Canon: News, Rumors and Discussion Thread
12-27-2011, 08:59 PM
#241
Shoot in RAW, then process how you want. Shooting in b&w you lose information (bits).
12-28-2011, 05:16 PM
#242
all work and no play
^ +1 Canon's Digital Photo Professional is pretty easy to use for editing, and converting from raw. Free is a great price too when youre just getting your feet wet....or cheap and lazy like me 
01-09-2012, 08:59 AM
#243
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
http://www.dpreview.com/news/2012/01...nonG1X_Preview
London, UK, 9th January 2012 – Canon today introduces the PowerShot G1 X – a revolutionary new compact camera with a large CMOS sensor, designed to produce DSLR levels of image quality and control in a highly portable metal body. Created for professional and serious photographers, the PowerShot G1 X creates a prestigious new category at the top of Canon's legendary G-series line-up, and redefines the
performance achievable from a compact camera.
A high-quality camera in its own right or the perfect complement to a professional DSLR, the PowerShot G1 X combines EOS sensor technology with DIGIC 5 processing power, a new precision Canon lens and extensive manual control – creating the finest compact camera Canon has ever produced. Designed to be highly portable, the PowerShot G1 X features a zoom lens which retracts into a discreet, robust metal body, providing photographers with an unimposing camera that delivers high quality images and superior handling.
Professional levels of image quality
Incorporating Canon-developed technologies and expertise trusted by professionals worldwide, the PowerShot G1 X offers a level of image quality previously only possible with a Canon DSLR. It's Canon's first compact camera to feature a large, 4:3 aspect, 14.3 Megapixel CMOS sensor measuring 18.7mm x 14mm – similar in height to the APS-C sensors used within EOS DSLR models. Featuring the same pixel size and structure as the EOS 600D, and a surface area approximately 6.3 times larger than the sensor in the acclaimed PowerShot G12, it provides DSLR image quality in a body small enough to carry anywhere.
The increased sensor size allows photographers to have greater control over the depth of field, with increased potential to creatively and artistically isolate a subject from its background. Improved dynamic range enables users to accurately capture shadows and highlights within the same frame, while the 14.3 Megapixel resolution allows for the output of large-sized prints, or permits images to be cropped for more powerful compositions.
The PowerShot G1 X also features a range of benefits that result from the advanced CMOS sensor technology developed within Canon's EOS range. On-chip noise reduction ensures images are clear, even at high ISO speeds, while a 4-channel read-out provides high speed image capture – ensuring fast, responsive performance in all conditions.
Combining the large sensor with the DIGIC 5 image processor, the HS System in the PowerShot G1 X sets new standards for low-light performance, with a maximum fullresolution ISO range of 100 to 12800 – a level never before seen in a Canon compact. Photographers can shoot using the ambient light in even the darkest of conditions, capturing natural shots with incredible detail and low noise – providing a powerful basis for low-light photography.
Precision lens technology
Developed using the same design, manufacturing and quality processes as the world renowned EF lens range, the lens in the PowerShot G1 X is built to achieve professional levels of image quality. Utilising Ultra high refractive index Aspherical (UA) elements and precision glass moulding technology, the lens achieves both a compact size and pin-sharp clarity for the most discerning of photographers. The lens retracts compactly into the camera body while offering a flexible 4x optical zoom range of 28mm – 112mm, giving photographers the option to use the zoom creatively and change the framing and perspective of their shot. A 6 blade aperture also combines with the largesized sensor to produce beautiful background blur.
To help ensure optimum image and Full HD movie clarity, the lens features a 4-stop optical Image Stabilizer (IS), allowing photographers to shoot in darker conditions and use shutter speeds up to four stops slower than would be possible without IS. The optical Image Stabilizer is supported by Intelligent IS which analyses the focal length, focal distance and type of camera movement and applies the most appropriate Image Stabilizer mode1. For example, when a panning motion is detected, Panning IS is activated and stabilises in only one direction for more artistic capture of movement across the frame. Hybrid IS technology is also included to capture macro subjects without the blur associated with shift camera shake.
The lens also includes an in-built 3-stop Neutral Density (ND) Filter, permitting the use of wider apertures in bright light to achieve a shallower depth of field, or to use slower shutter speeds to intentionally blur motion.
