Canon renews full-frame lenses with 24-70mm F2.8 II and stabilized wide-angle primes
Feb 7, 2012 at 05:00:00 GMT
LENS NEWS CANON LENSES
Share:



Print view Email
Canon has released three EF lenses, including an updated 24-70mm F2.8 II USM. The latest version features what is promised to be a more durable body, despite being a little smaller. In addition to this high-end full-frame standard zoom, there are completely redesigned semi-fast 24mm and 28mm F2.8 primes, both of which feature USM focus motors and image stabilization.

Ultimately, the most interesting thing about these launches is the fact that Canon feels the need to update various full-frame lenses, almost as if something likely to test the quality of its existing versions was in the offing.

The wide-angle lenses update two of Canon's oldest primes: both the EF 28mm F2.8 and 24mm F2.8 date back to the late 1980s. The new variants add Canon's latest 4-stop IS and ring-type USM (complete with full-time manual focus), and look like they should be perfectly nice lenses. We're just not entirely sure who they're for; APS-C users have the 17-55mm F2.8 IS USM, and full frame users are more likely to be using the company's L series optics. It's also a little unusual to see stabilization added to lenses this wide but that's the decision Canon has made.

Jump to:

Press Release
Additional Images
Press Release:

Class-leading performance, unrivalled flexibility – Canon launches three new lenses


London, UK, 7th February 2012 – Canon today adds to its world-famous EF lens series with the launch of three new lenses for photography professionals and enthusiasts. The new EF 24-70mm f/2.8L II USM professional zoom lens is an update to the popular EF 24-70mm f/2.8L USM, while the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are the world's first1 wide-angle prime lenses to feature optical Image Stabilizer (IS) technology. All three provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, userfriendly designs.

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom

The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon's optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality.

The EF 24-70mm f/2.8L II USM also enables photographers to capture their subjects up close, with a minimum focusing distance of 0.38m at all focal lengths throughout the zoom range. A ring-type Ultrasonic Motor (USM) works in combination with a highperformance CPU and advanced AF algorithms to ensure accurate, silent and ultraresponsive autofocus. For those who prefer to maintain full control in every shot, fulltime manual focusing allows photographers to precisely tweak or alter the focus of their shot at any time, even when AF is engaged.

Distinguished L-series design

The EF 24-70mm f/2.8L II USM is the latest lens from the elite L-series to offer Canon's high-grade and user-focused design enhancements. The mechanical structure of the lens has been improved to offer enhanced zoom durability and greater shake and shock resistance within the lens barrel. The size of the lens has also been reduced by 10mm compared to the previous model, providing enhanced portability and greater convenience in everyday use. A new Zoom Lock lever also enables photographers to lock the zoom position at the extreme wide end to prevent damage to the lens in transit, while a water and dustproof construction2 enables users to continue shooting in harsh conditions.

Introducing the world's first wide-angle primes with IS

Canon today also launches the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM – the world's first 24mm and 28mm fixed wide-angle lenses to feature optical IS technology. Ideal for landscape and reportage, both lenses offer outstanding flexibility allowing photographers to shoot an even broader range of scenes and subjects – combining fast apertures with IS to enable sharp results when shooting handheld, even in low light conditions.

Offering an advantage of up to 4-stops over lenses without IS, both lenses are ideal for capturing more of the scene thanks to their wider focal lengths. Both feature a wide f/2.8 aperture, allowing photographers to explore shallow depth of field, or to shoot in lower-light conditions. Wide apertures and IS technology also make each lens ideal for shooting fast-moving subjects, while Canon's advanced IS technology is able to detect intentional panning movement and automatically switch from Normal IS mode to Panning IS mode – helping users to capture movement with greater accuracy.

Silent, high-speed AF performance is provided by the inclusion of a ring-type USM and additional features including optimized AF control. Full-time manual focusing also ensures adjustments can be made even when AF is engaged, while a minimum focusing distance of 0.20m (EF 24mm f/2.8 IS USM) and 0.23m (EF 28mm f/2.8 IS USM) allows photographers to get even closer to smaller or more detailed subjects.

Designed to perform

Both the EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM feature redesigned optics to improve image quality and reduce the need for post-production. An aspherical glass moulded (GMo) lens element is incorporated to correct aberration throughout the optical system, while Canon's optimised Super Spectra Coatings reduce ghosting and flare for stand-out image quality. Externally, both models also boast a number of design similarities with Canon's professional L-series lenses, with a similar coating on the barrel and a similar design on the focus ring. A distance scale is also included to assist with landscape photography, while the compact design makes these lenses an unobtrusive addition to any kit bag.

Built for adventure – introducing the Canon PowerShot D20


London, UK, 7th February 2012 – Canon today launches the rugged and powerful PowerShot D20 – engineered to be a part of the adventure and capture exceptional images and Full HD (1080p) video when living life to the extreme. Housing advanced Canon imaging technology in a robust and sporty body, the PowerShot D20 is waterproof, shockproof, freezeproof and dustproof – ideal for hurtling down the rapids or conquering a mountain and bringing back the photos to prove it.

The PowerShot D20 is packed full of versatile technology including the advanced HS System, designed to produce fantastic picture quality, even in challenging low-light conditions. Sliding easily into a rucksack or attached to a carabiner, the PowerShot D20 is compact, lightweight and built to withstand the rigours of any adventure – freeing users to push themselves to the limits without worrying about their camera coping with the ride.

