5.1 Channel Mp3/WMA on the tech package?
#3
#4
Why do I got to be Bimode? LOL.
Not sure if that's possible with MP3's but we've talked about 5.1 DVD audio discs in the TL with other threads already. To my knowledge, MP3 is limited to 2-channel stereo unless I've missed a recent technological update. I do not use WMA files as I'm on a Mac, so I'm not sure on that format either. XM at this time is only 2 channel digital crap stereo. It used to be decent, but after the merger it got grittier and the signal dropped 2db. You ask how I measure this, okay, well I stream XM front the computer when I'm home to monitor channels, Safari has a Quicktime window that pops up to save what I'd been listening to, and then I convert that to a AIFF file, then edit the songs I like. Since the merger, I'm finding myself adding gain to the captured source, it used to be much stronger and clearer.
So yes we have used DVD-audio in the TL and 5.1 is phenomenal! Hope this answers your question, and check the other thread on 5.1 and audio in the TL please rather than go over it again here, the mods will be thankful.
Has anyone tried a 5.1 channel MP3 or WMA on the Tech Package and get full 5.1 output?
So yes we have used DVD-audio in the TL and 5.1 is phenomenal! Hope this answers your question, and check the other thread on 5.1 and audio in the TL please rather than go over it again here, the mods will be thankful.
Last edited by bmode; 01-21-2009 at 08:30 PM.
#5
#6
bmode you'll do - I don't know where the other guy bimode went
sorry lol
sorry lol
#7
XM at this time is only 2 channel digital crap stereo. It used to be decent, but after the merger it got grittier and the signal dropped 2db. You ask how I measure this, okay, well I stream XM front the computer when I'm home to monitor channels, Safari has a Quicktime window that pops up to save what I'd been listening to, and then I convert that to a AIFF file, then edit the songs I like. Since the merger, I'm finding myself adding gain to the captured source, it used to be much stronger and clearer..
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#8
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Why do I got to be Bimode? LOL.
Not sure if that's possible with MP3's but we've talked about 5.1 DVD audio discs in the TL with other threads already. To my knowledge, MP3 is limited to 2-channel stereo unless I've missed a recent technological update. I do not use WMA files as I'm on a Mac, so I'm not sure on that format either. XM at this time is only 2 channel digital crap stereo. It used to be decent, but after the merger it got grittier and the signal dropped 2db. You ask how I measure this, okay, well I stream XM front the computer when I'm home to monitor channels, Safari has a Quicktime window that pops up to save what I'd been listening to, and then I convert that to a AIFF file, then edit the songs I like. Since the merger, I'm finding myself adding gain to the captured source, it used to be much stronger and clearer.
So yes we have used DVD-audio in the TL and 5.1 is phenomenal! Hope this answers your question, and check the other thread on 5.1 and audio in the TL please rather than go over it again here, the mods will be thankful.
Not sure if that's possible with MP3's but we've talked about 5.1 DVD audio discs in the TL with other threads already. To my knowledge, MP3 is limited to 2-channel stereo unless I've missed a recent technological update. I do not use WMA files as I'm on a Mac, so I'm not sure on that format either. XM at this time is only 2 channel digital crap stereo. It used to be decent, but after the merger it got grittier and the signal dropped 2db. You ask how I measure this, okay, well I stream XM front the computer when I'm home to monitor channels, Safari has a Quicktime window that pops up to save what I'd been listening to, and then I convert that to a AIFF file, then edit the songs I like. Since the merger, I'm finding myself adding gain to the captured source, it used to be much stronger and clearer.
So yes we have used DVD-audio in the TL and 5.1 is phenomenal! Hope this answers your question, and check the other thread on 5.1 and audio in the TL please rather than go over it again here, the mods will be thankful.
I just hate having to deal with disks, scratches, and changing them...when I can put a huge amount of storage on a thumbdrive/usb harddrive and play off of that with no problem.
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Fraunhofer actually did make a 5.1 channel, backwards compatible, MP3 format. I just wanted to see if I could put some 5.1 mp3's or wma's onto a thumbdrive and listen to them that way instead of making DVD-Audio discs.
#11
Ah I see. Well there is no software out at this time to do this for us. Fraunhofer must be an applied science laboratory, and they can probably make an elephant dangle from a cliff by hanging from a daisy. But why on earth would you want to even think about using the MP3 format when Dolby is around? This stuff starts to get really crazy as most people don't know how to use industry terms, I'm still learning myself and trying every day to educate the public. I hope you all do too.
Last edited by bmode; 01-22-2009 at 04:49 PM.
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Check here:
http://www.iis.fraunhofer.de/EN/bf/amm/mp3sur/index.jsp
Looks like a free encoder is available. According to Wiki ( ) it is capable of 5 or 6 channel surround and takes an add'l 16 kbs overhead, so file sizes remain quite small.
My guess though (just a WAG), the TL won't recognize the encoding so will playback as if stereo. Here's what I'd do to test the format:
- Find a CD with a song where you would expect some surround-like effects if ripped to 5.1; something like Pink Floyd or Yes or Steely Dan, etc.
- Rip that song to regular old MP3 and then rip it again to MP3 Surround.