Extensive control
Following on from the control historically offered by the PowerShot G-series, the PowerShot G1 X offers Full Manual Control with shooting mode and exposure compensation dials for quick and intuitive access to a range of settings. For maximum control over the final image, the PowerShot G1 X fits seamlessly into the EOS photographer's workflow, supporting 14-bit RAW capture for smooth gradations and natural colours which can be fine-tuned using the supplied Digital Photo Professional (DPP) software.
Giving photographers the option to capture split-second action, the PowerShot G1 X features High-speed Burst HQ, capturing bursts of six full-resolution shots at 4.5fps to freeze fast-moving action. Alternatively, users can shoot continuously at 1.9fps right up to card capacity in JPEG format – ensuring longer sequences of action are captured.
High quality, Full HD movies
The PowerShot G1 X supports Full HD (1080p) movie capture instantly at 24fps, via a dedicated movie button. Taking advantage of the camera's large CMOS sensor, users can experience high quality movies, even in low light conditions, with the shallow depth of field associated with a larger sensor. Additionally, the 4x optical zoom can be used whilst filming, offering versatility, while stereo sound is also captured.
Professional handling
With its robust, stainless steel chassis and compact design, the PowerShot G1 X offers professional-quality handling. A large vari-angle, 7.5cm (3.0") PureColor II VA LCD screen allows photographers to shoot from virtually any angle or position, to get the composition they desire. The bright, high-resolution, 920k dot LCD provides a sharp, detailed platform for image framing and review, while an optical viewfinder (OVF) with dioptre adjuster gives photographers the option to shoot according to their individual style. A newly-integrated manual pop-up flash provides the option to add additional light to a scene, and, using the hotshoe, external Canon Speedlite flashes can also be used.
Advanced shooting modes
A range of advanced shooting modes are provided to assist photographers in capturing challenging scenes and situations. When shooting in very dark conditions without a tripod for example, Handheld Night Scene captures a high-speed sequence of shots, combining the data to produce one well-exposed image with minimal blur.
Additionally, High Dynamic Range (HDR) mode captures scenes with a particularly high range of bright and dark tones, taking multiple exposures and combining them to deliver rich detail in shadows and highlights.
Expanded potential through accessories
Ideal for EOS DSLR users, the PowerShot G1 X is compatible with a range of EOS System accessories, allowing photographers to instantly expand the potential of the camera. Canon's EX Speedlite flash units can be used for creative lighting, while the WP-DC44 waterproof case provides protection to a depth of 40m – ideal for shooting in the heavy rain or taking shots underwater – with full access to all controls.
An optional lens Filter Adapter, FA-DC58C, also enables photographers to use a range of filters, such as a circular polariser to enhance blue skies or remove reflections. For more even lighting when shooting macro subjects, a Macro Ring Lite adapter (MLA-DC1) allows Canon's Macro Ring Lite or Twin Lite flash units from the EOS System to be used.
Offering truly advanced levels of professional control alongside unprecedented image quality, the PowerShot G1 X is the ideal camera for professional and serious photographers who demand DSLR flexibility and quality from a compact camera.
PowerShot G1 X – key features:
Large 14.3 MP CMOS, DIGIC 5, HS System
Compact 4x zoom; Intelligent IS
7.5 cm (3.0") vari-angle LCD; OVF
Full Manual, RAW, DPP
Full HD, HDMI
High-speed Burst HQ
Smart Auto
Extensive accessories
HDR mode and ND filter
Optional 40m waterproof case
performance achievable from a compact camera.
A high-quality camera in its own right or the perfect complement to a professional DSLR, the PowerShot G1 X combines EOS sensor technology with DIGIC 5 processing power, a new precision Canon lens and extensive manual control – creating the finest compact camera Canon has ever produced. Designed to be highly portable, the PowerShot G1 X features a zoom lens which retracts into a discreet, robust metal body, providing photographers with an unimposing camera that delivers high quality images and superior handling.
Professional levels of image quality
Incorporating Canon-developed technologies and expertise trusted by professionals worldwide, the PowerShot G1 X offers a level of image quality previously only possible with a Canon DSLR. It's Canon's first compact camera to feature a large, 4:3 aspect, 14.3 Megapixel CMOS sensor measuring 18.7mm x 14mm – similar in height to the APS-C sensors used within EOS DSLR models. Featuring the same pixel size and structure as the EOS 600D, and a surface area approximately 6.3 times larger than the sensor in the acclaimed PowerShot G12, it provides DSLR image quality in a body small enough to carry anywhere.