Canon-quality with every shot

The heart of the PowerShot D20 is powered by Canon's HS System, combining a 12.1 Megapixel, high-sensitivity CMOS sensor with the DIGIC 4 image processor for highquality performance in every situation – particularly in low-light situations.

Whether exploring the underwater beauty of an exotic cove or standing on top of the world after a mountain trek, glorious scenic vistas can be captured in their entirety thanks to the high-quality 28mm wide-angle Canon lens, with 5x zoom to bring users closer to the action. For rock-steady videos and crisp stills even in challenging shooting conditions, Intelligent IS automatically analyses the scene and selects the optimum settings for the optical Image Stabilizer from seven different modes1. For example, when filming movies off the beaten trail, Dynamic IS mode compensates for both hand shake and movement. Panning IS mode is perfect when shooting a flock of birds crossing the scene, ensuring the IS system stabilises in only one direction, while Macro IS mode is perfect for shooting the stunning detail of a starfish on a coral reef.

Breathe new life into shooting beneath the waves and capture the rare sights and closeup detail with the special Underwater Macro mode, combined with Quick AF mode to ensure rapid and accurate focus. The accuracy of Underwater White Balance is enhanced and also offers quick adjustment so that users can shoot the depths with beautiful natural colours. Allowing intrepid travellers to push the limits even further and dive into a new world, the optional WP-DC45 waterproof case with external flash support enables the PowerShot D20 to capture rare sights at depths down to 40m.

Handheld Night Scene mode means users can shoot dark scenes with confidence. It captures a series of high-speed shots and combines them into one crisp, well-exposed image. Giving more freedom for users to be creative, Super Slow Motion Movie mode can add tension and draw out the suspense in fast-paced events.

Ready to go whenever and wherever you may be

Rugged enough to brave the elements, the PowerShot D20 is waterproof to depths down to 10m, and can withstand freezing temperatures down to -10°C. Active Display technology also allows users to control some camera functions by tapping the camera body, making it easier to use when wearing gloves. Built to last, the PowerShot D20 is also shockproof from drops up to 1.5m and environmentally sealed against sand and dust to protect the advanced imaging technology inside.

Those who wish to blaze a trail and map out the adventure for others to follow can use GPS2 tagging and the low energy consumption3 GPS Logger feature. These can be used to tag images with location data or track routes and share discoveries easily using the supplied Map Utility software and through Google Earth4. Retelling the story behind a stunning shot is now even easier with Movie Digest mode creating a 'making-of' film reel for a day's images. When engaged, this mode films the last 4 seconds before each photo is taken in 720p HD resolution and combines all the clips from that day to create a movie that allows users to document their experiences in a new and exciting way.

When things happen fast, the PowerShot D20 is always ready to go. The dedicated Movie Record button means users can switch instantly to Full HD 1080p movie quality and zero in on the action with the 5x optical zoom without missing a moment. Users can then relive the experience on a big screen thanks to the HDMI connection with CEC, allowing them to pause, rewind and replay any clip using the remote control of a compatible HDTV.

Easy to use, easy to explore

Even when the action is fast and furious, frame the scene perfectly with just a glance at the bright, vibrant 7.5 cm (3.0") 460,000 dot PureColor II LCD screen with 4:3 aspect ratio. It's also easier than ever to capture great images without needing extensive photography experience thanks to Canon's enhanced Smart Auto feature which detects 32 different scenes, applying the best combination of camera settings to ensure every shot is well-exposed.

The PowerShot D20 features seven5 creative effects that can be applied to give every shot new impact, allowing photographers to explore the world and change how people view it. Landscapes offer the impression of a scale model with Miniature Effect or similar effects to those of a fish-eye lens can be applied to present a completely unique view of the world.

Accessories for adventure

The optional Accessory Kit includes Carabiner and Shoulder Straps to keep the camera handy when hiking or climbing, a special Neoprene Pouch and a Silicon Jacket for even more protection, as well as a Float to keep the camera at the surface when swimming, making the PowerShot D20 ready for many adventures.

Join the CANON iMAGE GATEWAY community

Owners of this new model can also join the newly updated CANON iMAGE GATEWAY, an online facility for sharing photos and video now providing up to 10 GB of personal storage capacity, perfect for storing many photos, even in full resolution. An easy interface allows users to search for images, create combined photo and movie Albums that can receive comments from friends, and to share Albums directly via email and Social Networking Sites.

Canon unveils ELPH 530 HS and ELPH 320 HS Wi-Fi touchscreen models
Feb 7, 2012 at 05:00:00 GMT
CAMERA NEWS CANON WI-FI
Share:



Print view Email
Canon has launched the ELPH 530 HS and ELPH 320 HS, Wi-Fi and touchscreen versions of its recently released style compacts. The cameras, sold as the IXUS 510 HS and IXUS 240 HS respectively outside North America, have several different ways to allow wireless sharing to home networks, smartphones or the internet. The ELPH 320 HS, like its non-Wi-Fi ELPH 110 HS brother, is a 16MP camera while the smaller ELPH 530 HS uses a 10MP section of the same 16MP sensor. The 530 HS uses Micro SD but this is less problematic, thanks to its wireless capabilities.

