Critique the Skillz...
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Critique the Skillz...
First time really playing with the new Rebel XTi... shot in RAW
What can I do better in these portrait shots both in actually capturing the image and in post processing.
Some of my favorites from the girl's Christmas party over the weekend:












What can I do better in these portrait shots both in actually capturing the image and in post processing.
Some of my favorites from the girl's Christmas party over the weekend:












Originally Posted by mrsteve
Taken using the Canon 430EX Speedlite angled at 45 degrees with a Omni-Bounce white diffuser.
most add-on diffusers cut 1/2 to 1 full stop of light, so when using them, I suggest cranking up the FEC by at least 1 stop and/or increasing the ISO to about 200. they work well when the surface you are bouncing off of are in close proximity or have a very high reflective surface (i.e. white walls). otherwise, the diffuser will just waste your fill light and spread it everywhere and not hit your intended target.
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Originally Posted by The Dougler
Were you shooting in maual or auto? Seems like the background is blurred in most of the pics, not sure if that was intentional or not.
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Originally Posted by sixsixfour
you dont really want to be using a diffuser angled at the ceiling if its too far/high. maybe that explains why you have some shots that dont seem to have enough fill light.
most add-on diffusers cut 1/2 to 1 full stop of light, so when using them, I suggest cranking up the FEC by at least 1 stop and/or increasing the ISO to about 200. they work well when the surface you are bouncing off of are in close proximity or have a very high reflective surface (i.e. white walls). otherwise, the diffuser will just waste your fill light and spread it everywhere and not hit your intended target.
most add-on diffusers cut 1/2 to 1 full stop of light, so when using them, I suggest cranking up the FEC by at least 1 stop and/or increasing the ISO to about 200. they work well when the surface you are bouncing off of are in close proximity or have a very high reflective surface (i.e. white walls). otherwise, the diffuser will just waste your fill light and spread it everywhere and not hit your intended target.
I shot at ISO 400... seemed to give the best results.
I didn't adjust much of the flash though. I guess I need to compensate for the diffuser. Thanks for the tip.
Check your focus on a lot of them, they look a little soft.
They also need to be white balanced.
I'd say these were more candids then anything in need of real critique as far as anything else goes.. Just keep practicing, and posting. Not a bad start.
They also need to be white balanced.
I'd say these were more candids then anything in need of real critique as far as anything else goes.. Just keep practicing, and posting. Not a bad start.
I agree with some of the critiques here. A tad more flash and better white balance would help. Not sure what lens you're using, but it's probably not that sharp at 1.8.
Overall though, I'd say you did a pretty good job. Composition is good and you captured the moment.
Overall though, I'd say you did a pretty good job. Composition is good and you captured the moment.
Originally Posted by mrsteve
The ceiling was only 8-9' tall so I assumed it was low enough to bounce.
I shot at ISO 400... seemed to give the best results.
I didn't adjust much of the flash though. I guess I need to compensate for the diffuser. Thanks for the tip.
I shot at ISO 400... seemed to give the best results.
I didn't adjust much of the flash though. I guess I need to compensate for the diffuser. Thanks for the tip.
for the 430, its realtively simple to add a stop of compensation when needed. just make it a point to add at least a stop of light before you start shooting if you put a diffuser on your flash. my rule of thumb generally is add a full stop if i want to stay inside my working ISO (staying at 100) and add thirds if Im went up an ISO (100 and cranked to 200).
hope this helps. good luck!
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Yeah now that I think about it the reason I was shooting at f/1.8 - f/2.8 was because I didn't think there was enough light with a smaller aperture. I guess if I cranked up the flash a bit it wouldn't be a problem.
I was shooting with the 50mm f/1.8 II.
I just realized that I set the flash to 50mm but since I'm on a cropped body I should have set it closer to 80mm thus why I wasn't getting enough juice from the flash.
Oh well... it's fun learning.
I was shooting with the 50mm f/1.8 II.
I just realized that I set the flash to 50mm but since I'm on a cropped body I should have set it closer to 80mm thus why I wasn't getting enough juice from the flash.Oh well... it's fun learning.
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Originally Posted by The Dougler
Photos look good, just under exposed. I would have tried just bouncing the flash directly upward. Give the aperture and ISO you were shooting at, it might have been enough. If the room is not too large, I try to light the entire room up.
A bounce card would have helped in this situation as well. It would have bounce light forward and from the ceiling.
A bounce card would have helped in this situation as well. It would have bounce light forward and from the ceiling.
Originally Posted by mrsteve
^ Why would I want to use the underpowered pop-up flash when I have a 430 EX?
I like photo # 10 ( dancing?) it really captured the moment well
^^ He meant turn the flash upwards and bounce off the ceiling for a natural diffused look but tape/rubber band some index cards on the back of the flash to bounce some light forward and fill in the shadows around the eyes and under the nose.
Originally Posted by wackjum
^^ He meant turn the flash upwards and bounce off the ceiling for a natural diffused look but tape/rubber band some index cards on the back of the flash to bounce some light forward and fill in the shadows around the eyes and under the nose.
doing that looks great
Nice pics. The first set, as mentioned, the women are all underexposed - i.e. they should be exposing more skin.
Second set has some great "feel." The patterns created by the spacing (similar with orchards) always amazes me. Just keep an eye on your horizon.
Second set has some great "feel." The patterns created by the spacing (similar with orchards) always amazes me. Just keep an eye on your horizon.
Steve, pick up some gels to color match your flash to the lighting in your room. A CTO orange gel will let you balance your flash to tungsten light, and CTO green helps with fluorescents.
They typically come in 8.5"x11" sheets which you can cut down to fit your flash. I just put a little velcro on my flash and some on the gels, so I can quickly add or remove them as needed (just like this: http://strobist.blogspot.com/2006/03...o-correct.html)
They typically come in 8.5"x11" sheets which you can cut down to fit your flash. I just put a little velcro on my flash and some on the gels, so I can quickly add or remove them as needed (just like this: http://strobist.blogspot.com/2006/03...o-correct.html)
Originally Posted by wackjum
^^ He meant turn the flash upwards and bounce off the ceiling for a natural diffused look but tape/rubber band some index cards on the back of the flash to bounce some light forward and fill in the shadows around the eyes and under the nose.
Does a White Stofen OmniBounce accomplish the same results?


I haven't had the time to experiment any




Very easy.


