The increased sensor size allows photographers to have greater control over the depth of field, with increased potential to creatively and artistically isolate a subject from its background. Improved dynamic range enables users to accurately capture shadows and highlights within the same frame, while the 14.3 Megapixel resolution allows for the output of large-sized prints, or permits images to be cropped for more powerful compositions.
The PowerShot G1 X also features a range of benefits that result from the advanced CMOS sensor technology developed within Canon's EOS range. On-chip noise reduction ensures images are clear, even at high ISO speeds, while a 4-channel read-out provides high speed image capture – ensuring fast, responsive performance in all conditions.
Combining the large sensor with the DIGIC 5 image processor, the HS System in the PowerShot G1 X sets new standards for low-light performance, with a maximum fullresolution ISO range of 100 to 12800 – a level never before seen in a Canon compact. Photographers can shoot using the ambient light in even the darkest of conditions, capturing natural shots with incredible detail and low noise – providing a powerful basis for low-light photography.
Precision lens technology
Developed using the same design, manufacturing and quality processes as the world renowned EF lens range, the lens in the PowerShot G1 X is built to achieve professional levels of image quality. Utilising Ultra high refractive index Aspherical (UA) elements and precision glass moulding technology, the lens achieves both a compact size and pin-sharp clarity for the most discerning of photographers. The lens retracts compactly into the camera body while offering a flexible 4x optical zoom range of 28mm – 112mm, giving photographers the option to use the zoom creatively and change the framing and perspective of their shot. A 6 blade aperture also combines with the largesized sensor to produce beautiful background blur.
To help ensure optimum image and Full HD movie clarity, the lens features a 4-stop optical Image Stabilizer (IS), allowing photographers to shoot in darker conditions and use shutter speeds up to four stops slower than would be possible without IS. The optical Image Stabilizer is supported by Intelligent IS which analyses the focal length, focal distance and type of camera movement and applies the most appropriate Image Stabilizer mode1. For example, when a panning motion is detected, Panning IS is activated and stabilises in only one direction for more artistic capture of movement across the frame. Hybrid IS technology is also included to capture macro subjects without the blur associated with shift camera shake.
The lens also includes an in-built 3-stop Neutral Density (ND) Filter, permitting the use of wider apertures in bright light to achieve a shallower depth of field, or to use slower shutter speeds to intentionally blur motion.
Extensive control
Following on from the control historically offered by the PowerShot G-series, the PowerShot G1 X offers Full Manual Control with shooting mode and exposure compensation dials for quick and intuitive access to a range of settings. For maximum control over the final image, the PowerShot G1 X fits seamlessly into the EOS photographer's workflow, supporting 14-bit RAW capture for smooth gradations and natural colours which can be fine-tuned using the supplied Digital Photo Professional (DPP) software.
Giving photographers the option to capture split-second action, the PowerShot G1 X features High-speed Burst HQ, capturing bursts of six full-resolution shots at 4.5fps to freeze fast-moving action. Alternatively, users can shoot continuously at 1.9fps right up to card capacity in JPEG format – ensuring longer sequences of action are captured.
High quality, Full HD movies
The PowerShot G1 X supports Full HD (1080p) movie capture instantly at 24fps, via a dedicated movie button. Taking advantage of the camera's large CMOS sensor, users can experience high quality movies, even in low light conditions, with the shallow depth of field associated with a larger sensor. Additionally, the 4x optical zoom can be used whilst filming, offering versatility, while stereo sound is also captured.
Professional handling
With its robust, stainless steel chassis and compact design, the PowerShot G1 X offers professional-quality handling. A large vari-angle, 7.5cm (3.0") PureColor II VA LCD screen allows photographers to shoot from virtually any angle or position, to get the composition they desire. The bright, high-resolution, 920k dot LCD provides a sharp, detailed platform for image framing and review, while an optical viewfinder (OVF) with dioptre adjuster gives photographers the option to shoot according to their individual style. A newly-integrated manual pop-up flash provides the option to add additional light to a scene, and, using the hotshoe, external Canon Speedlite flashes can also be used.
Advanced shooting modes
A range of advanced shooting modes are provided to assist photographers in capturing challenging scenes and situations. When shooting in very dark conditions without a tripod for example, Handheld Night Scene captures a high-speed sequence of shots, combining the data to produce one well-exposed image with minimal blur.