With the A-Series now incorporating a couple of slim, stylish cameras, the ELPH/IXUS branding reverts to being applied only to Canon's premium point-and-shoots. Their Wi-Fi capabilities allow the cameras to upload to the Canon Image Gateway site or appear as a network drive on a home wireless network. They can also share images with other wireless cameras or have images pulled off them using a smartphone app. The CameraWindow app will initially be available for iOS devices with Android support following soon.

Jump to:

Press Release
Specifications
Additional Images
Press Release:

Shoot and share in style – Canon unveils the IXUS 510 HS and IXUS 240 HS


Canon ELPH 320 HS / Canon IXUS 240 HS
London, UK, 7th February 2012 – Canon today adds to its premium IXUS range with the launch of two new outstanding touch screen models – the IXUS 510 HS and the IXUS 240 HS. Fusing first-class design with Canon's signature image quality and new Wi-Fi functionality, both models make it easier than ever to shoot photos and Full HD movies in exceptional detail and share them instantly with friends and family. Combining a high quality and compact 12x optical zoom with a highly-pocketable, luxurious and chic design, the IXUS 510 HS is the perfect take anywhere camera for style-conscious users, while the IXUS 240 HS's slim and elegant design and fun functionality are ideal for shooting and sharing images, anytime and anywhere.

Quality meets design

Canon's advanced imaging technology ensures superb results, no matter the subject being shot or the conditions. Both models feature cutting-edge genuine Canon lens technology, enabling the capture of sweeping vistas or distant detail with the powerful zooms in each camera. The IXUS 510 HS's impressive 28mm wide-angle 12x optical zoom lens packs into a body measuring just 19.8 mm front-to-back, while the IXUS 240 HS's 24mm ultra-wide-angle 5x optical zoom lens comes in a high-grade, super-slim body – offering exceptional quality and versatility. Canon's ZoomPlus technology means users can extend the zoom of their camera and get even closer to the action, while maintaining higher quality than traditional digital zoom. With ZoomPlus, the IXUS 510 HS' zoom extends beyond its 12x optical zoom to 21x, while the IXUS 240 HS reaches past its 5x optical zoom to 10x.

The IXUS 510 HS and IXUS 240 HS also feature Canon's Intelligent IS, providing advanced image stabilisation that offers the freedom to shoot a range of subjects with confidence. Harnessing each model's 3.5-stop optical Image Stabilizer, Intelligent IS rapidly analyses the shooting scene and automatically adjusts the camera's settings, selecting from seven1 different stabilisation modes to ensure photos and movies remain clear and with minimal blur.

Powered by Canon's HS System, which optimally combines high resolution, highsensitivity CMOS sensors with next-generation DIGIC 5 processing, both models offer image quality that reflects what the eye sees. Offering supreme performance in all conditions, and especially in low light, both the IXUS 510 HS and IXUS 240 HS allow users to capture and share experiences with incredible levels of detail and clarity.

Sharing made easy

With the new models, users can instantly share their favourite images and movies, whenever and wherever they may be thanks to new integrated Wi-Fi connectivity2. The new CameraWindow application allows photos and movies to be wirelessly transferred directly to a range of Apple iOS3 mobile devices for instant sharing on the move. Using the same application, users can also share photos via email, upload them to Facebook with their own comments, or even upload movies to YouTube™.

Also launching today with the new IXUS models is the newly designed and enhanced CANON iMAGE GATEWAY, Canon's online facility for sharing photos and video. Now providing up to 10 GB of personal storage capacity, it is perfect for storing many photos, even in full resolution. An easy interface allows users to search for images, create combined photo and movie Albums that can receive comments from friends, and to share Albums directly via email and Social Networking Sites. With the new Wi-Fi IXUS models, photos can be uploaded directly to the CANON iMAGE GATEWAY without the need for a computer, using just the cameras' wireless menus and home wireless networks.

Complete control at your fingertips

Both models feature large, bright and vibrant 8.0 cm (3.2") PureColor II Touch LCD displays with sharp 460,000-dot resolution, giving exceptional colours and accurate contrast. They are ideal for reviewing newly-captured images and movies and showcasing them to friends. The highly responsive touch navigation and customisable on-screen icons provide quick, easy access to camera settings, menus and a user's entire photo collection, so photos can be quickly selected to upload to social networks and comments even typed in. The touchscreen also powers Canon's Touch Shutter functionality which makes it possible to compose and shoot with a single touch of the screen.

Point and shoot creativity

For those who like to point and shoot for excellent images, Canon's latest Smart Auto mode now identifies up to 58 different scenes.

The new Face Identification (Face ID) functionality included within Smart Auto enables users to get the best possible shots of friends and family, making it easy to capture tricky subjects with new levels of clarity. Face ID allows users to register family faces and their birthdays within the camera, it then stores this information, and with Smart Auto adjusts image settings accordingly. For example, when taking a picture of a sleeping baby, Face ID will identify the subject, automatically disengage the flash and adjust the exposure to give the image a brighter feel. If a child over the age of two is identified, the camera will automatically engage Servo AF in anticipation of movement, enabling sharper pictures of children that are often difficult to capture. Users can even browse their photos in-camera by name, so images of their friends and family can be easily and quickly searched and reviewed.

Each model also features Multi-area White Balance which detects multiple light sources and corrects the colour balance for each, delivering natural images in challenging conditions featuring multiple light sources. An enhanced range of creative shooting modes also expands the gamut of effects users can explore, with two new modes added. In addition to Toy Camera, Miniature and Fish-eye Effect, new Smooth Skin Effect improves portraits by smoothing out skin textures, while Soft Focus Effect simulates the dreamy effect provided by a dedicated soft-focus lens. Both new modes offer three effect levels, enabling the user to pick a level to suit the subject.

