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Well that was fast but didn't expect anything less. Bet you were even able to make some money on it too.
Have you had a chance to take any shots with it yet?
Nah, I dont like scalpers or schillers. I sold it for what I paid for it locally. So MSRP plus the tax, which I get a discount on being in media. Sold it to a cool guy who does architectural photography and he didnt get his pre-orders in on time.
I posted some photos in two different posts in the random photo thread. Haven't shot anything with the new lens yet.
Nah, I dont like scalpers or schillers. I sold it for what I paid for it locally. So MSRP plus the tax, which I get a discount on being in media. Sold it to a cool guy who does architectural photography and he didnt get his pre-orders in on time.
I posted some photos in two different posts in the random photo thread. Haven't shot anything with the new lens yet.
EVELOPMENT OF NEW FIRMWARE FOR NIKON’S FULL-FRAME MIRRORLESS CAMERAS, THE NIKON Z 7 AND NIKON Z 6
Continuing to Adapt to Changing User Needs with the Addition of New Functions and Improvements of Capabilities
MELVILLE, NY (February 13, 2019 at 11:01 P.M. EST) – Nikon Inc. is pleased to announce additional details regarding the development of new firmware for its full-frame mirrorless cameras, the Nikon Z 7 and Nikon Z 6. The firmware in development includes new functions for the Z 7 and Z 6, such as Eye-Detection AF, RAW video output, and support for CFexpress memory cards. In addition, the cameras’ AF/AE functions will be further improved.
The Z series will continue to flexibly respond to changing user needs and offer next-generation features that give users new creative opportunities.
Functions and capabilities to be added and improved with new firmware:
1. Support for Eye-Detection AF for still image shooting (scheduled for release in May 2019).
Eye-Detection AF is convenient for portrait photography. The Eye-Detection AF in development will work not only with the AF-S (Single AF) focus mode that is convenient when photographing still human subjects, but also with the AF-C (Continuous AF) focus mode, which is effective when photographing human subjects that frequently adjust or change their pose. What's more, the function is capable of detecting multiple eyes, from which the user can select the eye upon which the camera should focus, allowing the photographer greater flexibility when photographing multiple people to suit their intent.
2. Increased AF/AE performance (scheduled for release in May 2019)
AE (auto exposure) tracking will be newly possible in continuous high-speed (extended) mode, in addition to the AF tracking that existed previously. In addition, low-light AF performance will be improved, enabling faster autofocusing in dark or dimly lit surroundings with both still-image shooting and movie recording.
3. Support for RAW video output
Output of 4K UHD and Full HD RAW data stream from the camera will be supported. The output RAW data stream can then be recorded in the compatible RAW format using an external recorder. This will allow users to utilize rich 12-bit colors to achieve flexible color grading.
Release timing for this feature will be announced at a later date.
4. Support for CFexpress memory cards
The new firmware will provide support for CFexpress, a new standard for memory cards. Having passed durability tests in which they were inserted and removed from a camera 12,000 times, these memory cards offer users a greater sense of security. They also offer high-speed performance that will provide users with a more efficient workflow. After upgrading, users will be able to use both CFexpress as well as XQD cards in their camera interchangeably. In addition to the Z 7 and Z 6, in the future, CFexpress memory card support will be added to the Nikon D5 (XQD-Type), Nikon D850, and Nikon D500 digital SLR cameras as well.
Release timing for this feature will be announced at a later date.
NIKON UNVEILS THE NIKKOR Z 24-70MM F/2.8 S, A FAVORITE ZOOM LENS REBORN FOR THE Z SERIES
The NIKKOR Z 24-70mm f/2.8 S Implements the Latest Nikon Optical Technologies to Reinvent One of Nikon’s Most Coveted Zoom Lenses for the Full-Frame Mirrorless Z System
MELVILLE, NY (February 13, 2019 at 11:01 P.M. EST) – Today, Nikon Inc. announced the NIKKOR Z 24-70mm f/2.8 S: a much-anticipated, fast-aperture zoom lens that’s ideal for professional and advanced photographers who capture portraits, landscapes, weddings and events, as well as content creators who shoot video using Nikon’s revolutionary new Z Mount System. Designed to take full advantage of the wider, brighter and faster Z Mount, this new S-Line lens delivers stunning sharpness all the way to the corners of the frame, even when used at its maximum aperture.
