By The Rocks...
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By The Rocks...
I got bored the other and decided to take pictures on a street with trees and at Vasquez rocks. Unfortunately my battery for my camera ran out, so I will be updating this thread when I go back for more pictures.
This was my first time using photoshop, so I still need to develop some better skills with it.
Less talk, more pictures...
One shot on the street (only one I edited)
Vasquez Rocks
Some Black and Whites
Changed the lighting
Messing around with Photoshop
All comments are welcome. Thanks for looking...
This was my first time using photoshop, so I still need to develop some better skills with it.
Less talk, more pictures...
One shot on the street (only one I edited)
Vasquez Rocks
Some Black and Whites
Changed the lighting
Messing around with Photoshop
All comments are welcome. Thanks for looking...
#2
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yo yo nice work... For the black and Whites. I would up the contrast a bit makes the picture a bit more vivid. possibly brighten it up too.
Was that photoshop or do you have a fisheye lens?
Was that photoshop or do you have a fisheye lens?
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It was the lens I was using. 24-105mm lens. I have a fisheye as well but didnt use it this time.
Thanks for the tips, I will keep that in mind for my next batch
Thanks for the tips, I will keep that in mind for my next batch
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Thanks for the kind words.
Haha, right after the 5th shot was taken, a LA county Police officer rolled into the park and stared at me, because I wasnt allowed t park there. He ended up waving high and driving right past me.
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You seem to have a pretty good eye for framing your shots. That's half of being a good photographer. The other half is managing the light, which is not so well accomplished in these shots. Next time you go out, time the daylight so that the sun is either behind you or high in the sky, like around noon.
All around though, those are pretty good shots. Photoshop takes a lot of time and playing around with to really master so just keep messing with it. Start messing with channels and layers. That's where you really start unlocking the power of the program.
All around though, those are pretty good shots. Photoshop takes a lot of time and playing around with to really master so just keep messing with it. Start messing with channels and layers. That's where you really start unlocking the power of the program.
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You seem to have a pretty good eye for framing your shots. That's half of being a good photographer. The other half is managing the light, which is not so well accomplished in these shots. Next time you go out, time the daylight so that the sun is either behind you or high in the sky, like around noon.
All around though, those are pretty good shots. Photoshop takes a lot of time and playing around with to really master so just keep messing with it. Start messing with channels and layers. That's where you really start unlocking the power of the program.
All around though, those are pretty good shots. Photoshop takes a lot of time and playing around with to really master so just keep messing with it. Start messing with channels and layers. That's where you really start unlocking the power of the program.
I figured the shots I took didnt have enough light, since it was around 3 or 4 in the afternoon. Thanks for the advice.
I have some shots I took this morning, I am finishing them up right now in photoshop, and then I will upload them.
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Well I here are a few of the pictures I took early this morning...
And some that were tinkered with a little bit...
Any more tips and advice will be greatly appreciated.
And some that were tinkered with a little bit...
Any more tips and advice will be greatly appreciated.
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Now we're talking. See how much more 3D they look with the direct lighting?
Something else to tinker with is using a flash in full daylight. It's called a foreground fill and it will cause what's close to you to stand out from background more. This only works if your foreground subject is significantly closer to you then stuff in the background and not more than maybe 20 feet away. For instance that first pic would really benefit from such a technique. You do need to be aware of specular highlights from the flash though. In other words, you need to position yourself so that you won't see a big old reflection of the flash in the windshield.
Good work though. It looks like you've got "the eye" for photography.
Something else to tinker with is using a flash in full daylight. It's called a foreground fill and it will cause what's close to you to stand out from background more. This only works if your foreground subject is significantly closer to you then stuff in the background and not more than maybe 20 feet away. For instance that first pic would really benefit from such a technique. You do need to be aware of specular highlights from the flash though. In other words, you need to position yourself so that you won't see a big old reflection of the flash in the windshield.
Good work though. It looks like you've got "the eye" for photography.
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Thanks.
Thanks for the compliment and advice man. I definitely be trying that wt my next photoshoot and see how it turns out.
haha, it isnt nearly as creepy as it looks. There are actually houses around it. This place has been all over TV though. Movies, shows, westerns, pretty much everything.
Now we're talking. See how much more 3D they look with the direct lighting?
Something else to tinker with is using a flash in full daylight. It's called a foreground fill and it will cause what's close to you to stand out from background more. This only works if your foreground subject is significantly closer to you then stuff in the background and not more than maybe 20 feet away. For instance that first pic would really benefit from such a technique. You do need to be aware of specular highlights from the flash though. In other words, you need to position yourself so that you won't see a big old reflection of the flash in the windshield.
Good work though. It looks like you've got "the eye" for photography.
Something else to tinker with is using a flash in full daylight. It's called a foreground fill and it will cause what's close to you to stand out from background more. This only works if your foreground subject is significantly closer to you then stuff in the background and not more than maybe 20 feet away. For instance that first pic would really benefit from such a technique. You do need to be aware of specular highlights from the flash though. In other words, you need to position yourself so that you won't see a big old reflection of the flash in the windshield.
Good work though. It looks like you've got "the eye" for photography.
haha, it isnt nearly as creepy as it looks. There are actually houses around it. This place has been all over TV though. Movies, shows, westerns, pretty much everything.
#20
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he did not replace them for one, for two they are not clear.
the entire light housings were replaced with JDM ones from Japan.
the side markers are blue, not clear.
it's about $800 or so for the housings.
you will notice on the USDM lights, with the orange sides, there is also
an orange turn signal (the middle of the 3 lights) and in the JDM
ones above the turn signal lense is clear.
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BTW, you car is insane. You hav the fastest, and in my eyes, one of the cleanest ASM's out there. Im proud to be in the same color scheme as you
I will be doing another photoshoot soon with my new parts...
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#30
The distortion in your first set is crazy! Ha. But they still look good.
I love your second set.
These are my favorites. Incredible! Especially the first one. I don't know what it is about it, but it's
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