High resolution stills, high defintion video

In addition to exceptional stills, the new IXUS 510 HS and IXUS 240 HS feature Full HD (1080p) movie recording with stereo sound. A dedicated movie record button enables instant switching from stills to movies, while optical zoom can also be utilised in both cameras in movies. Integrated HDMI connectivity also enables sharing with friends and family using HD TV screens. To help tell the story behind a day's images, Movie Digest mode captures four seconds of movie before each still shot is taken and then merges all the clips together in HD (720p) quality for a fun reminder of the day's events.

The IXUS 510 HS: Seriously compact, catwalk style

As well as offering stand-out image quality, the IXUS 510 HS takes IXUS style to a new high. With a 10.1MP high-sensitivity CMOS sensor and exceptional 12x optical zoom, users can enjoy the flexibility to capture a range of subjects in exceptional quality, and then share images instantly using the integrated Wi-Fi connectivity. Revisiting the classic style of the original IXUS design, the IXUS 510 HS's sleek, sharp-edged exterior truly epitomises the IXUS luxury design philosophy, offering a stylish, compact body that can be taken anywhere. The futuristic lens cover and striking glossy black or matte white finish also adds to the premium styling.

The IXUS 240 HS: Exceptional style and ease-of-use

Combining advanced features with effortless functionality, the IXUS 240 HS is perfect for anyone looking for a camera that fuses style with substance. Its 16.1 MP resolution offers exceptional detail, while its ultra-wide angle 24mm 5x optical zoom genuine Canon lens offers great flexibility that can be carried in virtually any pocket. Available in five contemporary metallic colours so users can pick a style to match their personality, the IXUS 240 HS is ideal for social shooting, such as holidays or evenings out with friends – allowing high quality images to be shared immediately after they are taken.

Available April 2012
EF 24-70mm f/2.8L II USM $2299

Available June 2012
EF 24mm f/2.8 IS USM $849
EF 28mm f/2.8IS USM $799

Canon updates EOS-1D X specifications

Tuesday, February 28, 2012 | by Rob Galbraith

At the time of the EOS-1D X's announcement, certain specifications such as battery life and burst depth, as well as memory card write speed requirements for video, were not given out. Canon has now filled in the blanks.

Burst depth At ISO 100, the EOS-1D X will shoot 100 full-resolution JPEG, 35 CR2 or 17 JPEG+CR2 frames in a continuous burst to a UDMA Mode 7-capable CompactFlash card.

Battery life The camera can capture the following number of frames per charge when powered by its 11.1V/2450mAh Battery Pack LP-E4N:

At 73°F/23°C, no Live View: 1120 frames
At 32°F/0°C, no Live View: 860 frames
At 73°F/23°C, Live View on: 290 frames
At 32°F/0°C, Live View on: 250 frames

Weight The EOS-1D X, with battery and memory card, weighs 3.4lb/1530g.

Video Canon projects the EOS-1D X's typical video data rates to be:

1080p, all fps, IPB compression: 235MB/minute
1080p, all fps, ALL-I compression: 685MB/minute
720p, all fps, IPB compression: 205MB/minute
720p, all fps, ALL-I compression: 610MB/minute
640 x 480, all fps, IPB compression: 45MB/minute

Canon recommends a CompactFlash card with a 10MB/s minimum sustained write speed capability for capturing IPB-compression video. For All-I, 30MB/s. The same values are recommended for read speeds, to enable video to play back without interruption in the camera.

Canon announces EOS 5D Mark III 22MP full-frame DSLR
Mar 2, 2012 at 05:00:00 GMT
CAMERA NEWS CANON FULL-FRAME
Share:




Print view Email
Canon has announced a new incarnation of its enthusiast full-frame 5D series - the Canon EOS 5D Mark III. The camera has been improved over its predecessor in most areas and comes with a 22MP full-frame sensor, 6 frames per second continuous shooting and 1080p video at 24, 25 or 30 fps, offering the high quality intraframe (All-I) compression method and greater audio control. A 61-point AF system and 63-zone metering provide focusing speed and metering accuracy. It will have an MSRP of $3499 / €3299 / £2999.99.

Jump to:

Press Release
Specifications
Additional Images
Press Release:

Creativity, redefined – Canon unleashes the EOS 5D Mark III


London, UK, 2nd March 2012 – Canon today announces the latest addition to its worldfamous EOS range with the launch of the new EOS 5D Mark III. The EOS 5D Mark IIIbuilds on the performance of the legendary EOS 5D Mark II, offering improved speed,greater resolution, enhanced processing power and extended creative options for bothstills and Full HD movies – providing unparalleled artistic freedom for the most demanding photographers.

Incorporating feedback from photographers worldwide, the EOS 5D Mark III offers improved performance in virtually every area. A new 22.3 Megapixel (MP) full-frame sensor offers the ideal balance of resolution for stills and HD movies and up to 6 frames per second (fps) shooting, whilst a 61-point AF system and 63-zone metering provide greater speed, flexibility and accuracy. Powered by the latest DIGIC 5+ processing technology, the EOS 5D Mark III also features enhanced video functions, offeringimproved image quality alongside greater audio control – redefining creative possibilities for photographers and amateur videographers alike. "The EOS 5D Mark III represents a big step forward for the EOS 5D series" said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. "The EOS 5D Mark II is an exceptional camera and we've listened carefully to feedback from its passionate community of users to improve performance in every area. This camera has been designed to meet virtually any creative challenge – it's faster, more responsive and features the tools to adapt to everything from studio photography to creative videography, while producing results of the highest quality."