- Put both on your thumbdrive and play the regular MP3 as stereo and using the TL's simulated 5.1. Then play the MP3 surround with the TL 5.1 simulation on and again off.
- Attempt to determine if the MP3 Surround file actually provides better/more depth and/or channel separation. If it does (with either the built in 5.1 simulation or without), great.
- If not, stick with plain MP3 and simulated surround on or off to suit your tastes.
http://www.iis.fraunhofer.de/EN/bf/amm/mp3sur/index.jsp
Looks like a free encoder is available. According to Wiki ( ) it is capable of 5 or 6 channel surround and takes an add'l 16 kbs overhead, so file sizes remain quite small.
My guess though (just a WAG), the TL won't recognize the encoding so will playback as if stereo. Here's what I'd do to test the format:
- Find a CD with a song where you would expect some surround-like effects if ripped to 5.1; something like Pink Floyd or Yes or Steely Dan, etc.
- Rip that song to regular old MP3 and then rip it again to MP3 Surround.
- Put both on your thumbdrive and play the regular MP3 as stereo and using the TL's simulated 5.1. Then play the MP3 surround with the TL 5.1 simulation on and again off.
- Attempt to determine if the MP3 Surround file actually provides better/more depth and/or channel separation. If it does (with either the built in 5.1 simulation or without), great.
- If not, stick with plain MP3 and simulated surround on or off to suit your tastes.
Last edited by Bearcat94; 01-22-2009 at 05:43 PM.
#13
Ah, nice post Bearcat, thanks. Other than the small file size, I don't understand why would anyone want to use the MP3 format to go to 5.1, it can't stand next to WAV and AIFF's, and the whole purpose is to get true 5.1 sound to reproduce what the artist just spent thousands of dollars on? How would you get higher bit-rates and frequencies?
While I applaud the MP3 revolution and use it daily, I think this is just another bad idea to confuse everyone even more! The next thing you know this MP3 5.1 format will be a setting on every AV amp, and they'll have users saying this is the best thing since sliced bread! Jeez.
While I applaud the MP3 revolution and use it daily, I think this is just another bad idea to confuse everyone even more! The next thing you know this MP3 5.1 format will be a setting on every AV amp, and they'll have users saying this is the best thing since sliced bread! Jeez.
#14
I've been meaning to post here on this. Assuming that your source material is stereo, I don't understand how you are going to synthesize 5 channels. A DVD audio is created from the 24 track master recordings. Instead of mixing 24 tracks down to 2 (L + R) they mix to 5 + 1. Without access to the original tracks I don't see a way around this.
My video editing software allows me to mix 5.1 and I can say it is not easy to steer sounds to a video image because you have to have the source material. I was considering a mic that has three elements for making surround sound recordings, but I know that the camcorder only saves 2 tracks. I'd need a multichannel mixer to capture discrete sound.
My video editing software allows me to mix 5.1 and I can say it is not easy to steer sounds to a video image because you have to have the source material. I was considering a mic that has three elements for making surround sound recordings, but I know that the camcorder only saves 2 tracks. I'd need a multichannel mixer to capture discrete sound.
#15
Your right and wrong Colin. Your correct that 2-channel stereo mixes cannot facilitate a true 5.1 mix, but you can simulate as we've talked about using 5-channel stereo or like the TL Dolby ProLogic II. Your incorrect in stating that they come from 24 tracks, not all of them do, and some back in the day, weren't always 24 analog tracks! My 5.1 mixes come directly from my computer in Logic Pro which has special 5.1 mixing software to make 5.1 discrete channels of audio, it's really fun, but time consuming.
#16
Your incorrect in stating that they come from 24 tracks, not all of them do, and some back in the day, weren't always 24 analog tracks! My 5.1 mixes come directly from my computer in Logic Pro which has special 5.1 mixing software to make 5.1 discrete channels of audio, it's really fun, but time consuming.
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I would want to take my collection of DVD-A's and put them on a thumbdrive. Can I do that with AIFF or WAV or even WMA lossless and get the Acura system to read it? 5.1? The source material is 5.1, so I would love to preserve that. Of course I could just use the DVD-A's or maybe make a mix DVD-A...but I hate dealing with disks as they are a pain to switch/navigate on the fly...
#18
I see now what your trying to do Gear, preserve the DVD-A, gotcha. The best way I know how at this time for the TL will result in a stereo file on a thumb drive, not 5.1. What platform are you on, PC or Mac? I can tell you how to do it on a Mac but not PC. Having those DVD-A's your pretty committed at this point to the disc loader in the TL, sorry. I'm sure there's options out there, I just haven't ventured that route yet.
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I see now what your trying to do Gear, preserve the DVD-A, gotcha. The best way I know how at this time for the TL will result in a stereo file on a thumb drive, not 5.1. What platform are you on, PC or Mac? I can tell you how to do it on a Mac but not PC. Having those DVD-A's your pretty committed at this point to the disc loader in the TL, sorry. I'm sure there's options out there, I just haven't ventured that route yet.
