actuality doing that will get you a pretty flat looking B&W. Really good B&W is all about contrast - strong separation of black and white - that's when you get really powerful B&W images. Look forward to seeing some B&W from you!
A lot of people have this conception that "B&W" means you turn the saturation all the way down - when in actuality doing that will get you a pretty flat looking B&W. Really good B&W is all about contrast - strong separation of black and white - that's when you get really powerful B&W images. Look forward to seeing some B&W from you!

I will probably just shoot in color at least it gives me options whether to have color or not.

thinking of picking up the beginner bee set (1 light, stand, shoot thru umbrella, black cover, and case) for $400 after tax/shipping
if i get white lightening, i get all the same stuff but for $500 now.
You might want to take a look at the link srika gave me on the page before. It's a great deal with battery and light.
Damn, this is a pretty good deal, if I had the cash, I'd buy the whole package and sell them individually, and keep one B800
http://vancouver.en.craigslist.ca/va...333978363.html
http://vancouver.en.craigslist.ca/va...333978363.html
Last edited by is300eater; Oct 12, 2012 at 12:26 PM.