Enhanced performance

With its comprehensively upgraded specification, the EOS 5D Mark III is the ideal toolfor the growing number of photographers shooting both stills and movies. It incorporates a number of the features launched with Canon's revolutionary EOS-1D X,providing vastly improved performance, flexibility, handling and durability. The camera's newly-developed 22.3MP full-frame sensor provides increased resolution and finer detail, enabling the capture of a wide range of scenes, from sweeping landscapes to beautiful portraits. Higher speed continuous shooting also offers expanded creative possibilities. With an increased 8-channel read out, the camera comfortably handles a maximum full resolution speed of up to 6fps in bursts of 18 RAW images or over 16,000 JPEGs1, without the need for additional accessories. Additionally, the sensor's advanced architecture offers a huge native ISO range of 100-25,600, expandable to 102,400, making it possible to capture clean, high quality pictures, even in extreme low-light conditions.

The EOS 5D Mark III utilises the same 61-point wide-area AF system as the flagship EOS-1D X, providing exceptional sensitivity, precision and speed. One of the most advanced AF systems currently available, it features an impressive 41 cross-type points and five dual cross-type points, providing unsurpassed accuracy across the frame. The customisable AF pre-sets introduced in the EOS-1D X are also available, helping the capture of traditionally challenging subjects, and providing additional reliability in ituations where subject movement can be unpredictable. Highly accurate exposures are provided by Canon's acclaimed iFCL metering system, which incorporates a 63-zone Dual-Layer sensor linked to each point of the AF system. Focus information gathered from the AF system is analysed alongside colour and luminance signals measured by the metering sensor itself, enabling the EOS 5D Mark III to deliver consistently accurate skin tones and excellent results in a wide range of shooting situations.

Creative performance without compromise

The EOS 5D Mark III features Canon's latest DIGIC 5+ image processor, which powers a range of new functions without affecting the camera's performance. 14-bit A/D conversion provides smoother tonal gradation and transitions between colours, while in-camera HDR shooting combines three different exposures and allows one of five preset tone maps to be applied, enabling photographers to capture all the detail in high contrast scenes. With in-camera RAW processing and editing capability, photographers also have the option to immediately begin post-processing their images while still on a shoot. The increased power of DIGIC 5+ also enables a range of tools which contribute to higher image quality. Lens peripheral illumination correction, Lens chromatic aberration correction (lateral and axial) and high ISO noise reduction are all performed in-camera without affecting performance, allowing photographers to continue shooting without any camera lag. Additionally, in-camera image rating via a dedicated button makes it easy for photographers to organise images ahead of post-production. The EOS 5D Mark III features a new Creative Photo button, which enables users to quickly select Picture Styles and capture multiple exposures, as well as offering direct access to the HDR shooting mode. In playback, pressing the Creative Photo button displays a new comparative playback function, displaying two images side-by-side to allow photographers to view, magnify and compare the quality of different exposures mid-shoot. For situations where photographers want to avoid being noticed, such as weddings, the EOS 5D Mark III also features a new silent shooting mode that dramatically reduces the sound of the shutter and mirror, ensuring they can work quietly in the background. A continuous silent mode is also available, enabling photographers to capture fastermoving subjects without attracting attention.

Next generation EOS Movies

The EOS 5D Mark III builds on the reputation of the EOS 5D Mark II, with a range of new features introduced following feedback received from photographers to provide even better Full HD video performance. As well as offering the depth-of-field control loved by video professionals, the new full-frame sensor combines with the vast processing power of DIGIC 5+ to improve image quality by virtually eradicating the presence of moiré, false colour and other artefacts. The addition of a movie mode switch and a recording button also offers greater usability, enabling videographers to begin shooting immediately when movie mode is engaged. Additional movie functions include manual exposure control and an enhanced range of high bit-rate video compression options, with intraframe (ALL-I) and interframe (IPB) methods both supported. Variable frame rates range from 24fps to 60fps, and the addition of SMPTE timecode support provides greater editing flexibility and easier integration into multi-camera shoots. Users can also check and adjust audio during recording via the camera's Quick Control screen and a headphone socket enables sound level monitoring both during and after shooting. Enhanced processing power provided by DIGIC 5+ also makes it possible to conveniently trim the length of recorded movies in-camera.

Professional build, easy operation

The EOS 5D Mark III has been built to offer photographers easy-handling and robust build quality. Its lightweight, high-grade magnesium body offers advanced weather proofing for protection against the elements, while the construction of the shutter has also been reinforced, with 150,000-cycle durability making it ideal for repeated, everyday use. An enhanced version of the Intelligent Viewfinder featured in the EOS 7D offers approximately 100% coverage, as well as an on-demand grid display via the builtin transparent LCD. The same reinforced 8.11cm (3.2") Clear View II LCD screen as used by the EOS-1D X provides high quality framing and playback in all conditions. 1,040k-pixels provide the resolution to accurately check image sharpness and focus, while the gapless structure design introduced with the EOS-1D Mark IV prevents reflections and protects against dust or scratches. A headphone socket and locking mode dial have been included, while the inclusion of a UDMA 7-compatible CF card slot plus an SD card2 slot enables shooting to both cards simultaneously, auto switching when the one in use becomes full and the option to copy images from one card to the other in-camera.