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I would want to take my collection of DVD-A's and put them on a thumbdrive. Can I do that with AIFF or WAV or even WMA lossless and get the Acura system to read it? 5.1? The source material is 5.1, so I would love to preserve that. Of course I could just use the DVD-A's or maybe make a mix DVD-A...but I hate dealing with disks as they are a pain to switch/navigate on the fly...
2. Even if you do (and it would be time consuming using various bits of software) AND you defeat the CPPM (?) copy protection, some of those DVD-A are going to be watermarked. When the TL sees a DVD-A file with no copy protection but a watermark, it will not play them (actually it'll play 15 secs and stop). How will the TL react to a file with no copy protection, but a watermark?
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I've been meaning to post here on this. Assuming that your source material is stereo, I don't understand how you are going to synthesize 5 channels. A DVD audio is created from the 24 track master recordings. Instead of mixing 24 tracks down to 2 (L + R) they mix to 5 + 1. Without access to the original tracks I don't see a way around this.
My video editing software allows me to mix 5.1 and I can say it is not easy to steer sounds to a video image because you have to have the source material. I was considering a mic that has three elements for making surround sound recordings, but I know that the camcorder only saves 2 tracks. I'd need a multichannel mixer to capture discrete sound.
My video editing software allows me to mix 5.1 and I can say it is not easy to steer sounds to a video image because you have to have the source material. I was considering a mic that has three elements for making surround sound recordings, but I know that the camcorder only saves 2 tracks. I'd need a multichannel mixer to capture discrete sound.
Here is what Adobeman did in one of his scripts:
This is a 2 to 6 channel script that is based on a meduim-large rock club approximation. It isn't overly complex but seems to work. Similar to to the Small CLub script but the front L/R get echo and the rear is delayed more.
The process is as follows
Split the song's stereo source into L and R channels
Create a mono file of the song.
Invert the R channel and add it back to the L channel.
The process is as follows
Split the song's stereo source into L and R channels
Create a mono file of the song.
Invert the R channel and add it back to the L channel.
This creates a mono file that is the difference between the left and right channels. Think of it as the "anti center channel"
Invert the "anti center channel" and add it to the mono version of the song. This creates a channel of all that is common between the L and R channels. This is the center channel. The center channel is then filtered by a 500Hz to 3KHz band pass. Since the TL's center channel driver is a small single cone driver this seems appropriate.
Add an inverted version of the filtered center channel to the LF and RF channels. This creates left and right channels that have center channel content removed from them except for center channel content below 500Hz and above 3Khz. Since the TL's front L and R are full range woofer/tweeter drivers I thought this would be better. The L and R channels then get a 25Ms echo added to them
The LS and RS are created by using an echo function to delay the signal 50mS. This is to simulate the sound reflecting off of the rear wall of a meduim large rock club.
The LFE channel is a simple 3rd order low pass of the song at 80Hz.
#22
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Take a look at DVD Explorerer.
I don't recall all the different software bits that might be available to veiw and/or extract files from AOB - it's peice-meal and somewhat cumbersome. Even then I am not sure you can get all the way back to WAV; don't remember. I know I have NOT done it, but maybe it is possible.
Not sure if DVD Explorer will work with a MAC
http://www.codeguru.com/cpp/data/dat...cle.php/c12025
http://dvd-audio.sourceforge.net/
http://flac.sourceforge.net/download.html
BTW - I make no claim of usefullness or safety or security for whatever Freeware/Shareware, etc that you or anyone else may choose to use.
I don't recall all the different software bits that might be available to veiw and/or extract files from AOB - it's peice-meal and somewhat cumbersome. Even then I am not sure you can get all the way back to WAV; don't remember. I know I have NOT done it, but maybe it is possible.
Not sure if DVD Explorer will work with a MAC
http://www.codeguru.com/cpp/data/dat...cle.php/c12025
http://dvd-audio.sourceforge.net/
http://flac.sourceforge.net/download.html
BTW - I make no claim of usefullness or safety or security for whatever Freeware/Shareware, etc that you or anyone else may choose to use.
#25
I have created 100's of surround albums in multiple formats. As a rule, I grab any and all surround sources (DVD-DTS 48khz, DVD-AC3, DVDA, SACD, etc.) and re-encode into all of these: WMA Pro (5.1 surround), MP3-surround (Fraunhoffer), AC3, DTS 48khz, DTS 44.1khz, and original DTS in FLAC containers. My 06 RL will play DTS 44.1 perfectly, and sometimes re-ripped DVDA's (in DVD+R format only). I carry 200 DTS CD's in my RL all the time, all of which I hand-made. It used to take me hours to manually re-encode, but it now takes me maybe 5 minutes to create a DTS CD.
It's well worth it if you want to get the most out of your system. My next car will be the TL. Now, if only there was a good hacker who could get the TLs' HDD to play ANY surround format...
It's well worth it if you want to get the most out of your system. My next car will be the TL. Now, if only there was a good hacker who could get the TLs' HDD to play ANY surround format...
#26
We're all happy you can do this, care to show us how you did it? Specifics in platform and software?
When you grab any and all surround sources and re-encode, what does that mean specifically, break it down?
When you grab any and all surround sources and re-encode, what does that mean specifically, break it down?
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