The NIKKOR Z 24-70mm f/2.8 S is the first NIKKOR lens to use the all new Nikon-designed ARNEO coat, which is used in conjunction with Nikon’s Nano Crystal Coat to significantly minimize flare and ghosting. The lens also includes Nikon’s new Multi-Focus System to help ensure fast and accurate autofocus even when shooting close-up subjects. Additionally, the 24-70mm f/2.8 S is the first NIKKOR Z lens to feature a dedicated manual focus ring independent of the customizable control ring, a Function (L-Fn) button, and an Organic EL Lens Information Panel for quick reference of key settings such as focus distance, depth-of-field, aperture and focal length.
“The NIKKOR Z 24-70mm f/2.8 S is the lens that Z Series users have been waiting for, a lens that many photographers and videographers would never leave home without,” said Jay Vannatter, Executive Vice President, Nikon Inc. “Lightweight and tack sharp, the 24-70mm f/2.8 S is a great example of the outstanding performance and portability that is possible with our next-generation Z Mount System.”
NIKKOR Z 24-70mm f/2.8 S – Performance, Precision and Optical Superiority
The NIKKOR Z 24-70mm f/2.8 S builds on a century of Nikon optical heritage by harnessing the technical advantages of the Z Mount. This type of lens is known as a photographer favorite due to its versatility, useful zoom range, fast aperture and sharpness. Nikon was able to redesign this all-around zoom lens to achieve a new standard of performance, while making it both smaller and lighter—approximately 24.7% lighter and 18.4% shorter than the popular AF-S NIKKOR 24-70mm f/2.8E ED VR lens.
The NIKKOR Z 24-70mm f/2.8 S takes advantage of the latest optical technologies to ensure exceptional control of aberration, ghosting and flare. Featuring an optical construction of 17 elements in 15 groups—including two ED glass elements and four aspherical elements—the lens delivers sharp, virtually vignette-free performance from edge-to-edge across its entire zoom range, even at maximum aperture.
Additionally, the NIKKOR Z 24-70mm f/2.8 S is the first NIKKOR lens to feature Nikon’s all-new ARNEO coating: a multi-layer coating that is used in conjunction with Nano Crystal Coating for superior anti-reflective performance. While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles. This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.
To help ensure fast, accurate and silent autofocus, the NIKKOR Z 24-70mm f/2.8 S combines a powerful stepping motor (STM) with Nikon’s new Multi-Focus System. This system uses two actuators to move two focus groups at once, enabling the lens to achieve critical focus rapidly from nearly any distance, including close-up shooting.
The 24-70mm f/2.8 S is the most customizable NIKKOR Z lens yet. The lens features an Organic EL Lens Information Panel that allows for quick confirmation of aperture and focal length or focus distance and depth-of-field without looking at the viewfinder. For enhanced versatility, the addition of a L-Fn button allows you to set over 20 custom functions when shooting stills. The lens is also the first to feature an independent focus ring in addition to the customizable control ring found on all S-Line lenses, giving professional photographers and videographers more comfortable and convenient control over their shooting experience.
Finally, the NIKKOR Z 24-70mm f/2.8 S was designed to excel at video in addition to stills capture, taking full advantage of the industry-leading video features found in the Nikon Z 6 and Z 7. Its design minimizes focus breathing, preventing the angle of view from changing when the focus is adjusted; the stepping motor and Multi-Focus System ensure fast, accurate and quiet focusing; full compatibility with the built-in 5-axis VR of the Nikon Z System ensures users can capture super-smooth video hand-held; and the customizable control ring, independent focus ring and Organic EL panel give filmmakers even more control over this exceptional lens on-set.
The NIKKOR Z 24-70mm f/2.8 S is destined to be an instant classic—a must-own lens for Nikon Z Series creators of all types.
Key Features:
An indispensable standard zoom lens for professionals, advanced photographers and video creators—ideal for environmental portraits, landscapes, weddings, events, studio and street photography.