Digital Lens Optimizer – new in Digital Photo Professional v3.11

The EOS 5D Mark III comes complete with the most advanced version of Digital Photo Professional (DPP) yet – Canon's free, in-box software enabling high-speed, high quality processing of RAW images. New in DPP v3.11 is Digital Lens Optimizer – a revolutionary new tool designed to drastically improve image resolution. Digital Lens Optimizer (DLO) precisely imitates lens performance, with a series of complex mathematical functions replicating each stage of the journey of light through the optical path. Using this information DLO can correct a range of typical optical aberrations and loss of resolution caused by a camera's low pass filter, by applying an inverse function to each shot to take the image nearer to how the scene appears to the naked eye. This creates exceptionally detailed, high-quality images with highly manageable file sizes, providing photographers with maximum image quality and greater flexibility.

EOS System compatibility

As part of the EOS System, the EOS 5D Mark III is immediately compatible with over 60 EF Lenses, including the EF 24-70mm f/2.8L II USM – the new, essential wide-angle zoom lens from Canon's famous L-series. The camera is also compatible with a newlyannounced range of accessories designed to offer extended creativity, including the Speedlite 600EX-RT – a high performance TTL flash with wireless radio connectivity. Additionally, the new Battery Grip BG-E11 offers greater handling flexibility alongside the ability to double the camera's battery life.

Canon EOS 5D Mark III – Key features:

22.3 Megapixel full-frame sensor
61-point autofocus
Up to 6fps continuous shooting
Native ISO 100-25,600 sensitivity
Full HD video with manual control
14-bit DIGIC 5+ processor
Enhanced Weather sealing
8.11cm (3.2-inch) 1,040,000-dot screen
HDR mode with presets
Canon EOS 5D Mark III specifications

Price
MSRP Body only: $3499, €3299, £2999 with 24-105mm: $4299
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 5760 x 3840
Other resolutions 3840 x 2560, 2880 x 1920, 1920 x 1280, 720 x 480
Image ratio w:h 3:2
Effective pixels 22.3 megapixels
Sensor photo detectors 23.4 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Digic 5+
Color space sRGB,Adobe RGB
Color filter array RGB Color Filter Array
Image
ISO Auto, 100 - 25600 in 1/3 stops, plus 50, 51200, 102400 as option
White balance presets 6
Custom white balance Yes (1)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, Normal
File format
JPEG (Exif 2.3 [Exif Print] compliant)
Design rule for Camera File system (2.0)
RAW: RAW, sRAW1, sRAW2 (14bit, Canon original RAW 2nd edition)
Digital Print Order Format [DPOF] Version 1.1 compliant
Optics & Focus
Autofocus
Contrast Detect (sensor)
Phase Detect
Multi-area
Selective single-point
Single
Continuous
Face Detection
Live View
Autofocus assist lamp by optional dedicated Speedlite
Digital zoom No
Manual focus Yes
Number of focus points 61
Lens mount Canon EF mount
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2"
Screen dots 1,040,000
Touch screen No
Screen type Clear View II TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100 %
Viewfinder magnification 0.71×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
Auto+
Program AE
Shutter priority AE
Aperture priority AE
Manual (Stills and Movie)
Custom (x3)
Built-in flash No
External flash Yes (Hot-shoe, Wireless plus Sync connector)
Continuous drive Yes (6 fps)
Self-timer Yes (2 or 10 sec)
Metering modes
Multi
Center-weighted
Spot
Partial
Exposure compensation ±5 EV (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes (3 frames in either blue/amber or magenta/green axis)
Videography features
Format
H.264
Microphone Mono
Speaker Mono
Resolutions 1920 x 1080 (29.97, 25, 23.976 fps fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps)
Videography notes 1080 and 720 intra or inter frame, 480 inter frame
Storage
Storage types Compact Flash Type I (UDMA compatible), SD/SDHC/SDXC
Storage included None
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (HDMI mini)
Wireless Optional
Remote control Yes (Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-6)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description Lithium-Ion LP-E6 rechargeable battery & charger
Battery Life (CIPA) 950
Weight (inc. batteries) 950 g (2.09 lb / 33.51 oz)
Dimensions 152 x 116 x 76 mm (5.98 x 4.57 x 2.99")
Other features
Orientation sensor Yes
Timelapse recording Yes (by cable and PC)
GPS None

Canon releases 600EX-RT radio-controlled Speedlite with other accessories
Mar 2, 2012 at 05:00:00 GMT
ACCESSORY NEWS CANON
Share:




Print view Email
Canon has announced the Speedlite 600EX-RT flash, its first to include wireless radio control, alongside a selection of EOS accessories. A radio frequency transmitter, the Speedlite ST-E3-RT, has also been released and can trigger up to 15 Speedlites at up to 30 meters. Meanwhile, the GP-E2 GPS unit allows for automatic geotagging of images from the latest Canon DSLRs and the WFT-E7 wireless file transmitter can use either a Wi-Fi or Gigabit Ethernet connection to move files from camera to computer or to control the camera. There's also the BG-E11 dual-slot battery grip for the EOS 5D Mark III.