Additionally, High Dynamic Range (HDR) mode captures scenes with a particularly high range of bright and dark tones, taking multiple exposures and combining them to deliver rich detail in shadows and highlights.
Expanded potential through accessories
Ideal for EOS DSLR users, the PowerShot G1 X is compatible with a range of EOS System accessories, allowing photographers to instantly expand the potential of the camera. Canon's EX Speedlite flash units can be used for creative lighting, while the WP-DC44 waterproof case provides protection to a depth of 40m – ideal for shooting in the heavy rain or taking shots underwater – with full access to all controls.
An optional lens Filter Adapter, FA-DC58C, also enables photographers to use a range of filters, such as a circular polariser to enhance blue skies or remove reflections. For more even lighting when shooting macro subjects, a Macro Ring Lite adapter (MLA-DC1) allows Canon's Macro Ring Lite or Twin Lite flash units from the EOS System to be used.
Offering truly advanced levels of professional control alongside unprecedented image quality, the PowerShot G1 X is the ideal camera for professional and serious photographers who demand DSLR flexibility and quality from a compact camera.
PowerShot G1 X – key features:
Large 14.3 MP CMOS, DIGIC 5, HS System
Compact 4x zoom; Intelligent IS
7.5 cm (3.0") vari-angle LCD; OVF
Full Manual, RAW, DPP
Full HD, HDMI
High-speed Burst HQ
Smart Auto
Extensive accessories
HDR mode and ND filter
Optional 40m waterproof case
Sensor size Four Thirds (18.7 x 14 mm)
The estimated selling price of the Canon PowerShot G1 X camera is $799.99 and is scheduled to be available in February.
Last edited by Mizouse; 01-09-2012 at 09:02 AM.
01-09-2012, 09:01 AM
#244
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
http://photorumors.com/2012/01/09/th...t-g1-x-is-out/
PowerShot ELPH 520 HS Digital Camera
The feature-packed Canon PowerShot ELPH 520 HS camera resurrects the original PowerShot ELPH design with a more contemporary and radiant look and feel. This new stylish model has a 10.1-megapixel High-Sensitivity CMOS sensor along with a 12X Optical Zoom lens, ISO range of up to 3200 and wide-angle capabilities starting at 28mm. For photographers on the move, this camera also has Full HD 1080p video capture capabilities, a 3.0-inch LCD for easy viewing of images and High-Speed Burst mode where images are continuously captured at 6.8 frames per second.
The Canon PowerShot ELPH 520 HS camera will be available in black, silver, red and blue in March with an estimated selling price of $299.99.
PowerShot ELPH 110 HS Digital Camera
Canon's PowerShot ELPH 110 HS camera comes in a variety of fun, bright colors (black, silver, red, blue, green and pink) and is the ideal camera for new photographers. With a 5X Optical Zoom lens and wide-angle capabilities beginning at 24mm, this camera provides the user with the ability to fit an entire landscape or a specific area of a subject into one shot. The camera also features a16-megapixel High-Sensitivity CMOS Sensor, ISO range of up to 3200, 3.0-inch wide LCD and Full HD 1080p video capture for brilliant, high resolution quality. High-Speed Burst mode has also been included for continuous shooting up to 5.8 frames per second.
The Canon PowerShot ELPH 110 HS camera is scheduled to be available in February with an estimated selling price of $249.99.
Read more on PhotoRumors.com: http://photorumors.com/2012/01/09/th...#ixzz1iyQ0FmDh
The feature-packed Canon PowerShot ELPH 520 HS camera resurrects the original PowerShot ELPH design with a more contemporary and radiant look and feel. This new stylish model has a 10.1-megapixel High-Sensitivity CMOS sensor along with a 12X Optical Zoom lens, ISO range of up to 3200 and wide-angle capabilities starting at 28mm. For photographers on the move, this camera also has Full HD 1080p video capture capabilities, a 3.0-inch LCD for easy viewing of images and High-Speed Burst mode where images are continuously captured at 6.8 frames per second.
The Canon PowerShot ELPH 520 HS camera will be available in black, silver, red and blue in March with an estimated selling price of $299.99.