Constant f/2.8 aperture throughout the zoom range delivers the subject separation, speed and gorgeous bokeh professionals demand.
Exceptional optical performance achieves edge-to-edge sharpness and minimal aberration in an incredibly lightweight and portable package, thanks to the revolutionary new Z mount.
All-new ARNEO coating works in conjunction with Nikon’s Nano Crystal Coat to minimize ghosting and flare when the light source is within the frame.
Fast, accurate and quiet autofocus throughout the zoom range, thanks to Nikon-designed Multi-Focus System and Stepping Motor.
Built-in Function (L-Fn) button, Organic EL Lens Information Panel and independent focus ring give creators more control over their shooting experience.
Fully compatible with in-camera 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops1 of image stabilization without adding to the size or weight of the lens.
Optimized for video, with reduced focus breathing, a quiet stepping motor, customizable control ring, and the ability to take advantage of the in-camera 5-axis VR + eVR of the Nikon Z 6 and Z 7.
Designed with consideration to dust and drip resistance, and featuring a fluorine coat that effectively repels dust, water droplets, grease and dirt.
Price and Availability:
The NIKKOR Z 24-70mm f/2.8 S will be available in spring 2019 at a suggested retail price (SRP) of $2,299.952.
For more information about this lens, as well as the latest Nikon products including the full Nikon Z Mount System, please visit www.nikonusa.com.
1. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
2. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Ohh it was only a development announcement of the D6 and 120-300mm f2.8
September 4, 2019
TOKYO - Nikon Corporation (Nikon) is pleased to announce that it is developing the Nikon D6 professional digital SLR camera and the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR telephoto zoom lens compatible with the Nikon FX format.
Nikon released the D1 digital SLR camera in 1999, making 2019 the 20th anniversary of the single-digit D series. Nikon's flagship single-digit D-series cameras have continued to evolve with some of the industry's most advanced technologies and imaging know-how cultivated over Nikon's long history in camera development, and responded to the strict demands of professional photographers with the ultimate in performance, even in the most severe conditions. With the D6, Nikon is currently developing its most advanced digital SLR to date.
This year also marks the 60th anniversary of the Nikon F mount adopted for the D series. The new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR that is also being developed will provide professional photographers in fields such as sports photography with even greater support.
Nikon is striving to expand possibilities for imaging expression and leading the way in imaging culture with both digital SLR and mirrorless camera systems, and a rich lineup of lenses.
*Details including release dates and retail prices for these products will be announced at a later date.
A BIGGER MOUNT TO SHARE THE BOLDEST IDEAS: IT’S EASY TO TAKE CREATIVITY FURTHER WITH THE LIGHTWEIGHT NIKON Z 50 MIRRORLESS CAMERA
Nikon Also Announces the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR, Two New Lenses That Deliver Incredible Image Quality and Outstanding Portability
MELVILLE, NY (October 10, 2019 at 12:01 A.M. EDT)– Today, Nikon Inc. announced the next Z series mirrorless camera, the DX-format Nikon Z 50, along with two new companion NIKKOR Z lenses, the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR. The new Nikon Z 50 takes full advantage of Nikon’s larger Z mount, providing creators of all types with the most innovative optical system for superior image and video quality. The compact and lightweight Nikon Z 50 was made for unique individuals seeking a camera that has the speed, portability and style to keep pace and share their creative storytelling and imagination, especially when paired with the new ultra-compact 16-50mm zoom and the slim 50-250mm telephoto zoom lenses.
“The new Nikon Z 50 is a small yet capable camera that brings the best of the Nikon Z series to all kinds of creators to discover, share and engage,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z DX lenses expands the Nikon Z series to provide new creative tools for those looking to take their photo and video passions to new heights.”
When a sudden case of jet-set wanderlust strikes, or if there’s an idea that just has to be shared in 4K video, the Nikon Z 50 is the unobtrusive companion that promises to help deliver content that truly stands out. This is Nikon’s first DX-format mirrorless camera, delivering a more compact lightweight system to those upgrading to mirrorless or discovering the Nikon Z mount system. The new Z 50 offers an ergonomic design, intuitive operability and the steadfast reliability Nikon is known for, but in a slimmer, lightweight and attainable body. Taking advantage of the Nikon Z mount, the Z 50 produces stunning image quality and provides optimal performance for any type of content creation, from still photography to high-quality 4K video.
