Nikon D90 **official announcement**
Well, movie mode is a big deal. Anything that you are watching
due to its motion or sound is generally far better shot via video than still.
Stuff like the Fountain Paint Pots in Yellowstone made really lame pictures,
but were interesting videos. (oooo, you took a picture of a puddle of mud!)
- Frank
due to its motion or sound is generally far better shot via video than still.
Stuff like the Fountain Paint Pots in Yellowstone made really lame pictures,
but were interesting videos. (oooo, you took a picture of a puddle of mud!)
- Frank
That said, I have no doubt movie mode will be in all consumer level SLR's at some point in the near future. Anyway, interesting thread.
Incidentally...I was down at RED headquarters for the firs time today...and sitting in my living room is a FULL red one package
You bastard
. One of our teachers has a Red, and a little while back graduate came down to demo us on his which is fully decked out.
. I'm looking forward to seeing where this takes the film industry, I know Kodak was pretty upset about the red lol.
Chuck Norris embodied as a camera.
http://en.wikipedia.org/wiki/Red_Dig...Camera_Company
The RED basically gives you nearly the performance and quality of actual 35mm film, at a fraction of the cost. No more need for incredibly expensive DI (Digital Intermediate) for special effects. No processing and film costs, the same abilities as shooting a still camera in RAW (can change color balance, exposure, color etc without compromising picture quality and can do it on the fly), and you can have the same amount of control of depth of field as film. You can even edit the footage on a lowly consumer laptop using the video proxies, and the body only costs $17,000. Plus it can shoot up to 4K, even though there are only a few projectors around that can even display something that high resolution at the moment. So even film productions with a limited budget can have 35mm like footage, and if need be you can even use SLR lenses instead of cinema lenses.
http://en.wikipedia.org/wiki/Red_Dig...Camera_Company
The RED basically gives you nearly the performance and quality of actual 35mm film, at a fraction of the cost. No more need for incredibly expensive DI (Digital Intermediate) for special effects. No processing and film costs, the same abilities as shooting a still camera in RAW (can change color balance, exposure, color etc without compromising picture quality and can do it on the fly), and you can have the same amount of control of depth of field as film. You can even edit the footage on a lowly consumer laptop using the video proxies, and the body only costs $17,000. Plus it can shoot up to 4K, even though there are only a few projectors around that can even display something that high resolution at the moment. So even film productions with a limited budget can have 35mm like footage, and if need be you can even use SLR lenses instead of cinema lenses.
Last edited by zguy95135; Aug 28, 2008 at 08:32 PM.
Chuck Norris embodied as a camera.
http://en.wikipedia.org/wiki/Red_Dig...Camera_Company
The RED basically gives you nearly the performance and quality of actual 35mm film, at a fraction of the cost. No more need for incredibly expensive DI (Digital Intermediate) for special effects. No processing and film costs, the same abilities as shooting a still camera in RAW (can change color balance, exposure, color etc without compromising picture quality and can do it on the fly), and you can have the same amount of control of depth of field as film. You can even edit the footage on a lowly consumer laptop using the video proxies, and the body only costs $17,000. Plus it can shoot up to 4K, even though there are only a few projectors around that can even display something that high resolution at the moment. So even film productions with a limited budget can have 35mm like footage, and if need be you cany even use SLR lenses instead of cinema lenses.
http://en.wikipedia.org/wiki/Red_Dig...Camera_Company
The RED basically gives you nearly the performance and quality of actual 35mm film, at a fraction of the cost. No more need for incredibly expensive DI (Digital Intermediate) for special effects. No processing and film costs, the same abilities as shooting a still camera in RAW (can change color balance, exposure, color etc without compromising picture quality and can do it on the fly), and you can have the same amount of control of depth of field as film. You can even edit the footage on a lowly consumer laptop using the video proxies, and the body only costs $17,000. Plus it can shoot up to 4K, even though there are only a few projectors around that can even display something that high resolution at the moment. So even film productions with a limited budget can have 35mm like footage, and if need be you cany even use SLR lenses instead of cinema lenses.
You have a lot to learn young one.
Chuck Norris embodied as a camera.
http://en.wikipedia.org/wiki/Red_Dig...Camera_Company
The RED basically gives you nearly the performance and quality of actual 35mm film, at a fraction of the cost. No more need for incredibly expensive DI (Digital Intermediate) for special effects. No processing and film costs, the same abilities as shooting a still camera in RAW (can change color balance, exposure, color etc without compromising picture quality and can do it on the fly), and you can have the same amount of control of depth of field as film. You can even edit the footage on a lowly consumer laptop using the video proxies, and the body only costs $17,000. Plus it can shoot up to 4K, even though there are only a few projectors around that can even display something that high resolution at the moment. So even film productions with a limited budget can have 35mm like footage, and if need be you can even use SLR lenses instead of cinema lenses.
http://en.wikipedia.org/wiki/Red_Dig...Camera_Company
The RED basically gives you nearly the performance and quality of actual 35mm film, at a fraction of the cost. No more need for incredibly expensive DI (Digital Intermediate) for special effects. No processing and film costs, the same abilities as shooting a still camera in RAW (can change color balance, exposure, color etc without compromising picture quality and can do it on the fly), and you can have the same amount of control of depth of field as film. You can even edit the footage on a lowly consumer laptop using the video proxies, and the body only costs $17,000. Plus it can shoot up to 4K, even though there are only a few projectors around that can even display something that high resolution at the moment. So even film productions with a limited budget can have 35mm like footage, and if need be you can even use SLR lenses instead of cinema lenses.
Yes it takes Cine style lenses. Yeah it gives greater depth of field (its a 16x9 chip) but yes its full sized.
Yes it shoots RAW, much like the Genesis and Arri D21, and others. But it does set it up in much more a DSLR manner.
Its can shoot 4k...which is HUGE files.
You can use Nikkor lenses with an adapter (but god knows why you would.)
You will STILL require a DI session for timing, but no, you wont have to digitize a film negative.
Performance of shooting 35mm. Not quite. Its still video. VERY good video, but video nonetheless.
The body costs 17.5k....but once once accessorize it out, youre at 30-80k
There are two new models coming, one has a 5k chip.
LIke most HD...whatever money you save upfront, you'll end up shelling out on the back end for post, film transfers, etc.
Sure, shooting this can "save" money for TV or smaller shows. But when it comes down to it, its really still as much as shooting Super 16 or 35 for bigger projects.
As for the whole film vs digital in the movie world....its another tool in the toolbox. no more no less. film is here to stay for a while longer. And any teacher you might have tell you otherwise must not work too much these days.
I think this is the same flv as posted earlier, but in-line format..
http://www.nikonproducts.co.uk/d90-video.aspx
http://www.nikonproducts.co.uk/d90-video.aspx
Call me a nay sayer, but when there is much more for them to do with the advancement of dSLR for IQ and DR. That's were they should be working and after reading about what Canon is doing with the new 50D and Digic IV chip, I'm happy.
The link I posted earlier, this one, http://blog.chasejarvis.com/blog/200...ing-nikon.html you see the guy take his hand away from the camera and say that's hot. Not HAWT.
When I shoot something interesting. 
I've just been experimenting so far, but I do like it. I'm sure my shutter doesn't like it too much though. 24fps adds up to a lot of frames in a hurry...