PowerShot ELPH 110 HS Digital Camera
Canon's PowerShot ELPH 110 HS camera comes in a variety of fun, bright colors (black, silver, red, blue, green and pink) and is the ideal camera for new photographers. With a 5X Optical Zoom lens and wide-angle capabilities beginning at 24mm, this camera provides the user with the ability to fit an entire landscape or a specific area of a subject into one shot. The camera also features a16-megapixel High-Sensitivity CMOS Sensor, ISO range of up to 3200, 3.0-inch wide LCD and Full HD 1080p video capture for brilliant, high resolution quality. High-Speed Burst mode has also been included for continuous shooting up to 5.8 frames per second.
The Canon PowerShot ELPH 110 HS camera is scheduled to be available in February with an estimated selling price of $249.99.
Read more on PhotoRumors.com: http://photorumors.com/2012/01/09/th...#ixzz1iyQ0FmDh
01-09-2012, 11:21 AM
#246
Rich and Famous
Canon {Acura} is resting on their laurels on that 60D {TL} , they have some breathing room, their breakthrough cam {SHAWD} (that they needed bad) was the 7D {MDX} . Nikon's {Lexus} breakthrough cam that they need is the next D90 {next LFA} - mainly because of the video {AWD} lead Canon {Acura} has taken. And, Nikon {Lexus} will have to do even more video-wise {cost-wise} , they also need D3 {RX} and D700 {LS} level cams with 1080p video {AWD} . my 2 cents!
01-09-2012, 02:39 PM
#247
Senior Moderator
G1X sounds good, I want to see sample pics. $799 sounds high for that kind of cam, but if the photos are really as good as they say, it could be justified.
01-09-2012, 07:45 PM
#248
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
I just wonder how it would compare to a NEX-5n
01-09-2012, 07:50 PM
#249
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
01-09-2012, 07:54 PM
#250
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
Wonder if they will do a S series with the same size sensor... That would be a P&S I want.
01-09-2012, 07:56 PM
#251
Senior Moderator
I'd guess they will use it in other cams. That would be pretty sweet on a S.
02-06-2012, 09:09 AM
#252
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
Canon EF 24-70 f/2.8L II
FEBRUARY 6, 2012 CANON LENSES FOLLOW ON OUR FORUM
111
Share
Canon EF 24-70 f/2.8L II
The long awaited replacement of the Canon EF 24-70 f/2.8L has finally shown up in pictures.
Specs
82mm Filter Thread
Lighter than version 1
I’ve heard a cost of $1799 – $1899 USD
Canon EF 24-70 f/2.8L II
cr
FEBRUARY 6, 2012 CANON LENSES FOLLOW ON OUR FORUM
111
Share
Canon EF 24-70 f/2.8L II
The long awaited replacement of the Canon EF 24-70 f/2.8L has finally shown up in pictures.
Specs
82mm Filter Thread
Lighter than version 1
I’ve heard a cost of $1799 – $1899 USD
Canon EF 24-70 f/2.8L II
cr
02-06-2012, 09:24 AM
#253
I hear all of the bitching that it's not IS.
02-06-2012, 10:28 AM
#254
The Third Ball
Join Date: Sep 2002
Location: Los Angeles, Ca
Age: 45
Posts: 49,125
Received 4,824 Likes
on
2,571 Posts
I don't care if its IS or not...I just hope its not a piece of shit like their first attempt at a 24-70.
I've had to use one twice now, and its just garbage.
I've had to use one twice now, and its just garbage.
02-06-2012, 10:42 AM
#255
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
How so?
02-06-2012, 11:01 AM
#256
I wasn't too pleased with the 24-70 when I had it either. The first shot I did with Nikon's version, showed me why.
02-06-2012, 11:33 AM
#257
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
I'm fine with mine, but I never used the Nikon equivalent so I don't know what you guys are talking about.
Also isn't the Nikon version newer?
Also isn't the Nikon version newer?
02-06-2012, 11:53 AM
#258
02-06-2012, 12:12 PM
#259
Senior Moderator
damn, sad you guys feel that way, thats one of Canon's best lenses!
nice on the lower weight of the new one, but it's odd it doesn't have IS, I thought that was a done deal. and 82mm!
nice on the lower weight of the new one, but it's odd it doesn't have IS, I thought that was a done deal. and 82mm!
02-06-2012, 12:32 PM
#260
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
Well hopefully it should be good. The 70-200 2.8 IS II is supposed to be great.