SMALL ON SIZE, BIG ON FUN: The easy-to-carry, compact and lightweight 14-oz body of the Nikon Z 50 is designed with intuitive controls and an agile yet durable magnesium alloy frame. It’s effortless to carry while vlogging a vacation, hiking the backcountry or exploring a new part of town. Since it’s mirrorless, users can activate the silent shutter function for truly low-profile shooting in sensitive situations.
TELL YOUR STORY, BEAUTIFULLY: A DX-format 20.9-megapixel CMOS sensor delivers superior image quality, sharpness, color and tones to document it all, even in low light. The EXPEED 6 image-processing engine helps to achieve excellent low-light performance and the highest standard sensitivity in its class1 for still-image shooting – ISO 51,200 – so users can capture high-resolution photos in challenging lighting conditions, like concerts or night street photography.
HIGH-SPEED PERFORMANCE: The camera quickly locks focus with a 209-point Hybrid AF System that enables broad coverage of approximately 87% of the frame horizontally and 85% vertically. It’s also the first Nikon DX-format camera to employ Eye-Detection AF, which makes portrait photography simple by recognizing and instantly focusing on a subject’s eyes, even if they are moving. What’s more, with fast 11 fps (with AF/AE) continuous shooting, users can keep up with fleeting moments and never miss a moment of the action.
FLIP-DOWN SELFIE SCREEN: The Nikon Z 50 features an easy to use interface with a 3.2-inch flip-down LCD touchscreen that’s ideal for selfies and vlogging. The LCD features familiar soft keys and icons, while intuitive controls make storytelling simple. Selfie Mode automatically disables all but essential controls while the LCD is flipped down, which makes it easy for the photographer to turn the camera on themselves and capture flattering photos and videos without worry of accidentally changing settings.
EPIC VIDEO FEATURES AND NEW CREATIVE OPTIONS: Sharp, vibrant 4K video is just the beginning – Experience built in 120p slow-motion, time-lapse and interval timer as well as in-camera video trimming and 20 Creative Picture Controls. These Creative Picture Controls and Special Effect modes instantly transform an image or video footage, while Scene Modes automatically adjust settings to optimize performance for beginners. For smooth footage, the camera also incorporates additional built in stabilization while shooting Full HD or 4K video.
SHARE BETTER CONTENT, INSTANTLY: Built-in Wi-Fi® and Bluetooth connectivity along with support for the new SnapBridge2 version 2.6 app allows users to seamlessly share still images and videos with friends, families and followers. In addition to automatically sending gorgeous images to one’s phone, users now also have the ability to easily transfer video to their smart device quickly. The latest version of SnapBridge also supports RAW image transfer and advanced remote capture functions.
THE NIKKOR Z DX 16-50mm f/3.5-6.3 VR& NIKKOR Z DX 50-250mm f/4.5-6.3 VR – NEXT GENERATION DX-FORMAT NIKKOR LENSES
The new NIKKOR Z DX 16-50mm standard zoom and the NIKKOR Z DX 50-250mm telephoto zoom lenses are designed to complement the new Z 50, striking the balance of small size and sharp optics. The NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens is a slim zoom lens that lets users capture a wide variety of scenes, from beautiful landscapes to candid portraits. The compact telephoto NIKKOR Z DX 50-250mm f/4.5-6.3 VR lens allows anyone to go the extra distance and capture far-away subjects, like city skylines or birds in flight. When paired with the new lenses, Dual Detect Optical VR is enabled on the Z 50 to help control the effects of camera shake when shooting.
Both the new NIKKOR Z DX lenses unleash the potential of the Nikon Z mount, using the superior design flexibility made possible by the large-diameter and the 16mm flange focal distance to deliver outstanding optical performance and sharpness in a deceptively compact form factor.
In addition to achieving incredible image quality, the new NIKKOR Z DX lenses are optimized for video capture when paired with the Z 50, making them must-haves for emerging content creators. Both lenses promise reduced focus breathing, a customizable control ring for smooth control of aperture or exposure compensation, as well as fast and quiet operation. Additionally, the new lenses offer in-lens optical Vibration Reduction (VR) technology to allow for smooth recording, with camera shake compensation equivalent to 4.5 stops3 and 5.0 stops3, respectively.