I've just been experimenting so far, but I do like it. I'm sure my shutter doesn't like it too much though. 24fps adds up to a lot of frames in a hurry...
Just post one up for the hell of it. It's not like my "dancing sprouts" was all that interesting. Just a proof of concept and experiment.
I'm the biggest gadget head there can just about be. And it did look cool watching the jarvis video. But when it comes to dSLR's I guess the gearhead goes and the old school purest comes out.
jk
see ya in R&P
Here are a few random tests:
This one is really short because I really wasn't sure if it was going to work:
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/0TiRcPwXTfs"> </param> <embed src="http://www.youtube.com/v/0TiRcPwXTfs" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
Cooking S'mores around the fire pit at the cottage...
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/fBQq2UC3XDw"> </param> <embed src="http://www.youtube.com/v/fBQq2UC3XDw" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
A little longer IR video test. This time you can see a fly that lands on the lens and walks around for a while.
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/m6IEVKGYF3A"> </param> <embed src="http://www.youtube.com/v/m6IEVKGYF3A" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
This one is really short because I really wasn't sure if it was going to work:
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/0TiRcPwXTfs"> </param> <embed src="http://www.youtube.com/v/0TiRcPwXTfs" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
Cooking S'mores around the fire pit at the cottage...
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/fBQq2UC3XDw"> </param> <embed src="http://www.youtube.com/v/fBQq2UC3XDw" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
A little longer IR video test. This time you can see a fly that lands on the lens and walks around for a while.
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/m6IEVKGYF3A"> </param> <embed src="http://www.youtube.com/v/m6IEVKGYF3A" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
I'd love to try the IR timelapse thing again. These vids are all 1080P, so it looses a lot in the youtube conversion. It looks great in HD!
I think this was the first timelapse I attempted:
<object width="425" height="350"> <param name="movie" value="http://www.youtube.com/v/5czxY59-pMs"> </param> <embed src="http://www.youtube.com/v/5czxY59-pMs" type="application/x-shockwave-flash" width="425" height="350"> </embed> </object>
I've enjoyed reading your posts there.

my name is srika and I'm not being serious with this post.
<object width="400" height="300"> <param name="allowfullscreen" value="true" /> <param name="allowscriptaccess" value="always" /> <param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=1654288&server=vimeo.com &show_title=1&show_byline=1&show_portr ait=0&color=&fullscreen=1" /> <embed src="http://vimeo.com/moogaloop.swf?clip_id=1654288&server=vimeo.com &show_title=1&show_byline=1&show_portr ait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object>
Meh.. I'll get something better next time.. this was with around 900 pictures
Meh.. I'll get something better next time.. this was with around 900 pictures








@ music And vimeo is where it's being hosted? That's pretty good IQ, much better than youtube.