The radio connectivity is a first for Canon and comes in addition to the infrared triggering found in previous models. Major drawbacks to infrared remote flash control are that it requires a direct line of sight and has a relatively limited transmission range, particularly outdoors. By including built-in radio control, Canon now offers a system that gives its users an alternative to the popular PocketWizard radio transmitters and receivers. The Speedlite ST-E3-RT can trigger up to 15 Speedlites over distances as far as 30m.

The GP-E2 GPS receiver weighs in at under 3oz and offers automatic geo-tagging (via EXIF metadata) of images shot with the EOS-1Dx, 7D (with a firmware update) and the co-announced 5D Mark III. With older EOS cameras the GPS receiver can generate tracklog files at specified time intervals - even with the unit detached from the camera - which users can then manually import into compatible mapping software.

Continuing with the theme of wireless communication, Canon has announced the WFT-E7 wireless file transmitter which can transfer files from the EOS 5D Mark III over a Wi-Fi (802.11a/b/g/n) or Gigabit Ethernet connection. For remote camera setups, the transmitter has a server function that allows for camera control via a web-enabled mobile device. Rounding out support for the EOS 5D Mark III is the BG-E11 battery grip which adds dual battery slots and additional external controls for shooting in portrait orientation.

Jump to:

Press Release
Speedlite 600EX-RT Specifications
Pricing and Availability
Additional Images
Press Release:

SHOOT WITH FREEDOM – CANON UNVEILS NEW RANGE OF PROFESSIONAL ACCESSORIES


The Canon Speedlite 600EX-RT features wireless radio connectivity.
LONDON, UK (March 2, 2012) – Canon today extends its range of acclaimed accessories, unveiling a number of new models designed to offer enhanced flexibility and new creative control to its professional and mid-range EOS Digital SLRs.

Sitting at the top of Canon's range, the Speedlite 600EX-RT is Canon's first flash unit to feature inbuilt wireless radio connectivity and replaces the advanced Speedlite 580EX II. Partnering with the new Speedlite Transmitter ST-E3-RT , this new model offers enhanced opportunities for photographers wishing to explore creative lighting techniques. In addition, Canon is also launching the BG-E11 battery grip, Wireless File Transmitter WFT-E7 and GPS Receiver GP-E2, which complement the newly-announced EOS 5D Mark III – offering increased versatility across a range of shooting situations – from studio portraits to field-based shoots – with a compact lightweight and affordable configuration.

Speedlite 600EX-RT: Taking creative flash further

The Speedlite 600EX-RT is a high-performance TTL flash unit designed to meet the expanding creative needs of modern professionals. Integrated radio frequency triggering, in addition to standard infra-red wireless flash control, allows photographers to achieve exciting results with complex on-and-off-camera lighting set- ups. Using one master 600EX-RT or the new ST-E3-RT radio-frequency wireless Speedlite transmitter, up to 15x 600EX-RT flash units, positioned up to 30m away, can be remotely triggered – offering great potential to experiment with more creative lighting techniques and effects. EOS cameras with a connected Speedlite 600EX-RT can also be triggered remotely by either model, allowing photographers to explore more extreme shooting angles to produce surprising and inspiring creative results.

Subjects over a wide range of distances can be lit creatively or evenly exposed, thanks to an increased guide number of 60m*1 and wide lens coverage of 20 – 200m. For wide- angle shots, a diffuser adapter can also reduce the focal length to 14mm and the bounce-and-swivel flash head creates more flattering, shadowless effects. Ideal for shooting portraits, a catch-light panel produces natural catch-lights in the eyes of a subject when shooting with bounce flash. Additionally, custom flash coverage options provide more creative scope by using guide number priority to light the subject, while creating slightly darker edges to the frame.

Like its predecessor, the Speedlite 600EX-RT communicates white balance settings to the camera through the hot shoe connection. However, to further balance flash and ambient light, a new colour filter adapter and two supplied colour gels can be fitted to balance the temperature of the flash and create a more natural effect when shooting around tungsten or mercury lighting. When shooting in dark conditions, photographers can also employ the AF-assist beam for accurate autofocus with lenses of 28mm or longer, ensuring the subject remains in focus when the flash fires.

Designed for professionals, the Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT feature a robust, weatherproof design matching that of the EOS-1D X, with a clear LCD display making it easy to select settings and switch between normal flash mode and wireless modes. Powered by four AA/LR6 batteries for added convenience, the Speedlite 600EX-RT offers fast, silent recycle times, allowing photographers to keep shooting and exploring creative lighting effects in all conditions.

WFT-E7: High-speed wireless control

The WFT-E7 is a new wireless file transmitter for a wide range of EOS models. For those who need to transfer their images quickly and easily, for example, photojournalists or sports photographers, the new WFT-E7 provides enhanced versatility through high- speed Wi-Fi and support for wired connectivity over Gigabit Ethernet. Featuring 802.11a/b/g/n support for file transfer speeds of up to 150mbps, and Bluetooth for linking to external GPS units, the WFT-E7 offers super-fast image transfer direct to an FTP server or even to a DLNA*2-enabled HDTV.

When creative shoots or harsh conditions require the photographer to control the camera from a distance, the WFT Server function of the WFT-E7 allows the camera settings and the scene framed in the viewfinder to be accessed and controlled through a web page on any internet-enabled device, such as smartphones, tablets or laptops. Camera settings can also be changed remotely via EOS Utility, allowing photographers to control and trigger the camera over a wired or wireless LAN connection.