Beyond these two new lenses, Nikon Z 50 users can enjoy greater variety in imaging expression by mounting any of the current lenses in the NIKKOR Z lineup. A vast selection of traditional F-Mount NIKKOR lenses is also available to shooters via the Mount Adapter FTZ, with many lenses retaining functions such as VR and AF.
Price and Availability
The Nikon Z 50 will be available in November 2019, in several configurations including body-only for a suggested retail price (SRP) of $859.95*, a one-lens kit with the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens for a SRP of $999.95* or a two-lens kit with both the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR lenses for a SRP of $1349.95.
For more information on the latest Nikon products, including the new Nikon Z 50, NIKKOR Z DX 16-50mm f/3.5-6.3 VR, NIKKOR Z DX 50-250mm f/4.5-6.3 VR and the full Nikon Z mount system, please visit www.nikonusa.com.
The maximum sensitivity available with movie recording is ISO 25600.
For information regarding smart device compatibility and to download the appropriate app for the Nikon cameras with Wi-Fi capability built-in, NFC capability built-in, and/or Bluetooth capability built-in, please visit nikonsnapbridge.com. Please Note: Nikon cameras having Bluetooth built-in can only be used with a compatible smart device with Bluetooth 4.0 or later (i.e., a smart device that supports Bluetooth Smart Ready/Low Energy).
Measured in accordance with CIPA standards. When a mirrorless camera equipped with an APS-C size image sensor is used. Measured at the maximum telephoto position.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
the main idea of a flip screen is for vlogging and selfies I suppose... but if the design is from the bottom, I can't see this being helpful for vloggers (or at least vloggers that want to use this on a tripod)
Last edited by is300eater; 10-10-2019 at 09:59 AM.
I'm behind the times, so I'm not sure what the big deal is with mirrorless.
I picked up the z7 when it came out.
The big with mirrorless in general is small lighter bodies. The bigger deal with nikon is a new larger diameter mount with all new optics in addition to smaller and lighter bodies.
The big with mirrorless in general is small lighter bodies. The bigger deal with nikon is a new larger diameter mount with all new optics in addition to smaller and lighter bodies.
because you see your actual exposure in real time? How does that work when working with flash?
I've been so impressed with the Sony eye AF. It really seems amazing. But I'm not going to switch brands again, unless Nikon goes belly up.
sorry, I meant to reply the other day but got sidetracked. Anyways, yes... the whole "what you see is what you get" thing is nice... but also NOT having to "chimp" is great for event photogs. The perfect example would be when I attended my cousin's wedding. I wasn't the paid photog, but I bought my camera anyway... After the kiss, the paid photog was too busy chimping to see if he got the shot. But he completely missed what happened right after that. The groom (my cousin's husband) threw his fist in the air and yelled "YEAH!!" towards his buddies that were sitting in the back. You can see in the picture the paid photog was in the aisle squatting down looking at the back of his camera (you can see his head at the bottom left corner of the picture). I remember Justin (the groom) immediately noticed that the photog missed the shot and was a bit disappointed because he wasn't going to do it again, that would be just corny. At the reception, I approached him and told him that I got the shot and showed it to him he was totally pleased.
I mean, I'm not saying it's BECAUSE the paid photog was using a dSLR he missed the shot... it can also be blamed on the simple fact that perhaps if he had more experience, he would have kept shooting away and not worry so much about "the kiss" (because it's already happened). BUT because with dSLRs, you can't see the picture in the EVF, there's the tendency of looking at the screen to check. I didn't have to because I "know" I got the shots
because you see your actual exposure in real time? How does that work when working with flash?
I've been so impressed with the Sony eye AF. It really seems amazing. But I'm not going to switch brands again, unless Nikon goes belly up.
you'd turn off effects so that the EVF would basically act like an OVF (and NOT get "what you see is what you get"). I have that function programmed on a customer button so I can get to it fast
Your example of the use of EVF for an event photographer really makes a lot of sense. If I had a bunch of money sitting around I'd love to get a Sony A73 or A7r3 and a lens and have a go at it.