02-06-2012, 03:15 PM
#262
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
Not really that needed for that focal length.
Plus it would add a ton of weight (and cost) to an already heavy lens.
Plus it would add a ton of weight (and cost) to an already heavy lens.
02-06-2012, 04:37 PM
#263
02-06-2012, 06:22 PM
#264
The Third Ball
Join Date: Sep 2002
Location: Los Angeles, Ca
Age: 45
Posts: 49,125
Received 4,824 Likes
on
2,571 Posts
02-06-2012, 06:24 PM
#265
Senior Moderator
are we talking about the same lens? I've handled my share of cheap looking and cheap feeling lenses and the 24-70 is definitely not one of them! It's built like a f*cking tank!!! and it's not soft at the edges, mine at least.
speaking of which, I actually happened to dislocate the lens the other day at a show and it dropped from a height of about 5 feet straight to a hard floor - and it lived, no problems. Remember this thing is known as THE BRICK!!!!!
speaking of which, I actually happened to dislocate the lens the other day at a show and it dropped from a height of about 5 feet straight to a hard floor - and it lived, no problems. Remember this thing is known as THE BRICK!!!!!
02-06-2012, 06:31 PM
#266
The Third Ball
Join Date: Sep 2002
Location: Los Angeles, Ca
Age: 45
Posts: 49,125
Received 4,824 Likes
on
2,571 Posts
The one I used was a a couple times was a rental lens...but the sheer fact its like a stock zoom where the barrel extends as you zoom out is a cheap design. The barrel parts moved too freely, the lens just felt super cheap. Its not a tack sharp lens edge to edge.
Regardless of the looseness probably caused by the rental fleet usage...the lens felt cheap and was unimpressive for something wearing the L series monicker.
Regardless of the looseness probably caused by the rental fleet usage...the lens felt cheap and was unimpressive for something wearing the L series monicker.
02-06-2012, 06:33 PM
#267
Senior Moderator
24-70 rocks, I love it
02-06-2012, 06:35 PM
#268
The Third Ball
Join Date: Sep 2002
Location: Los Angeles, Ca
Age: 45
Posts: 49,125
Received 4,824 Likes
on
2,571 Posts
02-06-2012, 06:37 PM
#269
Senior Moderator
02-06-2012, 06:38 PM
#270
Senior Moderator
oh and I can't believe you're basing your experience on a RENTAL.
02-06-2012, 06:43 PM
#272
The Third Ball
Join Date: Sep 2002
Location: Los Angeles, Ca
Age: 45
Posts: 49,125
Received 4,824 Likes
on
2,571 Posts
02-06-2012, 06:44 PM
#273
The Third Ball
Join Date: Sep 2002
Location: Los Angeles, Ca
Age: 45
Posts: 49,125
Received 4,824 Likes
on
2,571 Posts
02-06-2012, 06:53 PM
#275
Well I didn't use a rental and when I shot my Nikkor 24-70 for the first time I was amazed what it produce. Much, much sharper than what I was used to with Canon equivalent.
Though I still don't use this focal length a lot. I didn't use it that much with Canon, because I wasn't happy with it.
Though I still don't use this focal length a lot. I didn't use it that much with Canon, because I wasn't happy with it.
02-06-2012, 07:13 PM
#276
Senior Moderator
alright, well I'll readily admit it doesn't hold a candle to Nikon's 24-70. 
02-06-2012, 07:53 PM
#277
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
Well mine is great, but you're right about the barrel extending, I'd have preferred an internal zoom.
Maybe later versions they improved the optics?
Maybe later versions they improved the optics?
02-06-2012, 07:57 PM
#278
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
True, but those probably have the cheaper grade IS like the ones in the 18-55mm kit lens
I think they didn't put it mainly cause of weight and cost.
If they put in a high end IS in it like on the 70-200 then the weight and cost would be high. :IMSO:
I think they didn't put it mainly cause of weight and cost.
If they put in a high end IS in it like on the 70-200 then the weight and cost would be high. :IMSO:
02-06-2012, 07:58 PM
#279
Moderator
Thread Starter
Join Date: Oct 2004
Location: Not Las Vegas (SF Bay Area)
Age: 39
Posts: 63,177
Received 2,773 Likes
on
1,976 Posts
Is that the new 28mm 1.8????? I want that lens..