The WFT-E7 has a lightweight design and can be attached to the bottom of the camera, to the new bracket AB-E1 or even to the strap. For added versatility, it also supports Linked shooting with up to ten other cameras, with Wireless Time syncing ensuring that the time across all slave devices is aligned with the master camera in order to maintain consistency across multiple units. During Linked shooting, the WFT server function can also be activated to allow easy remote access to the master and slave cameras for even greater creative control of lighting effects during multi-camera shoots.

GP-E2: Geo-tag your images with compact, lightweight GPS

Also launching today is the GPS receiver GP-E2 – a new compact, lightweight, high- performance hot shoe GPS unit which makes it easy for photographers to geo-tag their images. Compatible with the EOS-1D X, EOS 7D*3 and new EOS 5D Mark III, the GP-E2 tags photos with longitude, latitude and altitude data as well as the direction in which the shot was taken, adding information to the EXIF file of the image.

A GPS Logger function also allows photographers to track their route by downloading GPS data at regular intervals, whether the unit is attached to the camera body or stored in its case. Once back in the studio, photographers can tag their images with the GPS data stored in the log files and their route can be displayed using Google Maps or the bundled Map Utility software.

For improved accuracy and precision when recording the time of image capture, photographers can also synchronise the clocks of their cameras with the global atomic clock via UTC information downloaded from the satellite. This is particularly useful for professional photographers shooting with multiple EOS 5D Mark III bodies, who may wish to process all the images together and sort them according to the time each was recorded.

BG-E11: Improved handling for the EOS 5D Mark III

For photographers who want to shoot for longer with the EOS 5D Mark III, the new ergonomic battery grip BG-E11, doubles the battery life with two additional LP-E6 batteries, with the added flexibility of using AA batteries as an emergency back-up. For those who frequently shoot vertically, such as sports or portrait photographers, duplicate AF start, Focus point and AE-lock controls in addition to a second
Multi Controller and Control Dial make shooting vertically more comfortable and intuitive.

In keeping with the premium design of the EOS 5D Mark III, the BG-E11 is made of durable magnesium alloy and offers the same high standard of weather-proofing – ideal for harsher shooting environments.

Speedlite 600EX-RT Key features

• Guide number 60 (m, ISO 100, at 200mm)
• Radio triggering with 30m range
• Use up to 15 units together
• Infra-red wireless functionality
• Remote camera triggering
• Bounce-and-swivel head with zoom control
• White-balance correction filters
• Fast, quiet recycling

Speedlite Transmitter ST-E3-RT Key features

• Radio frequency remote flash trigger.
• Fire selected Speedlites from 30m away.
• Controls up to 15 flashguns.
• Remote camera triggering.
• Weather sealed against dust and moisture.

Wireless File Transmitter WFT-E7 Key features

• Supports IEEE 802.11n
• Built in Bluetooth
• Versatile design
• Easy Wi-Fi protected Setup
• FTP server transfer
• Remote control functions
• DLNA media server compatible
• Linked shooting

GPS Receiver GP-E2 Key features

• Hotshoe-mounted GPS unit for compatible EOS cameras.
• Embeds location and altitude data into each file's metadata.
• Digital compass records heading information.
• Data logging mode.
• Portable design, powered by 1xAA battery.
• Accurately set camera's time using UTC time.

BG-E11 Key features

• Improved handling for EOS 5D Mark III
• Duplicate controls for vertical shooting.
• Larger grip for bigger hands.
• Use two LP-E6 batteries, or four AA/LR6 cells as an alternative.

*1 ISO 100 at 200mm setting
*2 Digital Living Network Alliance
*3 Via firmware update – connection via cable only

Canon Speedlite 600EX-RT Specs

Guide Number • 60m at ISO 100 with lens at 200mm
Power Source • Four AA batteries
• CP-E4 external power supply
Charging time • Approx 3.3 seconds
Illumination angle • 20-200mm
• 14mm with built-in wide panel
• Auto zoom
Bounce angle (Up,Right) • Up: 45, 60, 75 and 90 degrees
• Down: 7 degrees
• Left: 60, 75, 90, 120, 150 and 180 degrees
• Right: 60, 75, 90, 120, 150 and 180 degrees
Dimensions 79.7 x 142.9 x 125.4mm (3.1 x 5.6 x 4.9 inch)
Weight (without batteries) 425g (15oz.)
Pricing and availability

The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are scheduled for availability at end of March 2012. The Wireless File Transmitter WFT-E7, GPS Receiver GP-E2 and Battery Grip BG-E11 are scheduled to be available by the end of April 2012.

Canon Speedlite 600EX-RT US: $629.99 / EUR: €699 / UK: £679.99
Canon Speedlite Transmitter ST-E3-RT US: $470 / EUR: €320 / UK: £309.99
Canon Wireless File Transmitter WFT-E7 US: $849.99 / EUR: €759 / UK: £789.99
Canon GPS Receiver GP-E2 US: $390 / EUR: €279 / UK: £299.99
Canon Battery Grip BG-E11 US: $490 / EUR: €380 / UK: £329.99

The 5D Mark III gains dual SD and CF card slots. It allows the same file management options as 1D-series cameras, so you can duplicate all files to both cards, or record JPEGs to one and RAWs to the other.

You can also use Eye-Fi cards in the SD slot.