Your example of the use of EVF for an event photographer really makes a lot of sense. If I had a bunch of money sitting around I'd love to get a Sony A73 or A7r3 and a lens and have a go at it.
it's always expensive to switch mounts, I'm sure Nikon will come out with 2nd gen of the Z bodies soon and with the FTZ adapter (which is oftentimes free with purchase), it's a no-brainer transition IMO. Both Canon and Nikon did a pretty good job in their first FF mirrorless... I would think 2nd gen would be more worthy.
Brings the rear element closer to the film plane...better for light and sharper optics. Also opens up the ability of lens adapter to so much more glass.
it's always expensive to switch mounts, I'm sure Nikon will come out with 2nd gen of the Z bodies soon and with the FTZ adapter (which is oftentimes free with purchase), it's a no-brainer transition IMO. Both Canon and Nikon did a pretty good job in their first FF mirrorless... I would think 2nd gen would be more worthy.
I think Canon kinda fucked up their mirrorless debuts...both with the M series and the RF series...but thats another can of worms.
Nikon also just released the cropped frame Z50.
Sure...Sony is more mature in the market with AF and and eye focus. But Nikon isn't too far behind. And unless your photographing sports its not a big deal or something you'd really notice. But you choose the system that works best for you.
If the Leica Q2 had been out I might not have gone back to Nikon...and the Sigma FP is a FF mirrorless in a REALLY small body that is pretty badass...but no flip screen yet.
the FP is mirrorless AND shutterless, it's more geared towards videography tho IMO.
They are definitely trying to push that aspect.I played with one a little, its a pretty rad little set up...just needs a flip screen. The Leica Q2 is just dreamy. Similar specs to the Z7...slighty wider lens than my 35mm...more simplistic layout to just focus on capturing images. Good stuff.
I think Canon kinda fucked up their mirrorless debuts...both with the M series and the RF series...but thats another can of worms.
Nikon also just released the cropped frame Z50.
Sure...Sony is more mature in the market with AF and and eye focus. But Nikon isn't too far behind. And unless your photographing sports its not a big deal or something you'd really notice. But you choose the system that works best for you.
If the Leica Q2 had been out I might not have gone back to Nikon...and the Sigma FP is a FF mirrorless in a REALLY small body that is pretty badass...but no flip screen yet.
Like Ken said, I'm hoping the next gen mirrorless from Nikon is worthy.
sorry, I meant to reply the other day but got sidetracked. Anyways, yes... the whole "what you see is what you get" thing is nice... but also NOT having to "chimp" is great for event photogs. The perfect example would be when I attended my cousin's wedding. I wasn't the paid photog, but I bought my camera anyway... After the kiss, the paid photog was too busy chimping to see if he got the shot. But he completely missed what happened right after that. The groom (my cousin's husband) threw his fist in the air and yelled "YEAH!!" towards his buddies that were sitting in the back. You can see in the picture the paid photog was in the aisle squatting down looking at the back of his camera (you can see his head at the bottom left corner of the picture). I remember Justin (the groom) immediately noticed that the photog missed the shot and was a bit disappointed because he wasn't going to do it again, that would be just corny. At the reception, I approached him and told him that I got the shot and showed it to him he was totally pleased.
I mean, I'm not saying it's BECAUSE the paid photog was using a dSLR he missed the shot... it can also be blamed on the simple fact that perhaps if he had more experience, he would have kept shooting away and not worry so much about "the kiss" (because it's already happened). BUT because with dSLRs, you can't see the picture in the EVF, there's the tendency of looking at the screen to check. I didn't have to because I "know" I got the shots
geez why even chimp anyways. Memory is cheep.
And in the situation of a wedding or an event, it’s not like you can ask for whatever happened to be done again.
that said the last wedding I shot, I used my 6D2 and there was a backlit scene. I thought I metered to compensate for that but I still blew out the highlights and washed out the image.
had I an EVF (or maybe used live view) I would’ve known I was still blowing out the image.
in some situations I love the OVF, but I definitely like the advantages an EVF brings.
10-03-2018, 06:43 PM
